Category Archives: Mothers

A Garden Walk with my Mother on her Birthday: FOTD Nov 16, 2019

Two of my favorite people share today as a birthday. One is Forgottenman, who has, I hope, already received his photo tributes via Jibjab, but now I’m thinking about my Mother, who would have been 110 today if she had lived.

Recently I read a letter where she mentioned how when I was a baby I used to pick the heads off flowers and bring them to her. Misguided then, as I still am now in some matters, I have nonetheless learned to leave the flowers where they grow. I took a little walk in my garden today, Mother, imagining you were here with me, seeking out the flowers that are less profuse now than they were a few months ago.

Winter comes to Mexico as well, and although it cuts a less-wide swath, our cold snap seems to have inhibited the hibiscus and even the poinsettias, that should be fully in bloom by now. This is what you would have seen if you had been able to take my walk with me. If you click on the first photo, all of the photos will enlarge and you can go through them as a slide series and also read their captions:

 

 

 

 

For Cee’s Flower of the Day prompt.

Generational Angst

Generational Angst

She could not quench her anger over all the agitation
caused by her father’s ire, or her mother’s castigation.
Their home life was a parody of what a life should be.
They were a group of separate “I’s.” There was no “us” or “we.”

He surveyed his daughter mainly from afar.
The only time she deigned to talk was to usurp the car.
She was so disrespectful he could barely hold his tongue.
Why was it so difficult to converse with the young?

She’d thought she’d have a daughter to fuss over and dress.
but when it came to this one, she was driven to confess,
her daughter lately gave no sign that she had once adored her.
Rather, all the indications were that she abhorred her.

Her mother dressed in mom jeans and her dad tucked in his shirts.
Then looked askance when she appeared in bandeaus and short skirts.
When they tried to speak her language, it only caused distress.
TBH, they had not a clue, and she could not care less.

This is the modern family. The parents sorely vexed.
The daughter is embarrassed, her mom and dad perplexed.
Why can they not communicate? Where is the veneration
that seems to be missing in this modern generation?

Parents cannot understand because they don’t recall
all of the resentment, embarrassment and gall
that they once felt for parents back when they were teens.
This disdain from their daughter was passed down in their genes.

This too shall pass, I’d like to say. Give it a little time.
The year will come when being parents will not be a crime.
Her growing up and having kids will be the end of it.
You’ll be her heroes once again when you can baby sit!

 

Words of the day are quench, parody and castigation.

It seems that Daily Addictions is no longer publishing prompts, so if someone knows of a daily word prompt not given below, please leave a comment for me in this post with a permanent link to that prompt. (One that will work everyday)

Here are today’s links:
https://ragtagcommunity.wordpress.com/2018/11/12/rdp-monday-quench/
https://fivedotoh.com/2018/11/12/fowc-with-fandango-parody/
https://wordofthedaychallenge.wordpress.com/2018/11/12/castigation/

Untold Stories

Untold Stories

When her death left us all behind,
so many questions came to mind.
Why couldn’t I have asked them when
she could have answered, way back then?
What she told voluntarily,
about her life and family tree
was always very carefully chosen—
the details all rehearsed and frozen.

The same stories she told over again
about the things that once had been,
but so many things she didn’t say,
afraid, perhaps, she might display
sad facts of life she always hid—
the underside that she forbid.
We would laugh and joke and kid.
Unpleasantness we never did.

She was a good mother. Supportive, kind,
always helpful in a bind.
Generous and always there.
Full of loving, thoughtful care—
that same care that I tried to show her,
although, I fear, I did not know her.
That little girl who lost her dad
and favorite sister.  Was she sad?

Mom never talked of it so we
simply let the subject be.
The stepfather she didn’t care for—
what were the details and the wherefore?
How did it feel to give her hand
to a stranger, then to move to land
so bare and rolling with grass like seas,
empty of people and of trees?

Was she lonely? Did she have friends?
How did they come to make amends
the time she left my father and
took my sister by the hand
and went on home, angry and bitter.
Did my father come to get her?
All these family stories bold
were hinted at but never told.

