Category Archives: Daily Post

First Friends

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The Prompt: Do you — or did you ever — have a Best Friend? Do you believe in the idea of one person whose friendship matters the most? Tell us a story about your BFF (or lack thereof).

First Friends

I am three years old, lying in my Mom’s room taking a nap. I can hear voices in the front room. The world comes slowly back to me as I rouse myself from the deep sleep I swore I didn’t need. I hear my mom’s voice and the voice of a stranger. I slide my legs over the side of the chenille-covered bed, balancing for a moment like a teeter totter before giving in to gravity and letting my feet slide through space to the floor below. I creak open the door, which had been left ajar. My mom’s voice gets louder. I smell coffee brewing and hear the chink of china coffee cups in the living room.

I hear a dull rubbing sound and move toward it—through the kitchen to the dinette, where a very small very skinny girl with brown braids is sitting at the table coloring in one of my coloring books. She is not staying in the lines very well, which is crucial—along with the fact that she is coloring the one last uncolored picture in the book which I’ve been saving for last because it is my favorite and BECAUSE I HAVE IT PLANNED SO THERE IS SOMEWHERE IN THAT PICTURE TO USE EVERY LAST COLOR IN MY BOX OF CRAYOLAS!

I sidle past her, unspeaking, aflame with indignation. Who could have—who would have—given her the authority to color in my book? I stand in the door of the living room. My mom is talking to a mousy gray-haired lady—tall, raw-boned, in a limp gray dress. My mom sees me, and tells me to come over and meet Mrs. Krauss. They are our new neighbors. They are going to live in Aunt Stella and Uncle Werner’s house two houses down. Did I meet their daughter Pressie in the kitchen? She’s just my age and Aunt Stella and Uncle Werner (who are not actually related to us, but just friends of my folks) are her real aunt and uncle.

The gray lady calls Pressie in to meet me. She is quiet and I am quiet. Then we go back to color at the table together. We drink orange juice and eat potato chips. We will be best friends for what seems like a lifetime but what is really only until we approach adolescence. I will have a love-hate relationship with her mother, who will continually set up competitions between Pressie and me to see who will win. She will try to coach Pressie first; but still, I will always win.

Pressie and I will play hollyhock dolls and dress-up. We play, sometimes, with Mary Boone; but her parents are too religious and don’t think we’re nice enough to play with her very much. I want to put on neighborhood plays and circuses, but none of the other kids want to perform. I want to play store and school, but Pressie eventually goes home to help her mother varnish the floors.

Pressie’s house is full of loud brothers and a sulky teenage sister. It is full of high school-aged cousins who tease us unmercifully and old ladies who come to play Scrabble with her mother. It is full of a missionary sister who comes back from South America and married brothers who come from Florida with babies that Pressie and I take charge of.

Pressie’s house is full of slivery floors that are always in the process of being varnished or de-varnished. There is one drawer in the kitchen full of everybody’s toothbrushes, combs, hairpins, hair cream, shampoo tubes, old pennies, crackerjack toys, rubber balls, lint, hairballs, rolled up handkerchiefs and an occasional spoon that falls in from the drain board above it. They have no bathroom—just the kitchen sink and a toilet and shower in the basement, across from the coal bin and the huge coal furnace. Their toilet has a curtain in front of it, but the shower is open to the world.

Sometimes when I am peeing, someone comes down to put coal in the furnace or to throw dirty clothes in the washtub next to the wringer washer. I pull the curtain tight with my arms and pray that they won’t pull it back and discover me, my panties down to the floor, pee dripping down my leg from my hurried spring from the toilet to secure the curtain. To this day, I have dreams about bathrooms that become public thoroughfares the minute I sit down. To this day, I get constipated every time I leave the security of my own locked bathroom.

Pressie babysits with the minister’s kids for money. I go along for free. She spanks them a lot and yells a lot. I think I can’t wait until I’m old enough to have kids so I can yell at them, but when Pressie is gone and the minister’s wife asks me to babysit, I don’t yell at them.

