Tag Archives: stream of consciousness

Writing a Poem with the Radio On

Writing a Poem with the Radio On

Makes me want to cry, all the cowboys with guitars
strumming in accompaniment to a world
whizzing through a universe it can barely comprehend.
The world is a wall that is crumbling, crumbling,
and no amount of musical mortar can keep up with it.

Lyrics on the radio swirl into a quagmire
of words to be written,
lists of what to do. 
A new riff floats my mind away:
her backdoor screen is closed.
Turn around,
turn around my darling
or the world is lost.

Everything so crazy
it makes him want to cry

Drowning my sorrows in his,
the task of this poem remains unaccomplished.
The small dog cries over an untossed ball.
Yolanda with her mop, dispenses advice and laughs at my jokes.
That melody fading into silence,
I wait for a new one to begin.

For dVerse Poets Beat Poetry Prompt they ask us to write a stream of consciousness poem . Go HERE to read other poems of this ilk. Photo by Dave Weatherall on Unsplash.

 

Which Way to Go?

 

Obviously, this insect crossing my keyboard is confused and wondering where to go. Note the key he has just stepped up on.

 

For Stream of Consciousness Sunday, “Way to Go”

Life in the Time of Corona

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If you wonder why this poem is so long and strange, read the prompt at the very bottom and you’ll understand. Not my fault!!

Life in the Time of Corona

It is nothing
but an April morning.
The leg cramp awakened me before the roosters.
A hot shower dissolved the cramp and blasted me awake,
sputtering at first
with air from the unused pipes,
like a voice unused too long.

Isolation “friending” me, along with the dogs,
who were delighted with my longer attention.

Tap tap on the keys into a black morning.
The lonely staccato of dogs in the distance.
Descant of bird voices
and the percussion of the fighting cocks across the road,
the left stage bray of a donkey. 
This far up the hill,
their voices rise like heat,
precursors to the church bells that seem to be in a different time zone this morning.

6:59 and still they haven’t tried to recruit me.
They’ve been trying for 19 years.
The old woman at the christening, shocked when I say I’m not Catholic, moving away an inch or two,
side-eyeing me when I miss a beat at rising and sitting, 
sit in the pew as she kneels on the kneeling bar.

Arms sore from this flat-back typing,
I consider rising.
In bed since the cramp-induced hot shower,
hair damp,
hands like sandpaper from this
Coronavirus obsessive washing,
disinfecting.
My life washed free
of appointments
and friends,
except for trips down the hill to pick up masks,
leave off notes for the illustrations of the book that might get finished thanks to this enforced “Go to your room!” by Mother Nature.

She levels her guns at us, hoping we will listen and fall into line.
Only man creating his own rules.
The world dependent
on the right people making the rules.
There have not been enough right people,
the cuckoo taking over for the owls
and the rowdy mockingbirds taking up his call.  
He sticks his head from his house too often,
repeating the first thing in his head,
stammering like a Swiss clock that needs maintenance.

Bird language fills the very early dark morning air.
So I want to move to the hammock—
bare butt as I am.
Braving mosquitos
and the early morning awakening of my neighbors.
I imagine

welt marks from the knitted fabric of the hammock,
scratch marks from Morrie leaping into the hammock after me.
No. The time for nude swinging is twenty years past
and not probable even then.
So a long robe fills my imagination,
but I do not go.

My fingers beat tattoos on the keyboard,
searching for names for the bird dialogues I am hearing.
The trilling runs of a piccolo, bassoon of the downhill donkeys, discord of a dog’s three short barks and howl, running down the scale. My house is still asleep.
Water not yet gushing from the pipes into the pool,
hot and steaming in the cool morning air.

“Go back to sleep,” that part of my lazy brain directs.
“Do the assignment,” my dutiful persona contradicts.
It is rare that the dogs do not detect my thoughts and call for kibble
within seconds of my awakening and thinking of them.
They do not stir.
Traffic noise of trucks on the carretera a mile below.