My mother’s foolish Southern pride
would not permit the underside
of life to show. She tucked it in—
to display unhappiness was sin.
To please her, we followed the rules.
Joking and kidding were the tools
we used to hide unpleasantness
and thereby circumvent the mess

of sadness and humiliation.
Easier to show elation.
We told our secrets to friends, but we
withheld them from our family.
What stories took they to the grave,
my parents, generous and brave?
All those things they thought to spare us
come about to greet and stare us

in the eye on occasions when
we reminisce about back then.
“I  wonder what?” is perpetually
my thought about my family.
With parents gone, I don’t know how
we’ll ever know the answers now.
And because I barely knew my mother,
I am still looking for another.

 

 

The Day 10 NaPoWriMo prompt—yes, two days late—was to write a poem that is a portrait of someone important to you. The WordPress prompt was “pleased.”

The Emperor of Chocolate

                                                                             image from internet

The Emperor of Chocolate

I am the emperor of chocolate. I conquer every bar.
I can detect its presence in wrappings or in jar.
When there’s no chocolate to be found, I simply can’t abide it.
I can find it anywhere—wherever you might hide it.
My tendency toward chocolate is a tale I hate to tell;
but I cannot help it, for it’s congenital.
My mother abused substances—namely, Russell Stover.
She could not close the box lid until eating them was over.

She couldn’t resist chocolates, though she was not a glutton
when it came to other foods like hamburgers or mutton.
She received a box of chocolates on every holiday—
on her birthday and for Christmas, and for sure on Mother’s Day.
When it came to appreciation, my mother never failed them,
for when it came to chocolates, she always just inhaled them.
One time my dad decided that he would have some fun.
He bought my mom some chocolates to dole out one-by-one.

He hid them underneath the cushion of a chair
to give her one piece daily, but she knew that they were there.
She ate the whole box in two days. It really was disgraceful.
Every time I saw her, it seemed she had a face full.
Only with my father did she manage to save face,
For she bought chocolate-covered cherries and put one in the place
of every chocolate she stole. My father never knew.
She was not tempted by the cherries—a taste she could eschew.

My father always thought he’d pulled one over on my mother,
although I’ve always known that the true jokester was another.
When the box was only cherries, and he offered them to her,
she’d say, “I’ll save it for later,” or sometimes she’d  demur.
To resist chocolate cherries, she was fully able,
and I was fully loyal to preserving mother’s fable.
That’s how my addiction was learned at Mother’s knee,
because the chocolate-covered cherries? She gave them all to me.

 

Here is a link to my favorite photo of my mother, plus other stories and poems about here: https://judydykstrabrown.com/2018/08/01/parental-support/

The prompt today is conquer.

“I Imagine” dVerse Poets, Prose Poetry

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I Imagine

I imagine one more holiday.
My mother sits at a large picture window
looking out over a broad beach,
watching dogs fetching sticks.
Then, because she cannot help it,
she takes her shoes off to walk through packed sand.
I imagine her sighting the offshore rock
where puffins nest.
I imagine footprints—hers and mine
and the paw prints of the dog—
someone else’s—
who joins us for the price of a stick thrown
over and over into the waves.

My mother could count her trips to the beach
on one hand,
and most of those times have been with me.
Once, in Wales, we sat on the long sea wall
under Dylan Thomas’s boathouse.
A cat walked the wall out to us,
precise and careful
to get as few grains of sand as possible
between its paw pads.
As it preened and arched under my mother’s smooth hand,
its black hairs caught in her diamond rings.

The other time we went to the beach
was in Australia.
We stayed out all afternoon,
throwing and throwing a stick,
a big black dog running first after,
then in front of it,
my dad sleeping in the car parked at the roadside,
my mother and I playing together
as we had never played before.

My mother and the ocean
have always been so far divided,
with me as the guide rope in between.
I imagine reeling them both in toward each other
and one more trip.
My mother, me, a dog or cat.
Wind to bundle up for and to walk against.
Wind to turn our ears away from.
Sand to pour out of our pockets
to form a small  volcano
with a crab’s claw at the top.

So that years from now,
when I empty one pocket,
I will find sails from by-the-wind sailors
and shark egg casings,
fragile black kelp berries
and polished stones.
The bones of my mother. The dreams of me.

From the other pocket, empty,
I will pull all the reunions I never fought hard enough for—
regrets over trips to the sea we never made.
And I’ll imagine taking me to oceans.
Walks. Treasures hidden in and hiding sand.
Someone walking with me—
someone else’s child, perhaps,
and a dog chasing sticks.

