Elegy for Eunice
Most who might have mourned her
have followed or preceded her to dust.
Those few who still do,
think of her less often every year.
It is only in the fleeting moments
when beauty she might have appreciated
crosses our vision
or a song she once favored is heard
that a sweet pang of missing her
stabs into our busyness
and we remember
how she guided our footsteps,
taught us a gentle way with animals,
prodded us to attain more
and let us go.
This is an elegy to one we have forgotten
too easily and too soon.
One that calls her back to mind,
restores her to her rightful place.
The dVerse Poets prompt today is to write a haibun making use of mono no aware—the beauty of transience. My post is not a haibun, but I hope it meets the rest of the prompt. You can see how others responded to the prompt HERE.
Mono no aware is not simply a morbid attitude toward impermanence. Rather, it is accepting “the beauty of passing things.” As such, Mono no aware lies at the heart of Japanese poetry. Basho, the progenitor of the haibun, exemplifies mono no aware in an excerpt from his “Narrow Road to the Interior” that you can read on the dVerse Poets prompt above.

Very touching Judy. Photos can truly stir the shadows of the past into warm colors.
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Your words put it beautifully, Rob.
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A touching tribute, and it’s lovely that there are visions of beauty and songs that restore Eunice to her rightful place.
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I appreciate you comment and you have encapsulated the poem exactly.
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A beautiful tribute, Judy
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Thanks, Aletta.
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This is very lovely
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So beautiful and poignant Judy
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Wonderful homage
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A wonderful tribute even if it is not a haibun… 🙂
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Thanks, Björn. Can’t always follow the rules to a “T” I guess! ;o)
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Oh! Love that picture. Makes me think of my mother (and grandma too) lovely and good enough for me. My post probably didn’t meet the haibun description either. Guess I’m out of practice.
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id be so honored if anyone gave me such a deep but “fleeting” thought. Oh so lovely.
ann
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Thanks, Ann. I’m pretty sure they will!! Hopefully many long years from now.
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Very beautiful tribute poem, Judy. That Cadillac is a real classic. Looks like it might be a 1954 or 55 model.
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My sister agrees that it was a ’49 model given our ages! It had visor over the front windshield and a space between the top of the back seat and the glass of the rear window big enough for me to lie down in. I remember riding there and coloring during this trip, then leaving the box of colors in the back window under the hot sun and the colors melting and spreading out all over that woven window well. I remember my mom trying to scrape it off after it hardened but there was always a slick layer of colors in between the weave.
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How very interesting! That has been a while
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Yes. I’d no longer fit into that window well.
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She is not forgotten, for as you noted:
“This is an elegy to one we have forgotten
too easily and too soon.
One that calls her back to mind,
restores her to her rightful place.”
She cannot be forgotten when elegies bring her memory back to life.
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Exactly.
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That looked like a good day.
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It was a trip from South Dakota to Idaho to see my aunt. When we arrived, I got out of the car and her little dog came hurtling down the sidewalk and bit me on the leg! I was frightened of dogs for years afterwards. Other than that, it was a wonderful trip. We saw geysers in Wyoming and visited my aunt and uncle and cousins in Wyoming as well as Idaho.
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Such a moving tribute, Judy, evocative of mono no aware.
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Thank you! I’m glad you enjoyed it.
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Who was Eunice?
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A touching and transparent elegy, and that last line is very much the re-membering of a person as I so often think of it.
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Absolutely beautiful. Somewhere close by, she is smiling.
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I hope so.
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So sorry this is so late. While not a haibun, it certainly evokes mono no aware.
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Thanks for commenting, Frank…
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