Category Archives: Infidelity

Most of the Time: A Serial Tale, Chapter 2

Well, again, today’s prompt is one I’ve already done, but the prompt I did yesterday involves taking the first and last line of a favorite book and using the last line as the first line of my writing and using the first line of the book as the last line in my piece.  I did so and the results, if you haven’t read them, you can find HERE.  I then asked readers to provide the name of another book and its first and last lines so I can continue the story.  I’m going to continue so long as people keep providing me the first and last lines.  More info about that is at the end of my Chapter 2.  So, here goes Chapter Two:

Most of the Time

Chapter 2

Nothing is an unmixed blessing. The fact that my frequent trips to the firing range furnished me with an easy out any time I wished to leave the house carried certain penalties. For one, I had no permit to carry a concealed weapon, so if I was planning on really going elsewhere, I had to figure out where in the house to stash my guns so Peter would not find them and start wondering why I would be going to a firing range with no guns. It was not an option to leave them in the car. I may be irresponsible in some regards, but gun safety is not one of them. I will not carry concealed weapons. Nor will I take the risk of anyone breaking into my car to steal them.

As careful as I am, I’ve been known to forget to lock the car. What if a child were to enter and find one of the guns and, thinking it was a toy, discharge it? So it was that I purchased the lock box that I kept in a special compartment, also locked, under the gardening box behind the lawnmower shed. I had it made specially, and it was so cleverly contrived that it was impossible to see that there was a secret slide-out compartment under the large chest that held clippers, shears, weed whacker, gloves, various lawn fertilizers, garden pest sprays and powders and about a thousand Daddy Long Legs that had decided this year to use it as their main clustering spot. A padlock secured it against any child getting into the poisons or any prowler making off with our tools, but there was a crack big enough to permit access by spiders, tiny frogs, and this year’s infestation of Daddy Long Legs.

I slid my fingers into the crack on the side of the secret compartment that allowed the lock to pop out, unlocked it and slid my Ruger Mark 4 into the small tray that ran along the left side of the compartment. There was plenty of room for several rifles or shotguns in addition to six or more pistols or revolvers, but it would have been overkill to pretend to take more than one firearm on a day when I had no intention of going to the range. It would be easy for me to sneak a small pistol into the house. Not so easy to deal with smuggling an item as large as a rifle if Peter happened to get home before I did.

I clicked the tray shut, heard the automatic lock snap in place, then turned the key to position the deadlock. Free at last! I sprinted to the car and spun out in my excitement to be off on another adventure. “She cleans closets by night, comes out of the closet by day” ran through my mind, picking up a melody as it repeated itself. No song had written itself in my mind for a very long time, and even this silly line began to acquire a validity that I might have disregarded if I hadn’t felt so elated to once again have the company of my muse. Even so, I had to admit the line didn’t have much of a chance as anything outside of a C&W refrain, but I’m no snob about music. I’m open to pretty much any kind of music that comes to me.

Peter hates it when I hum. He gets this irritated look, first, and if I continue in spite of it, his usual line is, “You’re humming again!” After twenty years of being cutting short by this line, I still feel put down every time he says it. “I am not farting!” I used to say, “—or snorting or coughing without covering my mouth. I am simply revealing my happy mood, not to mention my creativity. It’s an original song I’m humming, Peter. It’s part of my expression of my art.”

Those sorts of arguments didn’t make it much past our first year of marriage. It took me less time than that to learn that such unburdenings of my soul had absolutely no effect on Peter. The next time I hummed, the look he shot me was no less lethal. “Old women hum tunelessly under their breaths,” he once said during yet another putdown. “Can’t you save your humming for private moments?”

I rolled down the window and bellered. Top of my lungs. Top of the morning. I’d reached open country and there was no one to hear me with the exception of the crows and passing motorists, none of whom even turned their heads to check me out. I was noisily invisible. That was comforting, actually. I really enjoyed being the thing overlooked in places where I knew I didn’t belong. I would soon be that person again in whatever place I chose to enter next. I headed out for the industrial part of a very large town merely twenty miles away from the house I called home. That was far enough in this hugest of towns. I had never once run across anyone I knew on one of my little sorties. These little adventures were the dessert that kept me true to the restricted diet I was on in the other ninety-some percent of my life. I was going to have fun. Even if it killed me, I was going to have fun while I still remembered what fun was.

As I pulled off the four lane onto a long straight gray street, I could hear the buzz of the telephone lines, the maddening drone of a weed whacker, the electrical current pushing the street lights off and on, the rhythmic turning of cars whizzing by, the mashed together sound of people talking, TV’s and radios blaring, When I rolled up my window, all of the noises went away; but as I pulled to a stop in front of a little lowlife dive and opened the door, I could hear its neon sign doing its own cyclical hum to join with all the other sounds. “Ninny Ricketts Place” the sign announced without the benefit of apostrophe, and it joined in the humming mesmerizing chorus of that whole grim landscape until the buzz in the street was like the humming of flies caught between glass and the window screen, with no place else to go but here and no way to get there even should they determine to go.