Note: I never took that last trip to the ocean with my mother, but I think of her every year when I come to stay at the beach on my own, and this year in particular, every time I throw the stick for Morrie and every time children come to play with us. Here is a link to my favorite photo of my mother, plus other stories and poems about her.

Written for the dVerse Poets prompt, Prose Poetry.To play along, go HERE.

Generational Drift

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My mother and Scamp in an uncharacteristic upright position. Note reading material to their right.

                                                                Generational Drift

My mother would have been the first one to say that she was lazy.  To be fair, this wasn’t true. I had seen her iron 32 white blouses at a sittingher at our large mangle, running the fronts and the back of the garments, then the sleeves and collars through the large rollers, my sisters or I then taking our turns ironing the details near the seams and around the buttons.  We had a regular assembly (or wrinkle de-assembly) line going every Saturday morning.

She cooked every meal and kept the house reasonably clean.  But on weekends, she was the commander and we were the workers.  One vacuumed while the others dusted.  We were the window cleaners and the front walk sweepers, the table setters and dish washers when school or social activities allowed.

But there were times when a good book consumed each of our interests to a degree that weekend chores were lost in a blur of fantasy–each of us in thrall to a different book–my sisters in their rooms or on beach towels spread out in the sun of the back yard, me on on my back on the porch roof just outside my older sister’s bedroom window, and my mom flat on her back on the living room sofa.

Or sometimes it was the same book–taking turns reading 9-year-old Daisy Ashford’s memoir “The Young Visiter” [sic] as the rest of us howled–holding sore stomachs, tears running down cheeks.  At times like this, a week’s clutter might sit untouched on surfaces, that morning’s dishes still in the sink, last night’s shoes still lying like rubble in front of the t.v. or half obscured beneath piano bench or assorted chairs around the room.

In short, housework, although generally done weekly, never got in the way of activities or a good book.  We were a family of readers, and generally this reading was done on our backs.  My mother’s spot was always the living room couch–some family pet (a tiny rabbit or raccoon, kitten, or the family terrier, Scamp) spread out between her side and the divan, my dad in “his” comfy rocking chair, feet up on the foot stool. I loved my bed or the floor or in the summer, outside under a tree.  My older sisters’ bedrooms were sacrosanct.  A closed door meant privacy.  No one entered uninvited.

This was in an age before computers, cellphones, or other texting methods.  The one telephone in our house was on the kitchen wall or counter.  It was a party line in more ways than one.  Not only were our conversations held within earshot of the entire family, but also could be “overheard” at will by the two neighborhood families who shared our party line.  Today’s technological wheel had not yet been invented.  With no TV possible until I was 11, I spent a youth devoted to two things:  my immediate surroundings and the people or book readily within sight.  If company was called for, it walked or drove to you or you drove or walked to it.  The rest of life was family, homework, housework, play or books, and my mother, luckily, considered the play and books to be equal in importance to housework.

“I’m basically lazy,” she always said, but I must repeat again that this was not true.  Our house usually assumed a state of more or less perfection at least once a week.  It is unclear the degree to which this was motivated by my oldest sister, who was an excellent commander. “Mom, we’ll do the dishes.  Patti, you wash and Judy you wipe,” she would instruct, while she herself disappeared into her room for an after dinner nap.

I do remember a certain Saturday when each of us lay on her back or sat sprawled in a different chair reading when a knock sounded at the front door.  Impossible!  No one in our small town ever dropped by uninvited.  Even sorties to or from my best friend’s house just two houses away from me were always preceded by a phone call. We remained silent, but the insistent knocking continued. I peeked out at the front door through the living room drapes and the eyes of two girls and an older woman all shifted in unison towards the drapes.  Caught!

Each of us grabbed a different pile of garments, books, shoes or ice cream dishes from a  living room surface and stashed them in a closet, drawer or cupboard as my mother answered the front door to a woman and her two daughters from a neighboring little town, just 7 miles away. They had dropped by because they were building a new house and had been told by my dad that they should stop by to see our house, which had been built a year before by a builder they were considering.

My sisters and I stayed a room ahead as my mother s-l-o-w-l-y showed them the house.  I cleared dirty dishes from the last meal into the stove as my sister hastily made beds and tossed dirty clothes into closets, sliding them closed to obscure reality as the visitors probably wondered what all the banging closets and drawers were about.

