Tag Archives: dVerse Poets

The Yellow Dress

The Yellow Dress

When she wears it, worlds collide.
Men collect on either side.
Women seek her company.
Children seek to grace her knee.

Potentates, senators, kings
bring her necklaces and rings.
Scholars write her name in books.
Jealous women exchange looks.

There is hardly anything
that nature does not seek to bring.
Winds blow harder, streams divert
when she wears that saffron skirt.

The very heavens note where she went.
Tsunamis curl, volcanoes vent.
Soldiers line up to parade.
Mimes begin their mute charade.

Actors emote better to
this goddess in her sunny hue.
Mourning doves just bill and coo.
Old boyfriends seek her out anew.

Yet as she stands before her glass,
surveying both her front and ass,
her mate says, “Are you wearing that?”
and she surmises she looks too fat.

As she changes into basic black,
the lava cools, the seas hold back.
Her suitors cease their clamoring press.
She does not wear the yellow dress.

 

The dVerse Poets prompt was lemon yellow.

Intimacies for dVerse Poets

Intimacies

Remember that delicious
walking, arms linked,
down the middle
of the gravel road
in your pajamas
at five in the morning
when you were twelve?
That first slumber party
in your safe small town
when you all stayed up all night
for the first time in your lives?
That eerie first sight
of the sun coming up
when your head had never hit a pillow
since it went down?

And then you knew for the first time
the delicious pleasures
of being a night owl—
of finding time
that everyone else was wasting
through dreams.

And you have been
an aficionado of night
ever since.
All of your term papers
and exams studied for
at the last minute,
all night long.
Books written, poems written
mostly in the dark
while towns and cities around you slept.
That power of having all of your time for yourself
with not a chance of phones ringing.
Some magic happening
once you had the world to yourself
so ever afterwards
you have survived
on as little sleep as possible.

During your party years,
dancing and drinking till three,
then going for breakfast with the single crowd
and driving straight to school at six.
You were invulnerable.

Even married,
sneaking out of bed once he’d fallen asleep
and working in your basement studio all night long,
sometimes sneaking back to bed before he awakened,
at other times caught.
“It’s nine in the morning! Have you been up all night again?”
Feeling that little terror, like a vampire caught by light.

Then at 54, with no more husband,
no more job necessary,
with a new country and a new studio
above ground,
guilty pleasures no longer needed to be hidden—
watching light after light go out
as you sat piecing art together
in your studio—until suddenly,
impossibly,
light after light went on again
so you were going to bed
as your neighbor was arising
to start his day.

Then, improbably, at 62, internet romance
entered your midnight-and-after world.
Every night serenaded to sleep
from 1500 miles away
by an equally night-addicted lover bard
at two or three or four a.m.—
or whenever pillow talk led to it.

Skype became your love letters
and your trysting spot
now and then all day long;
but still, night better swaddled
that intimate invisible union
through the dark air
that has always been magic for you,
but which now joins instead of
sending you into the single space
where you unite with that within you
which you keep separate from the world.

At night, united or alone,
you know exactly what it is you want
and live it,
with no world
to lead you elsewhere.

 

For dVerse Poets we are to write about a moment of intimacy. I wrote about a number of them…and then, the ultimate. Unfortunately, I looked through photos for an hour and couldn’t find the right illustration. If you have an idea for one you’d like to donate, I’d like to consider it!

Divine Providence, for dVerse Poets

 

Image by  Alireza Dolati

Divine Providence

The wings of destiny are stilled, waiting for our play.
Astonished at our slowness, confused at the delay.
Disappointment in mankind by now’s a usual thing.
What new human horror will the future bring?

We’ve poisoned oceans, sullied air and burdened earth with junk.
Enough to put Ma Nature in a perpetual funk.
She balks and sends out warriors to try to curb our lusts,
but still mankind continues to turn shouldn’ts into musts.

She now sees she was misguided in creating human fools,
with all of their excesses flaunting all her rules.
Soon she’ll find another way to try to clear her slate of them
as destiny stands waiting to see what is the fate of them.

For dVerse Poets, we were to choose a Spanish term to use for the subject of a poem. In Spanish,  Divina Providencia means destiny with choices and spiritual interventions. My poem is about how mankind has unfortunately chosen to respond  to that divine providence.

Going Spiral

 

Georgia O’Keeffe, A Piece of Wood I (1942), oil on canvas, Georgia O’Keeffe Museum, gift of The Burnett Foundation

Going Spiral

Few easily attain the goals that are their aspiration
without initial effort that requires perspiration.
Most of us must labor to gain what we desire,
but although we go in circles,  each circle spirals higher.

 

For dVerse Poets we were to write a poem based on a Georgia O’Keeffe painting.

“Underworld” for dVerse Poets Magical Realism Prompt, Apr 20, 2025

 

Underworld

Under the sand are palaces. I’ve seen them in my dreams:
vast halls and empty chambers smoothly rounded at their seams.
Every wall is made of sand. Each ceiling, archway, floor––
as though carved by master craftsmen, digging at its core––
is so magnificent, you’d think they were the stuff of lore.
You may also see them, but you must provide the door.