To See Chapter 3, go Here.

Yesterday’s Prompt: Choose a book at random from your bookcase. Use the last sentence in the book as the first sentence of what you write. Then turn to the first sentence of the book and use it for your ending sentence. (I used the ending line of the book I chose as my title, which actually is the first line of a book to my way of thinking. Hereafter, however, I will use whatever prompt I’m given as the first line of the next section of the story.)

Today’s Prompt from Patti Arnieri: My suggestion is from “The Cuckoo’s Calling” by Robert Galbraith (otherwise known as J.K. Rowling). First line: “The buzz in the street was like the humming of flies.” Last line: “Nothing is an unmixed blessing.”

If you would like to suggest a book for me to use the first and last lines of for tomorrow’s writing, please give the title of the book, the author, and the book’s first and last lines in the comments section of this posting. Remember that I’ll use the last line as the first line of tomorrow’s posting and the first line as my last line. Who knows where this tale will wind? If no one gives me tomorrow’s prompting lines, the rest of the story will never be heard, and perhaps that is a good thing. C’est la vie.

P.S. If any of you would like to accept this same challenge, just watch to see what beginning and ending lines I use and use the same ones. If you are a day behind, no problem. It would be interesting to see what varied stories occur given the same beginning and ending lines. Please post a link to your story or poem on the page it corresponds to in my blog—i.e. the one where I make use of the same beginning and ending lines.Will anyone accept my challenge? Sam? Macgyver? Laura? John?

Most of the Time: A Serial Tale, Chapter 1

Instead of the WordPress prompts, I chose this one from the Poets & Writers site. The Prompt: Choose a book at random from your bookcase. Use the last sentence in the book as the first sentence of what you write. Then turn to the first sentence of the book and use it for your ending sentence. (I used the ending line of the book I chose as my title, which actually is the first line of a book to my way of thinking. Hereafter, however, I will use whatever prompt I’m given as the first line of the next section of the story.)

Most of the Time

I don’t remember much of my past. It makes it easier to live the present, that’s for sure. Ninny Ricketts, for example, is hidden so far back that I have to go into a dream state to remember her, and when I do, I’m unsure how much of what I remember is real and how much I’ve made up like people do, you know, when they are inventing excuses to tell their parents or, later, for their spouses.

In the past, I’ve gotten away with such lame excuses as that my lipstick was messed up because I ate an ice cream cone on the way home and had been rubbing my mouth with a napkin or that I have always worn a particular sweater backwards. It’s not that my husband hasn’t had his suspicions. He has been known to go out and sniff the backseat of my car like a German Shepherd, searching for drugs—as though he’d recognize the smell of sex after all these years of substituting fly rods for nookie. Still, even though I’m not the particular fish on his hook, he doesn’t want anyone else rifling through his bait box. Go figure.

I’ve become very good at covering up my tracks, or wriggles, or whatever you’d call this fish’s explorations of new waters. It’s become a sort of game. One that I always win. Which, I think, is okay with Peter. What he can’t prove, he doesn’t have to deal with. And Ninny Ricketts is buried so far back, as I said before, that there is not a person we are still in contact with that I’ve ever mentioned her name to. She is a fish once gone bad who has since faded away into nothingness—no longer an idea even fresh in my own remembrance. She is stripped bones on a pile of skeletons baked clean in the light of a day that only shines dimly in my memory.

With all this fish imagery, you would think I was a fisherman, but that is not a fact. It is my husband of 25 years who is the fisherman. I am the hunter in the family. That rack of guns locked up tight in the case in my husband’s man cave? They are mine. Even if he had a key, he would not have one iota of a sense of what to do with a gun—how to open the cylinder to load it or how to take aim. I tried to take him target shooting once, many years ago when love was new and he was doing anything I asked to meet my favor. But he could never see the point of wasting bullets on something you felt neither angst about nor an appetite for. We’d eaten thousands of fish in our years together, but never one thing I’d shot. I had no desire to eat anything I’d killed. My paper targets went into the recycling bin on my way out of the shooting range to go to the grocery store to buy the meat for our evening meal.

Now I retrieved the bag of raw steaks and potatoes and frozen peas from the back seat. A bit of blood had oozed out from the paper wrapping of the steaks and stained the back seat in one spot. I left it for Peter to discover. It would make his day interrogating me, and I could always produce the stained wrapper for proof. Having him obsess on the blood would distract him from other evidence of my real guilt—the new dress hanging in my closet where dresses had been shoved to the far edges long ago. The strapped dancing shoes and electric hair curler. If he had been the sort who looked at everything—the entire picture—he would have caught me years ago; but I was like that huge fish of legend that swam deep waters, emerging in a leap that defied the laws of gravity and mass every half year or so, far out in the lake where a single fisherman would see it and further the yarn of this Loch Ness Monster of fishes that had evaded the hook for scores of years.