This was not the norm.  All of Saturday morning was traditionally spent cleaning floors, dusting my mother’s salt and pepper collection, neatly piling stacks of comic books on the living room library shelves, washing windows, straightening kitchen shelves.  We were not slovenly, but neither was my mother a cleaning Nazi. Life and literature often intervened.

Now, more than fifty years later, my mother has been gone for 14 years.  One sister has been lost to Alzheimer’s, the other is the perfect house keeper my mother never was.  But every morning, I lie in bed writing this blog until it is finished.  My favorite location for reading is still flat on my back, and I do not need to compete with my mother for my favorite reading spot on the living room sofa.  Sometimes Morrie, my smallest dog, spreads out beside me, and I can’t help but think of my mother–feeling as though I’ve taken her spot–stepped into the role set for me by the preceding generation.

Yes, the day’s dishes lie stacked in the kitchen sink. There are books piled on the dining room table from Oscar’s last English lesson. Papers are piled on the desk next to my computer, a pair of shoes under each of several pieces of furniture. Bags of beads and Xmas presents purchased during my trip to Guad a few days ago are still on the counter, ready to be whisked off to cupboards or the art studio below.

But my book is a good one and Yolanda will be here tomorrow, bright and early, looking for tasks to justify her three-times-a-week salary.  With no kids of my own to boss around or delegate bossing authority to, and salaries cheap by comparison here in Mexico, I have hired myself a daughter/housekeeper/ironing companion.  Sometimes we stand in the kitchen and talk, letting the dust remain undisturbed on surfaces for ten minutes to a half hour more, or go down to the garden to decide where to move the anthurium plant, to just admire a bloom I’ve noticed the day before or an orchid recently bloomed that she has noticed in the tree I rarely glance up at.

Every generation cannot help but be influenced by the last, and in spite of many differences, I am still my mother’s daughter. It is in my genes to place some priorities above housework, firmly believing that this is good for my soul as well as the souls of those around me.

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My mother and Scamp in a more characteristic pose, resting up from reading.

In response to The Daily Post’s writing prompt: “I’ve Become My Parents.” Do you ever find yourself doing something your parents used to do when you were a kid?

China Bulldog

China Bulldog

I dreamed last night that we were clearing out my mother’s house.  The front doors of all the kitchen cabinets had been removed and I was puzzled about this.  On the mantelpiece, I found China bulldog after China bulldog that was a replica of one I one my mother had told me to take home with me when I cleared out the house after my father’s death.  “Judy asked for this. You can fight over the rest.” said a note taped to the bottom.  A mayonnaise jar, it was of white glazed ceramic that had a rainbow sheen.  Its head came off as a lid and its bright orange tongue was the handle of a spoon.  The body fit into a depression in its saucer that had the outline of the bulldog’s feet and bottom so it nested a bit.

One of my first memories was seeing it sitting on the small triangular shelf in our kitchen.  My mother never used it and later, in newer houses where it didn’t suit the decor, it always sat within a cupboard.  My mother was too modern for China cabinets or knickknacks that didn’t match the color scheme.  When I was small, her taste went to magenta and chartreuse.  Beige and pink and turquoise marked the seventies, the turquoise and pink traded in for avocado and burnt orange in the eighties and back to a more understated green and beige in the nineties.

Whatever the color scheme, the bulldog never quite fit in, but it was the one object asked about by both of my sisters after the Loma Prieta earthquake.  I I was living in a house near its epicenter, and the bulldog had worked its way from the back of my kitchen cupboard to sit teetering on the edge, but it had not fallen.  It was one of the few things in a house packed full of art and artful objects that I chose to bring with me to Mexico.

I’d like to say that it has assumed a position of importance in my house in Mexico, but sadly, the China bulldog just never quite seems to fit in to the mainstream.  It has sat on a shelf in my studio for the past twelve years, somewhere near the back where it is safe but unseen.  But for some reason, if I were to be able to take one more object from my house, the China bulldog is what my mind falls upon. Perhaps it is time to think about why.