I hang on this mountain,
depending on gravity
and my house’s firm foundations.
The hard rock that resists that sliding
down the mountainside where eight years ago
it came tumbling down on either side of my house,
leaving me safe.
Since then the penance has been
cracks in the wall by the stairs
leading down from my upstairs casita.

Twenty minutes already?
My story still untold, unlocated, even.
The dark being permeated by light.
Scarlet ribbons start to flow.
The sky as I open the drapes
flooding in to me
on early morning colors.
The pale puce of the morning sky to the north.
The whistle of the whistle bird. Chirp of the chirper,
Mexico crow of the rooster..
ER ere r er without the cockle and the doo.

Where is my family?
My animal alarm clocks?
The cats stay silent in their bed in the garage,
not demanding entrance.
The dogs, mere feet away, curled in the room I built for them.
How do I feel about this forced isolation?
A relief as sorts.
Permission to do what I’ve been adding to the list for the past year:

The mural painted around the front door?
After 11 years, Jesus called asking to do the job,
all of his other commissions cancelled
as gringos flooded back to the states
like rats deserting a sinking ship,
Yet, ironically, it
seems to be America that is sinking.

Mexico bobs along on the internet and phone calls of friends asking what I need. 
Yolanda, breaking into the house to clean after a month,
bans me to the studio while she does so.
Appears the next day to clean the studio,
telling me to stay in the house,
even though I have paid her for two months
and told her to stay home.
Said I would pay as long as
anyone but the president of the USA directs.
Using his words as a rapids to avoid
during this whole rush of directives,
demands,
questions,
contradictions.
The world is being deflected off its course
by a fool supported by bigger fools,
because they have to be smarter than him and yet let their pockets replace their brains and hearts.

The big dog awakens and strolls nonchalantly past my open drapes.
A higher-pitched donkey bray.
Birds quieting into a caesura.
Where are my woodpeckers,
my early morning alarm clocks?
Every day, they awaken me,
except for
when a stiffening and locking
somewhere in some limb awakens me first.
Both alarm clocks
from different sorts of limbs.

Fix the dishwasher
Make the peanut butter cookies you bought ingredients for a week ago
Finish typing up and formatting the storybook and get the illustration corrections to Isidro
Finish the Africa book
Finish the NaPoWriMo poem
Finish the prompt poem
Publish the flower prompt photo
Abandon my bed in search of hand lotion
Feed the animals
Thyroid pill
Half hour timer
Other pills and smoothie.

The time ran out five minutes ago, 
yet still I go on trying to meet all the directives.
That night on main street
in a small neighboring town in South Dakota.
Two cars pulled up driver’s window to driver’s window.
The chat.
The moving to one car.
The first kiss, ever, in this world.
The whole world changing. 
That one rebellious action
leading to a moving out into the world that never stopped.
Leading eventually to Mexico
and this morning following directions
into this avalanche of words.
Stones of unsorted sizes.
One layer covering the layer before it.
Instructions lost at the bottom of the pile.
I stop.
Ponder. 
Stop.

Yellow. Orange. Fuchsia.
My day reasserts itself.
I go back in search of it.
The weather outside is the ordinary  perfect April weather.
The weather inside is a hurricane of sneezes.
The plumeria is blooming.
My desk chair, my hammock and my pool
call out to me in that order.
Type.
Exercise.
Swing.

Anything
leaks
around
red
mornings

checking out
lazy
or
customary
kinesis.

STOP!!!!!

 

Below is the NaPoWriMo Day 25 prompt today that led to this poem, so don’t blame me. Phew:

A writing prompt toward the present tense, a meditation in everyday language, that makes room for small noticing and our most spacious perceptions.

For writing: please see the following suggestions and have them ready for a free write, selecting and using those that further your present tense engagement. Write for at least twenty minutes. You can return to this prompt and write through it numerous more times, to infinity.