At Christmas I can’t wait to have Pressie come see my gifts: a Cinderella watch, a doll, a wastebasket painted like a little girl’s face, complete with yarn braids, books and toilet water from aunts, a toy plastic silverware set from my sister, stationery from my other aunt, playing cards, sewing cards, paint by numbers, a new dress. I run over through the snow to Pressie’s house to see her presents: a new pair of pajamas, a coloring book and new crayons, barrettes and a comb. In her family, they draw names. Quickly we run to my house, but she doesn’t pay much attention to my presents. She is funny sometimes, kind of crabby. The more excited I get, the more withdrawn she gets.

Later, I want to make snow angels in the yard and feed leftover cornmeal muffins to the chickadees, but Pressie wants to go home. Pressie always wants to go home. What she does there, I don’t know. She doesn’t like to read. None of us will have television for another five years. She doesn’t much like games or cards. I don’t know what Pressie does when she isn’t with me.

When she is with me, we take baths together and sing the theme music from “Back to the Bible Broadcast,” washing our sins away in the bathtub. We play ranch house in our basement. We pull the army cot against the wall and put old chairs on either side of it for end tables. We upend an old box in front of it for a coffee table. My grandma’s peeling ochre-painted rocking chair faces the army cot couch. We sneak into the hired man’s room and steal his Pall Mall cigarettes and sit talking and smoking. We rip the filters off first, which is what we think you’re supposed to do.

Pressie will always stay longer if we smoke. I blow out on the cigarette, but Pressie inhales. We smoke a whole pack over a few weeks’ time and then go searching for more. When the hired man starts hiding his cigarettes, we discover his hiding place and learn to take no more than four at a time so he doesn’t miss them. When he has a carton, we take a pack and hide it under the mattress on the army cot. My mother wonders where all the filters are coming from that she sweeps from the basement floor, but never guesses our secret.

Pressie spends more time with me than before, drops by almost every morning and always wants to go to the basement to play and smoke. Then the hired man finds another room and moves out and when Mrs. Church’s granddaughters come to visit, I will want to play with them but Pressie won’t. Then we will pair off—Pressie with Sue Anne, the girly one, me with Kate, the boyish one. We have a little war—mainly instigated by the sisters.

When the new farm agent moves in with two daughters—one a year younger than Pressie and me, the other a year younger than my sister Addie—I want to ask the girl our age to play with us, but Pressie won’t. I have a slumber party for everyone—all the girls we know. I invite the new girl, whose name is Molly, but no one talks to her much. She is shy and doesn’t push herself on us. No one else ever wants to include her. I go play with her anyway and spend the night at her house. Her mother is nervous, her dad cocky. Her older sister laughs nervously under her breath a lot, as does her mother.

Many years later, by the time we are in high school, everyone has accepted them. By then, all of those girls have parties where I’m not invited. They are always a little reserved when I come up to speak to them. Maybe they’re always reserved. How would I know how they are when I’m not around? Later, they all got to be pretty good friends. But in the beginning, I was everyone’s first friend.

Pressed for Words

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Pressed for Words

9:22 on a Thursday night,
keeping my MacBook screen in sight.
I agree, it’s superficial.
I should do something beneficial;
but instead, I sit and count
as my blog views slowly mount.

Today, so far, one hundred four.
(Yesterday’s count and then one more.)
With some hours left , I do not know
how much higher it might go.

Yesterday I took great care
to write an essay on my hair.
(About my hair, I should explain,
to write “on” hair would be a pain,
for in the shower or under rain,
my words would go right down the drain!)

Judy, stop!!! Get back on track!
(I’m turning into such a hack.)
Today I sluffed off all day long—
just posted Leon Redbone’s song.
Yet here I am at 10:03
with three more viewers viewing me.
Two more hours and then no more
to tally up this blog day’s score.
Already, though, its clear to me
what the lesson learned must be.

It’s clear this truth I must compute.
My viewers like me better mute!!!

Reading

This post has been removed as a stipulation for submitting it in a poetry contest.

The Prompt: Middle Seat—It turns out that your neighbor on the plane/bus/train (or the person sitting at the next table at the coffee shop) is a very, very chatty tourist. Do you try to switch seats, go for a non-committal brief small talk, or make this person your new best friend?