I often dream about a subject that ends up being my blog topic for the next day.  For some reason that topic fits into the prompt and so it is never very difficult for me to begin the day’s writing.  In this case, once I’d settled on the bulldog as my topic, I immediately remembered that in my dream I had found five or six bulldogs on my mother’s mantel.  Some were without bodies, all without their dishes.  Some were smaller than others and lacked the brilliant sheen or bright colors.  One seemed to be almost crumbling, as though it had been under water for a long period.  All were missing their tongues.

In the dream, I imagined my mother combing second hand stores and never being able to resist whenever she found a bulldog in the same shape as the one her older sister had given her when she was a child.  It’s been at least 100 years since she received that strange gift that was the only remaining thing that seemed to have been brought with her when she moved first from Missouri, then to Kansas and then to South Dakota, to marry my father.

She told me no stories about it and as I think about that, I realize she told me few stories at all.  Not about her wedding or my birth.  The stories in my family all centered around my father while her stories seemed safely tucked away on a shelf like the China Bulldog.  Perhaps that is why that one piece of all the pieces of my mother has assumed a center place in our memories. I know that my middle sister, who lived in the same town as my mother for the last six years of her life, has mourned her loss the most over the years.  My oldest sister, who was estranged from Mom for the last twenty years of her life, is in the throes of Alzheimer’s and so never mentions her at all.

It has been fourteen years since her death and I don’t think of her daily or even weekly, but every so often, something happens and the thought comes in a flash that I have to be sure to tell Mother about it; and for the past year, most of my poetry has been written in her joking, rhythmic cadence and rhyme.  Perhaps some essence of her that has been steeping in me for over sixty years has suddenly reached its saturation point and must come out.

And the China bulldog?  The dream? It is as though for all these years she has been trying to get it back, never quite replacing it but nonetheless not giving up the search.  And I can’t overlook the irony that it is these less perfect incomplete bulldogs that she chose to put on her mantel.  Is she trying to tell me something about beauty or the adherence to a dream or about giving up perfection to enter back into the quest?

My mind ricochets without finding an answer, but I continue to feel the prompt.  Perhaps there is reason in the name “wordpress.”  I feel that press to find meaning through words as I feel my mother’s gentle prod and communication through genes or memory or dreams, to leave perfect things behind and to get on with my life.

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The Prompt: Burnt—Remember the prompt where your home was on fire and you got to save five items? That means you left a lot of stuff behind. What are the things you wish you could have taken, but had to leave behind?

Thanks Be to Pure Hearts

The Prompt: Never Too Late—Is there a person you should’ve thanked, but never had the chance? Is there someone who helped you along the way without even realizing it? Here’s your chance to express your belated gratitude.

Thanks Be to Pure Hearts

 Thanks be to that creator of the universe—
the one I can no longer pray to in a church
because of those powers who take truth prisoner
and lead the masses to wherever they can be most safely trusted
to surrender reason to them.

Thanks be to that man who turned water into wine.
Not a teetotaler. Not even abstinent, or so some say.
That man who loved all and who would not strike anyone
except for merchants making a living from the church.
Two thousand years ago,
he saw that merchants and moneylenders
would lead the world wrong—
using the little minds of frightened men
to turn faith into a weapon.

Praise be to those at the beginning of it all
who tried to set a true course but made the mistake
of leaving the compass in the hands of human fools
who saw over all, how to use it for their own glory,
making power their god and oiling their way upward
not toward salvation
but toward ever higher places in this world.

Those who are not fools might speak our enemies’ names
yet be shouted down by those
Dunning and Kruger have named as their adjutants—
the countless mindless who speed the world toward ruin.

Yet for this day, I want to turn my back on those I’d rather curse
to thank pure hearts who still can see the way.
There is still, I know, a part of them in all of us,
evident in everyday things: a mother’s sheltering arms
or in as simple an act as taking the smallest piece of pie.

So when we give thanks today,
thank those who remain kind within the world,
carrying along the spirit
of those first beneficent acts
that started with the dust of stars
and from it created consciousness
and then implanted some good turn of will
so as to give hope in a world
that feels divided in the blackness of the universe,
lonely in this night
but steering by those pinpricks in its cover
through which light shows, even in the darkest dark.

