Tag Archives: poem

“Hairlooms” for Cellpic Sunday

 

I know.. weird photo…I just like it.  I took it to accompany a poem I was planning to put on Youtube along with an oral reading of the below poem from my soon-to-be published book, If I Were Water and You Were Air. I am reconsidering even doing the audio posting of poems on youtube, so will make use of it here and include the poem as an explanation of the photo.

Long Weekend

Her shoes on the floor next to the pot-bellied stove
do not have holes in them, as her father said,
but rather triangles and rectangles
and everyone is wearing them
laced up to below the ankle.
Her friend Marjorie, who has lots of shoes,
has pink ones
and Sheryl has a white pair
and even my new stepdaughter’s real mother
has shoes like this.

Her used Band-Aid lies in fetal position
on the new white sofa cushion,
her hair twister on the kitchen counter
along with a handful of pens she grabbed from my desk
and then abandoned.
Her clothes, like crumbs of her,
lie scattered down the hall.

She is asleep in the loft of my study,
in the nest she has chosen
for a place to stash herself, along
with those collected objects of my past
that have captured her fancy as she helped
with our unpacking of boxes.
With them, she has created a little world within our world:
a painted blown egg from the Tucson street fair,
assorted brushes and antique hair rollers,
hair combs I bought in Peking, African baskets to put them in,
a beach chair, a sheepskin rug, and her stuffed dog.

Stealing into my study to find paper and my one remaining pen,
I hear her gentle snores from the high space
at the top of the ladder on the wall behind my desk.
My new daughter––with us for our first weekend
as we open boxes in our new house.

The bouquet of wildflowers on the bookcase––
California poppies, creeping Jenny, sprays of honeysuckle––
she has learned all their names, along with moss roses, aloe vera and lobelia,
collecting them in her sorties out to the deck
to scare away the jays, feed peanuts to the squirrels.

She loves this house and wanted to unpack one more box
before bedtime––my bathroom box that held handy hair rubbers
and the tiny Chinese combs––both of them speedily added to her purloined collection.

She calls me Mom, her knee sticking through her Christmas tights.
She is a girl I can’t keep together––
already a hole in the turquoise top we bought together yesterday––
four tops, four pairs of tights
and a pink jacket.
Socks, next visit.

When she leaves to go back home, I plant dahlias and purple salvia.
I find the hidden box of toothbrush, toothpaste, and acne medicine
she has secreted in her loft above as though staking her claim.
I find cups to put them in,
put them on the counter in the bathroom next to ours.

For Cellpic Sunday

Dining Alone, for Fandango’s Flashback Friday, July 18, 2025

For Fandango’s Flashback Friday, we were asked to reblog a blog written on a previous July 18. This one was first published on July 18, 2018

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Dining Alone at the Maria Bonita Restaurant Bar

Señor Garcia is smoking today.
Below him,
Maria Phoenix lies on satin sheets
on the wall of Maria Bonita Restaurant Bar.

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It is a small palapa restaurant––soft orange front with
hot pink trim–– that I’ve driven by hundreds of times before;
and every time, I’ve wanted to come in, but haven’t.
Now today, suddenly,
I don’t want to go home
and so my car turns in across the carretera.

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I am the lone customer.
The cook and waiter
spring to action.
Totopos for him to bring,
a fire for her to light.
This is a fish restaurant
and I am a non-fish
eater, choosing between
quesadillas and beans
or a hamburger and fries.
Needless to say, I’m not here for the food.

I am here for the view and the limits
imposed by eating alone in an otherwise empty
restaurant/bar. I have a poem to write
and need the discipline imposed by a place
where there’s nothing else to do.
My only distraction is the view,
which forms the subject of my poem
and so is anything but a distraction.

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The smoke from a dozen fires
rises into the air from the entire eastern slope
of Mount Garcia across the lake.
Whether by accident or by the hand of farmers
lighting fires to clear last year’s stubble from the fields,
the effect is that this extinct volcano
has somehow come to life,
springing leaks.

Fanned by a recent wind, the smoke grows denser, rises higher.
Below the slopes, a patchwork quilt of strawberry and raspberry
fields, covered with plastic sheets,
spawn fruit for the tables of El Norte.

Maria, that other smoldering beauty, lies suspended all around me––
long canvas banners reflecting her screen loves and her roles.
She looks over one shoulder, wears a rebozo or a mariachi’s sombrero.
Cantinflas, that beloved clown, shares her wall but is never in a shot with her.
They are opposites: the sexual symbol and the comic. One raises tension
and the other seeks to dispel it.

Maria Phoenix

I am in between, a mere observer, I know.
In every case it’s likely that the fire has been lit by means unnatural,
but nonetheless, it ignites my imagination.
I am surrounded by it.
“Blue Bayou” plays on the sound system.
Sleepy eyes.
My eyes sting from the smoke
that has filtered toward me
from eight miles or so across the lake.
The tears in my eyes are from the smoke,
not from memories of the departed one
I used to come with to these fish restaurants.

