Tag Archives: poem about beach combing

Beach Combing

IMG_3577“Beach Sunset” bone, shell, wood, coral, sponge, beach scrub and acrylic paint, 3.5 x 11 inches, Mixed media assemblage by Judy Dykstra-Brown, March, 2016

Beach Combing

I gave nothing to the sea, so she gave nothing back.
It was as though she looked and thought, “There’s nothing that you lack.”
It’s true that I have all I need of food and friends and fun,
and yet I still lack something that’s waiting to be won.

It isn’t gained by medals, by prizes or by fame,
for it is some other thing, bereft of rank or name.
There is some magic in the world that I go looking for
that has no set place where it lives, no windowpanes or door.

I’ve found it once or twice before, in places far afield
by accident, for if you try to force it, it won’t yield.
It isn’t found at parties, a fiesta nor a fete.
If you go looking for it, the magic will abate.

It’s found in how you do things, in what manner, at what pace.
If you reach too quickly, it will vanish with no trace.
I can’t tell you how to gain it, for I fear that I don’t know.
I just know that when I found it was when I was going slow.

Leavings

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Leavings

Do I walk the long kilometers of beach
to look for the next shell
or stand stable, like that woman
casting and recasting her hook,
patiently waiting to pull her world in to her?

I’m gathering things
that I’ll collect into stories–
pinning them down to use like words.
Nothing wrong in finding meaning
through a piece of driftwood, a stone or shell.
Objects are only things
we cast our minds against
like images against a screen–
a shadow glimpsed crossing a window shade.

My shadow cast in front of me
is such a different thing
from one I cast behind.
In the first, I am constantly hurrying
to catch up to what I’ll never catch up to.
In the other, I am leaving behind
what I can only keep by walking away from it.

I take this place along with me in clear images–
not as they were, but as my mind has cast them;
so every picture taken of the same moment is different,
each of us seeing it through our unique lens.
We cast these things in bronze or silver-gelatin,
stone, clay or poetry.
A grandma holds out pictures of her children
and her grandchildren. See? Her life’s work.
And then this and this, without further effort on her part.

I share stories of children I don’t know
who gently unwind fishing line from a struggling gull,
hearts found on the beach
or other treasures nestled in a pile of kelp.
I find my world in both these findings and departings;
the leaving each morning to go in search of them
the part I find most exhilarating–
perhaps teaching this woman
of the death-themed night-terrors
not to worry.
That longer leaving is just a new adventure.

People who do not remember let me slip away
when I would have held on, given any encouragement.
Yet fingers, letting go, flex for that next adventure.

Life is all of us letting go constantly–
taking that next step away from and to.
A white shell. I have left it there
turned over to the brown side,
so someone else can discover it, too.

This is a rewrite of an earlier poem, in response to The Daily Post’s writing prompt: “If You Leave.”Life is a series of beginnings and endings. We leave one job to start another; we quit cities, countries, or continents for a fresh start; we leave lovers and begin new relationships. What was the last thing you contemplated leaving? What were the pros and cons? Have you made up your mind? What will you choose?