 

Unstarched

 

Unstarched

My ladies writing group is classy—never crass or gaudy.
Imagine my surprise, then, when I found they can be bawdy!
Just one impromptu potluck and a few bottles of wine
turned their metaphoric minds to matters far less fine.
For Jenny had just mentioned that a friend had lately lent her
a rather naughty film that nonetheless had really sent her
off into the paroxysms of unbridled laughter—
the kind that take you wave-on-wave and leave you aching after.
I’d been needing that for months—my life had been sedate
since my old gang had moved away and left me to my fate
of no last-minute games of train and late-night jubilation,
for though I still have good friends here, I lack that combination
of friends that I enjoy who all enjoy each other, too,
enough to create silliness to make my nights less blue.

“Bad Grandpa” was the film we watched, and though I must admit
I watched behind spread fingers for at least a fifth of it,
still the antics had us all just rolling on the floor
—starting with a snicker and then ending with a roar.
Scatology is not my thing, nor are pratfalls or shtick,
yet still I must admit to you, I got a real big kick
from this film filled with all of them, and so did all the others;
so as we watched, it felt like we were all sisters and brothers.
And as they left, I think we knew we’d shared a priceless treasure,
for there’s nothing that unites us like a mutual guilty pleasure!

The Prompt: When was the last time you watched something so scary, cringe-worthy, or unbelievably tacky — in a movie, on TV, or in real life — you had to cover your eyes?

The Daily “Catch”

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The Prompt: From the Top—Today, write about any topic you feel like.

The Daily “Catch”

The daily prompt, “write what I wish?”
That’s like ordering the fish
and having the waiter bring a hook
and once you catch it, a pan to cook
it. This is one that I’ll do poor on.
This “prompt” is just an oxymoron!!!

Old Friends

I was running from the time I woke up this morning until about 10:15 tonight. My guests have now gone and I’ve had 45 minutes to work on this prompt. It certainly isn’t my favorite, but I felt compelled to finish the assignment, lest it be the first day since April 1 that I failed to post! So, for what it is worth, here’s my near-answer to today’s prompt!!! Please note that much as you might feel you see yourself in this poem, the characters are purely fictional!!!

Today’s Prompt: Long Exposure—Among the people you’ve known for a long time, who is the person who’s changed the most over the years? Was the change for the better?

Old Friends

Our world turns and all of us
without much fanfare or much fuss
change constantly from day to day
in such a subtle sort of way,
we barely notice we have changed
until we find we are estranged
from those once near who now are far,
reaching for a different star.

While once we shared the usual aim
of husband, family or fame,
each thinks the other achieved less
though neither one could ever guess
that each achieved just what she wanted
sailing through her life unhaunted
by regrets of what she’s missed:
the shore unclaimed, the cheek unkissed.
One scored the ring and husband first.
The other sought to quench her thirst
for travel and remained unmarried
satisfying interests varied
from what most others chose to do—
each year her world began anew.

No little hand in hers, no need
to clothe and comfort, wash and feed
anyone except herself.
She sat alone upon the shelf
of life, unchoosing and unchosen—
well-preserved and slightly frozen.

The other birthed, lifted and carried
in a life both full and harried.
With kids and husband in her home,
she was rarely there alone.
Kept busy by her obligations
to neighbors, friends and her relations,
her life proceeded till near its end,
she chanced to come upon her friend
from long ago and tarried there
while both of them let down their hair.

Each found the place where she belonged
and neither feels unduly wronged.
One found her place in family—
contented in their company.
The other is quick to aver
she found her place inside of her.

Unwrapped Packages

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Unwrapped Packages

It is the difference between that present handed to you
by a person who says, “It’s only a tie,”
and a package under the tree
squeezed and prodded at—perhaps a corner loosened
or a hole poked in through supposed accidental handling,
pondered like a good detective show.

Who wants these mysteries revealed before their time?
What value in the present whose contents you already know for sure?
The magic of Christmas for some is that faith that the girl,
untouched by human lover, gave birth—and it is that sort of faith
that “saved” the world. If we knew the whole truth of that story
would all it prompted fall into the hole covered all these years by mystery?
The whole world seems to be standing more on what we don’t know
than on what we absolutely know empirically—what we can prove.