I shifted the bag on my hip as I searched for the right key on the huge hank of keys I carried around with me everywhere I went. It made it easier, to hunt for one huge ring of keys other than to remember where individual keys were kept. It also made it harder for Peter to find the key that opens up the file cabinet where I keep my writing—all of my stories, essays, poems and journals.

“You evil, evil, woman,” he would say if he ever found and read them. But I am not an evil woman. I am merely one who has taken the reins of destiny into her own grip. I am in the driver’s seat of the buckboard of my own desires—fighting off love bandits in fern bars and marauding savages in late night diners. I have learned well the art of subterfuge—adopting the camouflage of ladies luncheon garb and pillow talk about charity bazaars and yoga lessons.

In the trunk of my car is a locked suitcase with a selection of sling-backed heels and dresses with swirly skirts to be slipped into before I wriggle out of the pants and jackets of neat pants suits or the simple streamlined skirts I don to exit and enter my house. These swirly skirts are redolent of the odors of barrooms: martini olives and Dos Equis, nicotine and the very faint skunk smell of really good pot. A slightly-opened bag of dark roast coffee obscures the odors sealed up in that case that my husband believes is my snow-emergency kit: gloves, long underwear, hat, muffler, snow boots, energy bars and water.

To be perfectly clear, most of the time I am the everyday housewife that has been my disguise for the 25 years of my marriage. Like an underground love goddess, I emerge on special assignment once or twice a year, feast on my fill of prurient pleasures, and then go underground again.

That is the sort of mission I was on the day I met Ninny Ricketts. I was on my way to the shooting range, wearing my usual Levis and t-shirt and Birkenstocks. Yes. I had strapped on the holster that usually held my favorite pistol on the days that I chose a handgun rather than a rifle or shotgun for my shooting practice. But on that day, there was just one difference. I didn’t wear my gun.

To Be Continued?

The book I chose was Kindness Goes Unpunished by Craig Johnson. If you would like to suggest a book for me to use the first and last lines of for tomorrow’s writing, please give the title of the book, the author, and the book’s first and last lines in the comments section of this posting. Remember that I’ll use the last line as the first line of tomorrow’s posting and the first line as my last line. Who knows where this tale will wind? If no one gives me tomorrow’s prompting lines, the rest of the story will never be heard, and perhaps that is a good thing. C’est la vie.

P.S. If any of you would like to accept this same challenge, just watch to see what beginning and ending lines I use and use the same ones. If you are a day behind, no problem. It would be interesting to see what varied stories occur given the same beginning and ending lines. Please post a link to your story or poem on the page it corresponds to in my blog—i.e. the one where I make use of the same beginning and ending lines. Will anyone accept my challenge? Sam? Macgyver? Laura? John?

To See Chapter 2, go HERE

Five Shadormas

The Prompt: For this week, write a shadorma (a non-rhyming six-line poem consisting of 3/5/3/3/7/5 syllables.)  Instead of following the WordPress prompt, My Circle of 5 will be 5 Shadormas. Thanks, Sam, for the prompt.

Used

 This paper
very slightly used–
erasures
and a stab.
This morning’s poem now dead–
unsung, unmourned.


Chinese Takeout

That rice grain
and the plastic fork–
evidence
against me
of another food court sin.
Yes, I ate it all.


Misanthrope

Walk away
lest you find reason
to stay here,
fouling up
your determination to
have a fucked-up life.


Signing the Papers

You prompt me
to mind my timing.
Five o’clock
on the dot.
I come early anyway.
Her scent signs the air.


Salt Water Taffy

Sweet toffee
cannot hide the tang–
bitter salt
on my tongue–
of all the tears I swallowed,
waiting for your touch.

To see more shadormas, go HERE.

NaPoWriMo Day 11: Strawberry Hill Forever

Poets have been writing about love and wine, wine and love, since the time of Anacreon, a Greek poet who was rather partial to that subject matter. Anacreontics might be described as a sort of high-falutin’ drinking song. So, today our prompt was to write about wine-and-love.

Strawberry Hill Forever

So take we rum and take we Coke
and sippy-straws so we don’t choke
on ice and limes within our glasses
and fall dead on our tipsy asses.

Let us to Elysian fields
take our drinks and also meals:
cheese and grapes and shepherd’s pie,
potato chips and ham on rye.

Let us frolic in the lee
without your kids—just you and me.
Spread a blanket and have some fun.
Show ourselves to the morning sun.

If perchance you’d prefer wine,
well, you take yours and I’ll take mine.
I’ve chosen well. I think I will
take some Boone’s Farm Strawberry Hill

found in a box of college things:
pennants, books and old class rings.
This dinosaur, screw top intact,
we must imbibe, it is a fact,

to stir libidos and memory
so I might take thee on my knee,
cop a feel of thy lovely ass
and roll thee in the green green grass.

Afterwards, we’ll fill our lips
with sandwiches and pie and chips.
No satyr dined on lovelier fare.
No nymph tasted food more rare.

And when the sun falls in the west,
we’ll cork our wine, pack up our chest
and hurry home. We can’t be late.
Your husband’s getting home at eight.