They are not the place for gringos.
Word is out about the sanitation
or where the fish comes from
or who might be encountered here.
A few restaurants down, there was a cartel killing
just about a year ago––perhaps more, perhaps less.
At any rate, Americanos and Canadians are rarely found here.

Today, no one else is found here.
“There’s no exception to the rule”
plays on the sound system.
“Everybody plays the fool.”
Feeling a stranger in the place where I live
is a feeling pleasurable to me––
an emotion I do not feel foolish for pursuing.

The waiter, as though I’m a repeat customer,
brings an entire bucket of ice
and fills my glass each time he passes.
They have my brand of rum.

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I have always known this place could be my place.
The pleasure of knowing it to be so warms me
as much as the second jigger of rum.
Shall he pour it for me? Do I want it all?
Just half, I tell him, and fill the glass with Coke.
I like it weaker, so I can spread it out.
Like the fire.

Smoldering.

 

Chewing the Train for dVerse Poets, June 26, 2025

 

Brooch and pins by Judy Dykstra-Brown

Chewing the Train

A metaphor is a freight train
that gets us within 30 miles
of our final destination,
but we still have to catch a taxi to get all the way there.
And a simile is just a metaphor whose brakes have failed.
If we know that peanut butter
is like a circus on a tired tongue,
does it bring us any closer to the smell of peanut butter?
Elephants and sawdust
and sequined camisoles flavored
with the sweat of 100 performances?
Is that what peanut butter smells like?
Does it taste like candy apples
and too-bitter mustard
on stale buns
and hot dogs turned too long
upon the rollers of their grill?
Does peanut butter feel
like the unoiled bump of the Ferris wheel?
Does it sound like a calliope
or look like an ice cream cone?
Peanut butter is peanut butter.
I rest my case.

So how am I going to write a poem
without metaphors and similes?
How can I write verse
while telling the pure unadulterated truth?
How can I make you taste a poem
that is only itself?

How can I be Janis Joplin
when I’ve been taught to be Joni Mitchell?
A Rose is a Rose is a Rose,
said Gertrude Stein,
predating my insight
by a generation or two.
But this isn’t Paris,
and folks in Mexico
want a dollop of figurative language
in their poetry.

So let me say
that my mind is a busy beaver,
trying to fulfill this impossible task
of twenty little things.
I’m expected to imagine
how peanut butter sounds.
The sucking gumbo sound
of South Dakota mud
or thick mucus of a cold?
Anything but appetizing.
Ay, Caramba! you might say,
but if you were Australian,
you would say, “Don’t come the raw prawn on me, mate,”
and you would mean
“Don’t try to pull the wool over my eyes,”
or “Don’t try to con me, man.”

So let me just say that peanut butter is made
by grinding peanuts so finely
that all the oil comes out
and it acquires the consistency of butter.
It isn’t like butter
nor is it butter.
It acquires the consistency of butter.
This is literal fact.
But to know the taste of peanut butter,
you will need to spread a bit upon a cracker
and have a taste, or grab a finger full.
What you will taste will be peanut butter.
The truth of it. Its reality.

And only then will I tell you
that literal truth doesn’t always tell
the whole truth.

My friend says
it is the peyote leached into the soil
the corn grows from
that gives Mexicans
such a remarkable sense of color.
The bright pigments of imagination
flood his canvasses.
His peyote dreams leak out into the real world
and wed it to create one world.
“Peyote dream” becomes its opposite—
a freight train taking us into the universal truth.
A larger reality.
This stalk of corn, this deer,
this head of amaranth,
all beckon, “Climb aboard.”

So when you bite into a taco
or tamale, when the round taste of corn
meets your tongue, and pleasure tries to flow
like a lumpy river down your throat,
look up at the poet standing in the shadows.
She’ll call herself by my name if you ask,
but do not ask. Instead, look deeper
into the shadows she wears around her like a cloak
and see that it is light that creates shadow.
See the many colors that create the black.
Follow where the corn beckons you to go––
into the other world of poetry and paint
and dance and music. Hot jazz with a mariachi beat.
Chew that train that takes you deeper. Hop aboard
the tamale express and you will ride into your
new life. It will be like your old life magnified
and lit by multicolored lights and the songs of merry-go-rounds
and when you bite into your taco, it will taste
like cotton candy and a snow cone
and your whole life afterwards will be a train that takes you nowhere
except back into yourself—a Ferris wheel
spinning you up to your heights and down again, with every turn,
the gears creaking “Que le vaya bien.”
I hope it goes well with you
and that you see the light
within the shadow
and the colors
in the corn.

glass-gem-corn-2-460

 

For dVerse Poets synesthesia poem. You’l have to sift through this poem for the synesthesia, but I promise you , it is there.