And so I look at the picture of my young mother
in her cotton housedress and saddle shoes
holding her baby in front of her in her stroller,
whole contraption, child and carrier,
a foot or two above the ground,
and there is mystery in the reveal.
I do not hear what transpired to cause this pose.
I do not know if my father caught her carrying me
from the porch to sidewalk and said,
“Here, Tootie, turn around,” and snapped the picture,
or whether my older sister planned the pose.
Or whether some movie star was snapped in a similar scene
and my mother and sister, like two conspiring fans,
planned the shot to steal the glamor formerly reserved
for “Photoplay” or “Look” or “Life.”

There would be no reel-to-reel
in any normal person’s life for years.
No movie camera to tell me exactly what my mother was like
or my sister or me before my memory took hold and even then,
my mind’s remembrance
more like reflections in a lake that color and change
depending on the clouds or rain,
distorting the light like moods.
My Aunt Peggy’s house,
always remembered as feeling like
the color chartreuse,
and I will never know why.
That smell of a friend’s house that became associated
with her memory more than any concrete proof of reel-to-reel
or spinning film of movie camera.

I do not know my mother’s voice at thirty.
I did not witness myself since birth
by either sound or sight.
There is a different mystery
to a past caught
in boxes of Kodacolor prints
curling and yellowing in a closet
than one documented like a science experiment
with every event taped and filmed.

Where does the mystery of you reside when you see yourself
so clearly, as others have seen you all along?
What does it leave for you to try to discover?
No tapes.
No film.
No Internet.
No Skype.
No YouTube.
No home movies.
All of our pasts were once wrapped up forever.
Only our fingers poking in the edges.
Only our voices asking,
“What was it like the day when I was born?”
What do you remember about the day when. . . .?

The Prompt: Can’t Stand Me—What do you find more unbearable: watching a video of yourself, or listening to a recording of your voice? Why?

Many Me’s

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The Prompt: Frame of Mind—If you could paint your current mood onto a canvas, what would that painting look like? What would it depict?

Many Me’s
If I should have to paint a picture of my present mood,
I’d be walking down a staircase, and I’d have to do it nude—
My many selves preceding me and coming fast behind—
for there would be not one of me, but many of my kind.
This scene is a mere copy of Duchamp’s solution to
a person who perhaps has found she has too much to do.

My list of tasks is growing, though I’ve dealt with one or two;
but how I’ll deal with everything, I fear I have no clue.
And so I guess my canvas style would simply have to be
like Marcel’s (though not cubist, still with more than one of me.)
That way I’d send off each of me to do what must be done.
They’d do all my labor while I went to have some fun.

While self 1 wrote my daily prompt and self 2 cleaned my shelves,
I’d go out to the water park with all my other selves.
We’d climb up all the ladders and slide down all the slides
and play a game of tug-rope where I would be both sides!
We’d go out to the ice cream place and have a cone or three
and they’d get all the calories with none assigned to me!

We’d take my bad dogs for a walk and I would be so free
Two other me’s would hold the leashes, not the actual me.
I’d loll here in my hot tub, swing in my hammock, too,
while selves from 1 to 9 would do all that I have to do.
They’d figure out my microwave instructions all in Spanish.
They’d sort out all my photographs and clean my loo with Vanish.

Agreeable to every task, they’d never mention “can’t.”
They’ll pick off all the yellow leaves from every drying plant.
They’ll organize my studio that is a horrid mess.
(It’s been that way for many months—a fact I must confess.)
They’d sort out all my closets and organize my drawers,
then go into my Filofax and sort out all the bores.

They’d shape my canned goods into rows—sorted from “A” to “Z.”
which makes it difficult for them, but easier for me.
And though my other selves keep warm from their activity,
my idleness seems not to create any warmth for me.
So although I like my colors and my brush strokes strong and bold,
I wish I’d put some clothes on us, ‘cause I am getting cold!!

The Brick Throwers

The Prompt: Reviving Bricks—You just inherited a dilapidated, crumbling-down grand mansion in the countryside. Assuming money is no issue, what do you do with it?

The Brick Throwers

They were five in a chain from truck to rooftop,
each throwing the piles of adobe bricks
in stacks of four, from hand to hand
up from the bottom of the truckload
now nearly emptied.
Two of them waved me on
when I tried to park near,
my trunk full of heavy wall sculptures
to deliver to a gallery just half a block away.