Dia de Los Muertos, 2014

Dia de los Muertos, 2014

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This is this year’s minimalist altar for my departed: husband Bob, Mother Pat and Father Ben. I wasn’t going to do one. Then Yolanda (my housekeeper) told me about a friend who didn’t  make a Dia de los Muertos altar for her mother who had recently died. This friend then went to see the elaborate offerings of her brothers and sisters, so she brought a rather poor specimen of a pumpkin and told them they could put that on her mother’s grave. That night she had a dream of walking through the graveyard. Every other grave was elaborately decorated with flowers and sweetly-scented candles and favorite foods of the departed: water, whiskey, tequila. When she got to her mother’s grave, there was no light and there were no offerings—only the one poor pumpkin. As she walked by, people shook their heads, and she left in shame. When she woke up, she went to her mother’s grave and took her fresh water, a candle, sweets, and all of the things her mother loved.

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It worked.  I assembled an altar. Yolanda looked at it and told another story about how the water and candle help to create a breeze that brings the scent of the favorite foods to the departed. I quickly added a candle and a small glass of water with an ice cube—as Bob did hate a lukewarm Coke! When the ice cube melted, I added a small red heart to take its place. If you look closely, you can see it in the bottom of the glass.

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It was my mother’s tradition to tuck a small box of Russell Stover candy into each of our Xmas stockings. One Xmas, we opened them to find only wrappers in each one. Over the course of the weeks before Xmas, our mother had opened each one, unable to resist eating the chocolates. So precedent decreed that I eat hers. You’ll see the empty papers littering the space around the box. (Yolanda, ever-respectful of tradition, helped by eating one piece.)

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Although my father raised black Angus and Hereford cattle, this is Mexico, after all, so I think he’d forgive the long horns. A donut and a 10 peso piece complete his offerings. Last year I put a small glass of milk with cornbread crushed in it—his favorite cocktail. But this year the ants have taken over our part of Mexico, so I didn’t dare.

Unwrapped Packages

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Unwrapped Packages

It is the difference between that present handed to you
by a person who says, “It’s only a tie,”
and a package under the tree
squeezed and prodded at—perhaps a corner loosened
or a hole poked in through supposed accidental handling,
pondered like a good detective show.

Who wants these mysteries revealed before their time?
What value in the present whose contents you already know for sure?
The magic of Christmas for some is that faith that the girl,
untouched by human lover, gave birth—and it is that sort of faith
that “saved” the world. If we knew the whole truth of that story
would all it prompted fall into the hole covered all these years by mystery?
The whole world seems to be standing more on what we don’t know
than on what we absolutely know empirically—what we can prove.

And so I look at the picture of my young mother
in her cotton housedress and saddle shoes
holding her baby in front of her in her stroller,
whole contraption, child and carrier,
a foot or two above the ground,
and there is mystery in the reveal.
I do not hear what transpired to cause this pose.
I do not know if my father caught her carrying me
from the porch to sidewalk and said,
“Here, Tootie, turn around,” and snapped the picture,
or whether my older sister planned the pose.
Or whether some movie star was snapped in a similar scene
and my mother and sister, like two conspiring fans,
planned the shot to steal the glamor formerly reserved
for “Photoplay” or “Look” or “Life.”

There would be no reel-to-reel
in any normal person’s life for years.
No movie camera to tell me exactly what my mother was like
or my sister or me before my memory took hold and even then,
my mind’s remembrance
more like reflections in a lake that color and change
depending on the clouds or rain,
distorting the light like moods.
My Aunt Peggy’s house,
always remembered as feeling like
the color chartreuse,
and I will never know why.
That smell of a friend’s house that became associated
with her memory more than any concrete proof of reel-to-reel
or spinning film of movie camera.

I do not know my mother’s voice at thirty.
I did not witness myself since birth
by either sound or sight.
There is a different mystery
to a past caught
in boxes of Kodacolor prints
curling and yellowing in a closet
than one documented like a science experiment
with every event taped and filmed.

Where does the mystery of you reside when you see yourself
so clearly, as others have seen you all along?
What does it leave for you to try to discover?
No tapes.
No film.
No Internet.
No Skype.
No YouTube.
No home movies.
All of our pasts were once wrapped up forever.
Only our fingers poking in the edges.
Only our voices asking,
“What was it like the day when I was born?”
What do you remember about the day when. . . .?

The Prompt: Can’t Stand Me—What do you find more unbearable: watching a video of yourself, or listening to a recording of your voice? Why?