Tag Archives: dVerse Poets Open Link Night

We Cannot Surrender Her

 


 

We Cannot Surrender Her

Try as I might to urge her on, she will not go.
She sends me on to test the water
but remains on the shore.
Ankle deep and then no more.
Fingers trailing and then no more.
Having once found a false bottom,
she trusts no foothold.
The falling is the thing, I tell her, yet she holds back from the fall.

Let me go down, I beg her.
I will always bring you up, she answers.
This is the role we alternate being the stand-in for.
What I want she keeps me from.
What she fears I pull her toward.

How many of us, children of the fifties,
find ourselves on this seesaw, wanting to control the ride?
Relax, I tell her, but she can’t relax––fearing what relaxation brings.
She cannot surrender herself.  I cannot be content until she does.
Two-in-one, we rail against each other, then hold hands.
Comforting.  This is enough, she tells me.
Nothing is ever enough, I tell her.

This is my third major rewrite of this poem originally written in 1976. Only three lines still remain from that poem. It is perhaps finished now.

Here is the link if you’d like to participate in dVerse Poet’s Open Link night and here is the link to read other poems for dVerse Poets Open Link Night

Pieces of Toast

Pieces of Toast

They dip into
the smooth
round yolk
of a fading dream.

They interfere,
these conscious words,
an uninvited jentacular
mob that enters

without invitation,
shedding their crumbs.
I make exception
and surrender
control,

accepting
their sharp crisp corners
into the broken centers
of my smooth round
subterranean
stanzas.

Words for the day are mob, interfere, jentacular and exception. Image by Mae Mu on Unsplash. Used with permission.

Also, for dVerse Poets Open Link Night

 

Hard Drive

The year is 2100, and my computer’s dusty hard drive has just resurfaced at an antique store. This is a note to the curious buyer explaining what he or she will find inside.

Hard Drive

If you long for mystery,
poems, facts and history,
long perambulations
and wild exaggerations,
recipes and letters and
episodes of Homeland,
Elementary, Sherlock, Friends,
a blogging site that never ends,
Emails, Youtube, Facebook notes,
starts of novels, copied quotes,
OkCupid pictures of
possibilities for love,
notes from nice guys, threats from creeps,
notes from guys who play for keeps,
friends who only write when drunk,
chain e-mails, jokes and other junk,
two hundred drafts  of my third book,
(each one different, have a look),
kids stories and their illustrations,
the Christmas plans of my relations,
photographs of my whole life—
its happiness and pain and strife—
some successes but also follies:
fireworks, insects, gardens, dollies,
travel snaps and friendly faces,
rooms at home or foreign places,
birds and children, beaches, skies,
the  camera lens is true and wise
and not as given to fraud and lies
as writings filtered through the eyes
of one who feels the joys or pains
of what she witnesses, then refrains
from trying to change her reader’s mind
to accord with the type or kind
of thoughts she carries deep inside:
pride’s cutting edge, love’s waning tide—
then read this hard drive if you dare,
but if you fear a life laid bare,
I have one word for you. Beware.

 

For dVerse Poets Pub Open Link Night

Too Busy to Remember

Too Busy to Remember

 If she gave herself time to think, she remembered,
and when she remembered, it was too often with regret.

     My Grandmother kept too busy to remember—every minute filled.  Walking to town, she trained her eyes to scan the ditches for buttons, dimes, Crackerjack prizes, a ball some dog had chewed, orphaned jacks pieces, Popsicle sticks and bottle caps. Into her deep apron pockets each went, joining her skinned black leather coin purse and a tatting-edge handkerchief. Back home again, her radio tuned to the Back to the Bible Broadcast, her curtains pulled wide for viewing whichever neighbors might walk by, she kept her fingers busy with tatting, beading sequined felt butterflies, knitting baby booties in bands of blue, pink, yellow and white. She crocheted the edges of embroidered sheets and pillow slips—one set for each grandchild. She was almost 90 by the time she got to my sheets. Barely able to see, she sewed stitches that got messier inch by inch.

     Now it’s me filling every minute of the day.  At midnight, I lie writing just one more line with heavy eyes. They close.  I open them.  They close again.  When I finally fold the paper and turn off the light, I give in to the agony of delayed pleasure–Sleep. Awakening, I dress and drive to the gym.  I read on the treadmill, read on the stationary bike and thigh machine, read on the leg lift.  Read until my hands are needed and holding the book is impossible.  Then I do one thing only–lift the weights, pull them down, let them bend me over, bend myself back up again.

     Over breakfast at the Mountain Inn, I switch to the paper: news, comics, crossword.  Back home, I cook, pound, dip, form, and couch paper.  I run down to the garden to cut bamboo, climb back uphill to the studio to strip leaves, bend branches, sew them to the dried paper.  In my ears, is the constant company of the radio–the blues or Uncle Jr., “Arden’s Garden” or “Talk of the Nation,” “Fresh Air” or “National Press Club,”  “Garrison Keillor” or “Click and Clack.”  From everywhere come the waves that fill my mind and fill my day. 

     I work until seven, then move into the house to cook the evening meal.  The radio in the kitchen leaks McNeil and Lehrer and  this time I  catch different details from the earlier report.  With dinner, there is a talk with my husband Bob, a video perhaps, or more time for the Sunday Crossword. After dinner, a good book.  In this way, I fill every second.  There is no precious time to waste. 

