
Click on flowers to enlarge.
For Cee’s FOTD prompt
Curioser and curioser.
Thomas Bowers, identified as the former Deutsche Bank executive who signed off on loans to tRump at a time when no US bank would take the risk on the six-time bankruptcy filing scam artist, died last week at the age of 55.
Bowers was found dead, of an apparent suicide, ten days ago in California.
This is the second case of a potential witness in a position to offer damning information on tRump, found hanging. Pedophile sex trafficker Jeffrey Epstein was the first.
A similar tactic can be found in Putin’s playbook, although in that case, witnesses are typically thrown out of windows and are considered to be victims of the “Russian flew.”
I am reminded that we have never received answers to the following—
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The Other Shoe
Because it’s winter. Because you’re you—
an annoying pebble in my shoe.
My darkest dream, my shuddered sigh.
A tear unfallen from my eye.
You call my action radical.
I call your action terminal.
No more the tiny cringing wren,
no more the clucking, docile hen.
This time, your insult vilely hurled,
my reflex impulses unfurled,
my anger at the optimum,
I call you ingrate lazy bum.
I kick you out into the cold
in an action brave and bold.
I lock the door and pull the blind.
Not cruel, but suddenly I’m kind
to myself, so long obscured
by all injustice I’ve endured.
On my bed, once shared with you,
I sit and drop the other shoe.
Better alone with what will come
than with a selfish doltish bum.
I square my shoulders, fall to sleep.
No Lord my soul will have to keep.
Don’t know where this came from. It’s fiction fueled by past feelings of escape from a bad love affair, I guess. Blame the prompt words.Prompts today were winter, because, radical, optimum and wren.
Click on any photo to increase the size of all.
My mother always put up the tree the weekend after Thanksgiving, but since my Thanksgiving plans were cancelled due to the illness of the hosts, I decided to spend a leisurely day tweaking the tree today. When I talked on the phone to my nieces today, they asked me to send photos so I decided this was the easiest way to do so. Happy Thanksgiving! Happy Pre-Xmas!!!

Affirmation
That crepey neck.
I’m going to look like my Grandmother.
But I refuse to wear blue tennis shoes like her,
and when my jewelry starts turning black,
I’ll stop wearing it.
I won’t use straight pins for buttons
or rat my hair and roll it in a bun.
I won’t save Cracker Jack prizes in canning jars
or give all my money to the Seventh day Adventists.
I will not save food in my purse to take home from family dinners,
and I won’t let so many cats sleep in the henhouse.
Glimpses
At times you were the problem and at other times the buttress.
At times my lost direction and at other times my compass.
You were my kindred spirit, my teacher and my lover,
and when you went away, I felt that I could not recover.
I saw your face in everything—in rivers and in clouds.
A dozen times, your profile. Your retreating back in crowds.
Love dies but does not vanish. It has a thousand faces
seen at the least likely times in unexpected places.
Facts we can’t face up to in our mutual lives
swarm around in memory in buzzing swarming hives.
Facts as sweet as honey. Facts that sting like bees.
Niggling facts that seize the mind to torture or to tease.
It is a constant truth with love that one will first depart—
an act that seems so far away when love is at its start.
But the truth is always looming. Death will end what we’ve begun.
That inevitable setting of the brightest glowing sun.
Prompts today are things with faces, buttress, kindred or recover.