  • Bring your perspective and verbs back to the present tense, even when addressing memory
  • Seek the “unforced flow of words”
  • Introduce all of the things that you might ordinarily deem incidental or too small for consideration
  • Include quoted speech (overheard, announced, in dialogue, as song lyrics)
  • Build your lines with associative accumulation (parataxis), move with your attentions
  • Introduce a swerve or observation that serves as interjection, non-sequitur
  • Include at least four colours
  • Animate the landscape or nearby object, imbue it with expressiveness of action or address
  • Include perceptions of the weather without, perceptions of weather within
  • Use a noun as verb that is typically not used that way (anthimeria): “white freaked with red”
  • Introduce the occasional 3- and 4-word sentence.
  • “Let’s make a list”: include a list of things you love
  • Did you remember to ask questions?
  • Include a hemistich line: a line made-up of two halves, of equivalent beats, hinged on a silent beat (caesura): “The world is all cut-outs then—and slip or step steadily down”

Keep writing: if you get stuck, begin again by penning a sentence that begins with the word “And…”

Keep writing: if you get stuck, repeat a word or phrase you wrote earlier and build

Keep writing: if you get stuck, perform an instant acrostic—look up and find a short word and use the letters from seeds to generate language (ex.: I performed an instant acrostic on the word “sky” to arrive at the phrase “said ‘Kill yesterday’”; see fragment of the poem drawn from “Mulberry Mess” in Red Juice below.

 

Unwrapped Packages: For “All Wrapped Up”

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Unwrapped Packages

It is the difference between that present handed to you
by a person who says, “It’s only a tie,”
and a package under the tree
squeezed and prodded at—perhaps a corner loosened
or a hole poked in through supposed accidental handling,
pondered like a good detective show.

Who wants these mysteries revealed before their time?
What value in the present whose contents you already know for sure?
The magic of Christmas for some is that faith that the girl,
untouched by human lover, gave birth—and it is that sort of faith
that “saved” the world. If we knew the whole truth of that story
would all it prompted fall into the hole covered all these years by mystery?
The whole world seems to be standing more on what we don’t know
than on what we absolutely know empirically—what we can prove.

And so I look at the picture of my young mother
in her cotton housedress and saddle shoes
holding her baby in front of her in her stroller,
whole contraption, child and carrier,
a foot or two above the ground,
and there is mystery in the reveal.
I do not hear what transpired to cause this pose.
I do not know if my father caught her carrying me
from the porch to sidewalk and said,
“Here, Tootie, turn around,” and snapped the picture,
or whether my older sister planned the pose.
Or whether some movie star was snapped in a similar scene
and my mother and sister, like two conspiring fans,
planned the shot to steal the glamor formerly reserved
for “Photoplay” or “Look” or “Life.”

There would be no reel-to-reel
in any normal person’s life for years.
No movie camera to tell me exactly what my mother was like
or my sister or me before my memory took hold and even then,
my mind’s remembrance
more like reflections in a lake that color and change
depending on the clouds or rain,
distorting the light like moods.
My Aunt Peggy’s house,
always remembered as feeling like
the color chartreuse,
and I will never know why.
That smell of a friend’s house that became associated
with her memory more than any concrete proof of reel-to-reel
or spinning film of movie camera.

I do not know my mother’s voice at thirty.
I did not witness myself since birth
by either sound or sight.
There is a different mystery
to a past caught
in boxes of Kodacolor prints
curling and yellowing in a closet
than one documented like a science experiment
with every event taped and filmed.

Where does the mystery of you reside when you see yourself
so clearly, as others have seen you all along?
What does it leave for you to try to discover?
No tapes.
No film.
No Internet.
No Skype.
No YouTube.
No home movies.
All of our pasts were once wrapped up forever.
Only our fingers poking in the edges.
Only our voices asking,
“What was it like the day when I was born?”
What do you remember about the day when. . . .?

For the All Wrapped Up prompt. This is a rerun of a poem I wrote 5 years ago.