Broken Concentration, for dVerse Poets, June 25, 2025

 

 

Broken Concentration

The words packed tight within my mind
seek the empty page.
They fly like hummingbirds and hawks
escaping from their cage.
But when all my empty places
I seek to fill again,
too many words rush in at once,
creating such a din
that nothing can be made of them.
I cannot restore order
in these alien syllables
that flood across my border.

I did not think these previous lines.
They just crept up on me.
I place words here upon the page
and thereby set them free.
They have no place within my head
where I had plans to write
a solitary love poem.
Instead, they spar and fight,
one trying to beat the others
to the front line of my mind.
Love words elbowing their way,
lined up in back of “pined.”

So “heartsick” steps on “passion’s” toes.
“Adore” runs out of steam
trying to reclaim the place
where words like it must dream.
I no longer know the purpose
that I set out upon
I fear the mood is broken,
my concentration gone.
The thought that any love poem
will come is now absurd.
Minutes ago I was in love,
but now I have been cured!!

 

The dVerse Poets prompt is “broken.” We have broken vows, broken systems, broken expectations, broken agreements, broken communication, broken societies. Especially right now in this world, many of us know “broken”. Will we be able to repair the divisions? Can we put the pieces back together? Can we recreate a better world?

 

 

Long Before, for Forgottenman’s Poetry Prompt, June 22, 2025

 

Long Before

Long before our years began,
before the mind of nature had conjured man,
the artists of the universe,
(artists that they were)
that started it all,
started imagining a combination of science and art,
imagining its form and actions and its thoughts.
Its beginning a particular straying of atoms,
beginning that parade
that at its tail end––
at its possible tale’s end––
its greatest creation or its
greatest, perhaps, mistake.
Perhaps that last thing that ended its own being,
that humanity-declared champion of creation:
Humanity.

(Would that we had lived up to our name.)

 

Please go HERE to read ForgottenMan’s poem that introduced the prompt.

dVerse Poets Quadrille Challenge #220

The Lady Doth Protest Too Much

That name engraved across my mind
is of the phantasmic kind.
The one who seems to have carved it there
is one for whom I do not care.
It is not grounded in truth or fact.
It seems my thoughts have just been hacked.

 

 

for dVerse Poets

To see other poems written to this prompt, go HERE.

“Abandoned” for The Sunday Whirl Wordle, Feb 23, 2025

Abandoned

Voices echo down long hallways where there’s no one left to hear––
each second fading into hour to day to week to year.
Old friends now departed, time has finally run out.
Words have lost their power. Memories have lost their clout.
Mirrors show no images, locks rust and fall away
as the fires of time passing burn to ash another day.

For The Sunday Whirl Wordle #695 the prompt words were: lock fades echo out voices burn show friends time power hear second.  Image by Alexy Malakov on Unsplash.

“Shore Leave” for The Sunday Whirl # 691, Jan 26, 2025

Shore Leave

Calm cliffs rise up from beastly seas to soothe a sailor’s mind,
and rolling hills make memories of a different kind.

Though blades of grass may mimic the sway of restless swells,
more timid winds shake music from a string of tiny bells
woven through the tree limbs and stroke music from thin bars
sticking up out of  the earth, topped off by tiny jars
that lips of breezes play like flutes to create harmony
under the stars that sets the hearts of land-bound sailors free.
These scenes that meet their gazes dispel dark memories
of months of troubled dreaming on tempest-tossed wild seas

Painting by Juan Antonio Pérez Ayala

For The Sunday Whirl Wordle 691  today’s words to use are: bell mimic blade gaze hills jar soothe mind stars timid beastly sea

The Unhaunting, For the Sunday Whirl Wordle, Nov 10, 2024

The Unhaunting

Ancient ruins cloaked in fog rise from the icy ground,
yet here no restless spirits are likely to be found.
The wind has driven all from this commune of the dead,
and stitched the lace of curling clouds to frequent them instead.
They hover over columns and sail the empty halls,
brushing clear the cobwebs of these once-haunted walls.

For The Sunday Whirl  the prompt words are:cloaked ruins ancient lace communes stitched spirits wind drive curling icy ground

911 for The Sunday Whirl Wordle 679

911

The fire sighs and flips the ravaged timbers to the floor,
sends soaked ashes swirling in currents toward the door.
Blue flames lick at skins of walls, then weave around the beams,
trying to escape the fire fighter’s streams
as they emerge in masks from the house’s inner places,
assassins of those flames who’ve chosen not to show their faces.
Thus is the conflagration robbed of its power and beauty
by this crew that sees extermination as its duty.

For The Sunday Whirl
The prompt words are sighs fire flip ravaged blue floor emerge masks ashes soak skin weave