This huge African Tulip Tree (Flame Tree) shades the entire courtyard at the Chapala Society, but from where I sat, I could see only two blooms at the very top–20 or 30 feet above me. This is one of them.
Remembering Grandma at the Thirtieth School Reunion
When children guessed her age, I guess they might have guessed a million,
for her skin was fried and wrinkled and her manner most reptilian.
Her humor was peculiar—ribald, clever, sly.
Her whiskered chin was wobbly. She was rheumy in one eye.
When she talked about the old days and when people really listened,
her face seemed somehow younger and her eyes sparkled and glistened,
but she sputtered over S’s and dribbled when she talked.
She listed, lurched and wobbled. She zigzagged when she walked.
She loved her old blue tennis shoes with laces hanging down—
the only shoes she wore when she chose to go to town.
Still, her corns rubbed and her toes hurt. She preferred feet that were bare,
so she very rarely moved about once planted in her chair.
When her children brought her meals to her, they couldn’t linger long.
She couldn’t quite remember what it was that she’d done wrong.
Her grandkids liked her better and endured her bitter wit.
She taught them Chinese Checkers and some of them to knit,
but as they aged they visited less and less and less.
They didn’t like the odors. They didn’t like the mess.
And finally, as youngest, only I was able
to bear sitting with Grandma at her Chinese checkers table.
Only I could stand all the complaints and labored sighs—
all of the self-pity that shone out of her eyes.
But later, as a teen-ager, my visits, too, grew less.
Busy with my friends and school and other things, I guess.
And for all the years after she died, I thought about the years
when even I deserted her and I was brought to tears,
until my thirtieth class reunion, when a classmate I’d not seen
since we graduated, and for all the years between,
told a tale I’d never heard that made me realize
that there was more to life than what met my ears and eyes.
When television, new to town, kept Grandma company,
wild cats from her old henhouse came to sit upon her knee,
and the kids from the next corner also came to see,
for with ten kids in the family, they didn’t have TV.
It grew into a ritual. When they saw the sheen
emanating from the light of her TV screen,
they’d all drop in to see her and they’d stay until their pop
walked down from their house to bring their viewing to a stop.
Only the oldest daughter got to stay there until ten,
watching shows with Grandma—pretty ladies, handsome men,
cowboy shows and orchestras, adventure and romance.
They watched their favorite characters shoot and kiss and dance.
“We kids all called her Grandma,” my old classmate confessed.
That she’d had this second family, our family hadn’t guessed.
So all those nights I thought that she’d been sitting all alone,
she’d been surrounded by her minions, like a queen upon her throne.
It seems the true facts of our past by memory can’t be gauged,
for sometimes history is rewritten and our consciences assuaged.
Prompt words today are reptilian, plant, ribald, peculiar and fried.

Wire Crow
A black crow formed of bent wire, specific in its detail, with the look of chicken wire, yet intricately twisted by hand. You had seen me come back to it again and again at the art show and had taken note. You, who usually harangued me about how hard I was to buy for, asking what I wanted, making me responsible for my own gift. How I hated Xmases and Birthdays for this reason. Hard enough finding the perfect gift for you and your 8 children and my family, but to have to pick my own gift? Unfair.
Yet this gift, a surprise on my 42nd birthday, so perfect. A reminder of that black crow poem you had written about the end of your first marriage and the decline of your second that poem that ranged so far and wide that it included even me, gathering your children and taking them to safety when we broke down on the freeway. That first poem not about past loves, but casting me as heroine––a part of your official biography.
This crow, however, has seen beyond you. Seen your death and my relocation. It sits on the highest shelf of my sala, bent over a Mata Ortiz lidded bowl that has an ear of corn rising up from its lid, as though the crow is about to feast on it. It is one of the objects that gathers you around me, even now, 18 years after your death: the wooden statue you carved in Bali, your giant spirit sled of copper and hide, your Tie Siding sculpture that fills the corner near my desk, the spiral lamp–one of our favorite collaborations.
My whole life seems a continuation of that collaboration—your pulling out of me the art and words that surround me now on my walls, my tables and swirling through my head, disconnected or connected. Metered in rhyme or collecting into paragraphs—all parts of my life. Art we inspired in each other, pulling the world in around us with wood and stone and metal and paper and ideas and words. That metal crow a part of all of it that I have overlooked for so many years now. Of the few objects brought the long miles from California to Mexico, this crow was selected innocently, perhaps more by intuition than by conscious thought, and yet it stands, highest of all, to project its message.
No one who has formed us ever dies. New loves do not cancel out the old. Like one glorious recipe, our lives accumulate ingredients. Sweet and salty, tart and crusty, effervescent and meaty. Like your presence. Ironically represented by that crow that is mainly emptiness, really. Or perhaps unseen mass. Like thought. Like poetry. Like love. Like a forgotten important detail suddenly remembered.
Mary asked to see some of the results of the timed writing exercises we did during our retreat. This is one I did where the prompt was to write about an object. I believe it was a 15 or 20 minute writing.