Though the chambers are filled in, they’re there without a doubt.
You are the one creating them by what you will scoop out.
The beauty’s hidden in the sand, waiting in your sleep
for you to dig the castles out from where they’re buried deep.
All your day’s exhaustion your dream labor will abort,
for what you build in slumber is work of a different sort.

Sand brought to the surface is what you get to keep
of subterranean palaces dug out in your sleep.
As you build aboveground castles in the world that we all know,
you reveal the outward structure of the inner rooms below,
furnishing the magic that the world will see through you,
showing what’s inside of you by what you bring to view.

for dVerse Poets: Magic Realism
Image:  https://en.wikipedia.org/wiki/Ra_Paulette

To see more poems go HERE

Little Lies for dVerse Poets

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Necessary Untruths

A game of hide-and-seek
not behind chairs or under tables
within thickets or crouched in deep culverts
but obscured between sharp truths.
That white lie
you tell yourself
just to keep going.

 

To read more poems to this prompt, go here: dVerse Poets

For the dVerse Poets April Fools prompt: Lies

The Visitor for dVerse Poets “Personifying the Abstract,” Mar 26, 2025

 

The Visitor
(In a Time of Covid)

My day is a guest who arrives too early,
starting the party without me to the insistent drumbeat
of a distant all-night party not yet over.
Its music sketches a portrait of my distant past:
wild nights, the sharp bite of tequila,
casual passion draped across my back.

Kukla the girl cat’s clever claws push me from my bed. 
Other than her insistent cries for desayuno,
this new day written across my life
comes with invisible directions. 
It smells like fresh-blooming plumeria
and tastes like Nescafé with Coffee-Mate and stevia.

It is too tame, this safe life with so many hand-washings
that they rise to my tongue and foam as I speak to myself in the mirror,
keeping six feet of distance even with myself
as I wait for the arrival and my capture
by this distant threat creeping ever closer.

Sangre de Cristo,” mutters Jesus the water vendor,
taking his own name in both vein and vain as he
reminds me to keep my distance—
La señora, no matter how generous a tipper, now a threat.
I sweep his footsteps from the doorway,
set them on fire and gather their ashes for a poem.

The birds sing their way into my verses,
as does the snake that lies coiled in my kitchen sink.
I taste the language of all of them,
real life as surreal as any dream—
this world a wasp nest,
each of us sealed up in our individual cell.

Without a life, I write one for myself.
You are invited to join it here on my sanitary screen.
Make your rejoinders more clever than Alexa’s or Siri’s,
so I can dispense with the both of them.
Imagine me touching your words I cannot hear,
and make them less sharp than what you might be feeling.

A stream of family music from below
flows up the mountainside to pool in my ears.
I breathe the perfume of that family.
I savor its taste—tamarind, lime and salt,
the homeyness of bland tortillas—
and hope they are kept safe there.

For dVerse Poets. To read other poems written to this prompt, go HERE.

dVerse Poets Quadrille Challenge #220

The Lady Doth Protest Too Much

That name engraved across my mind
is of the phantasmic kind.
The one who seems to have carved it there
is one for whom I do not care.
It is not grounded in truth or fact.
It seems my thoughts have just been hacked.

 

 

for dVerse Poets

To see other poems written to this prompt, go HERE.

“Indigo” for dVerse Poets, Feb 24, 2025

Indigo

The color known so well by teens
that is used to color jeans?
Bet you thought, as I thought, too,
indigo was a shade of blue.
Yet, upon further inspection
during internet detection,
it seems more pupleish a hue
which transforms itself to blue.

For dVerse Poets Quadrille Monday the prompt is “indigo.” (Image by Levi Strauss)

To read more Indigo poems, go HERE.

“Dropped Glove,” Madrigal Poem for dVerse Poets

Dropped Glove

When love first blooms it seems eternal love
Impossible that it might fall away
What use is love that doesn’t choose to stay?

At first love seems to fit one like a glove
that warmly cloaks our hand both night and day
When love first blooms it seems eternal love
Impossible that it might fall away

We know not what love’s garment is made of.
We only note when it begins to fray
and loosens more and more along the way.
When love first blooms it seems eternal love
Impossible that it might fall away
What use is love that doesn’t choose to stay?

For dVerse Poets we were to write a Madrigal poem. Here are the rules for an English Madrigal: :Content: Often includes a theme of love
*Usually written in iambic pentameter.
*Comprised of three stanzas: a tercet, quatrain, and sestet.
*All three of the lines in the opening tercet are refrains.

Form: A thirteen-line form in three stanzas:
Stanza 1] Tercet -Three lines
Stanza 2] Quatrain – Four lines
Stanza 3] Sestet – Six lines

[L1] A (refrain 1)
[L2] B1 (refrain 2)
[L3] B2 (refrain 3)

[L4] a
[L5] b
[L6] A (refrain 1)
[L7] B1 (refrain 2)

[L8] a
[L9] b
[L10] b
[L11] A (refrain 1)
[L12] B1 (refrain 2)
[L13] B2 (refrain 3)

Go HERE to read other poems created to this prompt.