And when I tried to park farther along the block,
again and again, they waved me away
until I was a block away and safe, I guess,
from straying bricks or errant cars that swerved
too far to the right to avoid the bricks or truck that held them.
They were a cheerful lot, and when I passed,
walking towards the gallery
carrying one sculpture after another,
they waved, and on my final trip back to the car,
again, the man second in the chain
who stood balanced on the highest level of the brick pyramid
that remained within the truckbed,
seemed to intuit my purpose, waving from me to them
as I drew my camera from my purse.
They all posed for minutes, miming their labor
as I tried to get them to actually throw, as before,
those piles of bricks, hoping to catch them
flying through the air between two pairs of hands.

Finally understanding, they threw and threw,
asking me for a prompt to help me catch that flight
I feared I’d never catch.

(more)

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Minutes later, I turned to leave
and they, cheering and smiling in their fame,
turned back to that labor which is an art in Mexico:
giving bricks wings before mortaring them
into a permanency that holds them rigid for lifetimes
until they crumble back into that soil that was their nativity.

This poem should be a metaphor for something
and probably is.
Some future day, when I am moldering in my grave
like some lesser Ozymandius,
some graduate student or scholar of mediocre
Twenty-First-Century poetry might publish a treatise
revealing it.
And they will dig this website from the rubble
of the Internet and find
I wrote it as a daily prompt
and if such records still exist,
find how I hired those men to build a monument
from that crumbling manse of brick
that was my prompt on the Daily Post
and tell how they spent their lifetimes restoring it
and how their children and their children’s children
have benefited from catcalls
and instructions to move on down the line
and the clicking of a camera lens
and from one who follows blindly
where each prompt leads her.

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Notoriety

Notoriety

Remember Morrie Amsterdam, and Dick Van Dyke and Sally?
So clever and so erudite, and humorous and pally?
They had such fun as writers for a fictional TV show
(I can’t recall the name of it, but one of you will know.)

If that is what inspired the thought, I guess I’ll never know,
but I’ve always wished that I could be staff-writer for a show.
Such fun it would be, trading thoughts and quips and puns and jokes
and putting them into a show for entertaining folks.

Week after week to do this, would be a joy, I thought—
turning out those funny shows with plots so finely wrought.
But I had not a clue of how such jobs as this were got.
The route to such careers was something I was never taught.

I college I took every class in writing I could find.
I loved this pressure to use words to show what’s on my mind.
Sometimes the words came easy and sometimes they came hard.
I had a few successes, although no one called me bard.

In those days before the Internet, I don’t know how I came
to hear about these contests where we were asked to name
new products such as cereal and milk and a new shoe
and several other things as well, I just recall a few.

All-in-all, I think I entered six or more for fun.
Months later came the envelopes that said that I had won
first prize to name two products—and earned $25 for each.
Never had I expected such heights of fame to reach!

I took my best friends out to dine to celebrate my win
and we drank Golden Cadillacs (and probably sloe gin)
and wined and dined until we’d spent the sum of all the cash
I won by writing ad copy—a celebratory bash.

I know if I dug deep enough that surely I could find
the names of all those products in the corners of my mind.
“Vita-Man the Space Age Cowboy,” was one winning entry’s name.
His purpose to sell milk, although he never reached much fame.

This was the late sixties with skirts short or to the floor
and I recall one shoe line that I wrote a ditty for:
Mini-mums and Maxi-mums were names I thought were nice.
“A maximum of comfort for a minimum in price.”

This one was not a winner, but the reason I can quote it
is because they used it anyway–exactly as I wrote it.
The other one I won was for a cereal you’d know well;
I know you won’t believe me, so I’m not going to tell.

It became so famous that it’s still there on the shelf,
though I’m the only one who knows I named it all myself.
Still, this is where my fame resides—in stores from shore-to-shore
and that is how my name came to be writ in grocery lore!

So now my deepest secret’s out. The world will know my plight—
that advertising or TV is what I wished to write.
You’d think that watching “Mad Men” would cure me, wouldn’t you?
and it might, but for the glory of that cereal and that shoe!!!!

The Prompt: Back of the Queue—Is there something you’ve always wanted to do, but never got around to starting (an activity, a hobby, or anything else, really)? Tell us about it — and tell us about what’s keeping you from doing it.