     Sitting on the garden bench, eyes closed, I listen to bamboo.  Eyes open, I watch it.  I walk to it.  Let bamboo brush my cheek.  Keep listening.  Watch the light filtered by bamboo.  Watch the redwood needles dry and  fall to catch in swaying bamboo.  Watch them settle more securely, their rust-red dryness brittle against the subtle green. The black trunks of mature plants, mottled stalks of one-year-olds, yellow blades of new growth. A scrub jay perches on the swayback crosspiece of a simple oriental arch.  Above the redwood path, a Stellar Jay scolds the gray cat who sleeps on the bench beside me. 

     The water skimmers skate the abbreviated lower pool of our wine keg fountain with its wooden spouts decayed and fallen to the ground, its three tiers silent, its pump long removed.  Papyrus bends and shivers to the sparse wind.  A bay tree shadows the remains of ferns turned red beside this summer’s green.  There is the gentle hammer of the acorn woodpecker against the gray ghost of the long dead tree.  The drone of yellow jackets in their nest below the tree house—their journeys out and journeys back again.  The loud whirring of the hummingbird.  Frantic fanning of his wings, the delicate dipping of the beak, smooth probing of the plastic petals of the sugar water feeder, then the dainty glide to ginger flower, to the pomegranate and the goldfish plant. 

     All the world is doing doing while I’m not doing anything. Not keeping myself from remembering, yet still not remembering.  I’m in my garden without doing anything.  Too busy to do anything until the phone rings, its brrrrrrrrr flooding downhill to fill the bamboo grove, its shrill voice splitting air, spilling jays from tree limbs over head.  Awake again, I push off from the garden bench,  run up the hill, reach the stairs, climb half way up, then stop.  I turn, go down again, walk slowly down the hill, sit on the bench beside the cat who has not stirred.  I hear the phone, but silence swells around it, pushing it farther into  the distance as I let it ring and ring and ring and ring and ring and ring and ring.

Ours is a society that fears most the waste of time, yet in spite of our best efforts,
we’re always running out of it. The secret to finding more time
is to give value to it precisely by wasting it.

 

Not a classic haibun, but close enough, I hope, For Open Link Night at dVerse Poets 

Everything is in the Shape of a Bird, a Fish or a Woman

 

Everything is in the Shape of a Bird, a Fish or a Woman

Look how they frown in the old photograph:
my grandmother, her sister,
her two daughters and her granddaughter.   
All of the women are very stern.
Grandma looks out of her element,
her eyes shielded against the sun.

In the yellowing photo,
“Taken at homestead” written on the back,
They stand, stark house behind them.
From the porch overhang, a sparse vine hangs,
but on the hidden tendril of the vine,
in the dead tan prairie that surrounds the scene,
in the summer grass bent low, I imagine birds.

It is a drying photo—brittle, cracked,
of three generations of prairie women.
Although none there knew it,
a waterhole is in their near future,
and in this stock pond that my dad would someday dig,
would swim perch and crappies,
sunfish, northern pike.

And although none there will ever see it,
in my house, everything is in the shape of a bird, a fish or a woman.
On the wall hangs an earthy goddess–
stolid and substantial. 
Birds perch on her shoulder, arm and knee.
On the hearth, a crow formed out of chicken wire.

A soapstone fish swims the window ledge
beside that aging photograph
and on another window ledge
 are two ancient terra cotta figurines.
The small one kneels in her kimono, playing pipes.
The large one stands wide-hipped
with arms narrowing to points
above the elbow.

In my studio,
a still-damp terra cotta figure
holds a fat plum.
On drying canvasses,
Women recline in their vulnerable states–
layers of wet flesh tones, yellows, purplish reds.

The house in the photograph
has been long-felled by rot and fire and rust.
All of the people except the youngest are dead.
Yet still in the grass, the meadowlark.
and in the muddy pond the minnow.

In the glass of the photo frame, I see my own reflection–
thinning lips pulled into one straight line.
around me is their house, their sky, their prairie grass.
In the glass, my face
turns into the face of my grandmother.
I flinch but do not falter.
I look deeper.
Reflected in one eye, a perched bird.
in the other eye, a swimming fish.

for dVerse Poets Open Links

(To enlarge all photos, click on first photo and arrows.)

 

Farming the Wind

 

Here is a poem I wrote a few years ago when Forgottenman and I were driving through Iowa. Since I’ve never put it online before, thought I’d share it with you for Open Link night.

Farming the Wind

We pass a typical Iowa still life:
huge augers sipping the liquid mass of grain
from one of a trio of huge silos.
In the background, a cell phone tower
repeats the scaffolding over the corrugated iron silos,
mimicking nature’s patterning.

Twenty miles farther down the road,
we come upon other Brobdingnagians:
dozens of giant peace symbols rotating in what looks like the still air,
belying the motionless trees in their foreground.
Here nature fuels our technology in ways
that do not so obviously kill us
as petrochemicals or nuclear domes.

In clusters of evenly spaced rows,
the skeletal giants turn in graceful circles,
chronicling the passage of currents that carry the energy
that enables us to watch, cook, travel,
regulate temperature and communicate
without leaving our chairs.

We each become so comfortable in our close world
that we atrophy– venturing out less each year
into the world at large.

What does technology exist for–
to carry us forward or hold us back?
To destroy or support us?
The hugest irony of existence is that
everything is continuously changing:
movement to stillness and back.
Once stopped, will we ever be cognizant of this again?
Ever able to carry our wisdom forward from life to life?

This wind that blows us forward
also holds us back.
Which is the truth, which the contradiction?
These thoughts move
through our minds like the currents through the air,
bringing us to whatever truth we make of them.

This is the truth I find: Each thing contains its opposite.

 

To read posts from others responding to this prompt, go HERE.  To read the prompt at the dVerse Poets site, go HERE.