Tag Archives: Beauty

Luddite (Within Reason)

Luddite (Within Reason)

Resurrect the Luddite gene!
Raise the axe! Kill the machine!
Its use is seldom credible
in products that are edible.

A bread machine for making bread?
Ban that idea from your head.
Bread manufactured should be banned.
The nobler loaf is shaped by hand.

Lasagna, too, it is a fact,
is better manually stacked.
Those frozen ones from Costco? Toss ‘em!
For no machine knows how to sauce ‘em!

Torillas handmade pat by pat?
You simply can’t improve on that.
But I admit I’m not that keen
on ones that come from a machine.

South of the border, arts abound
on almost every wall they’re found.
All over town, the artists stand
creating murals there by hand.

Art that’s produced digitally?
It will simply never be
as satisfactory to me
as this handmade artistry.

The stately dome, even and round,
in Mexico is often found.
With bricks, cement and lime and sand—
it’s true that they are made by hand!

I admit that a brick wall
is hardly any view at all.
The only worse thing in a town
is when you find one tumbled down!

But Mexico excels at walls.
Hand-stacked, a stone wall rarely falls.
And they are things of beauty, too,
and add, not detract, from the view.

I find that I can best assuage
my aches with a hands-on massage.
Our massage chair bought for beaucoup bucks?
Truthfully? It really sucks.

And yet, I know that many lean
in preference to the machine.
I must admit, though I am wary,
that certain ones are necessary.

Elevators beat the stairs.
Electric shavers best cut hairs.
(Those signs extolling Burma Shave
belong outside a caveman’s cave.)

And I admit the movie sector
clearly needs its film projector.
Doctors? X-rays. Dentists? Drills.
Pharmacists? Machine-made pills.

And I am sure I’d really balk
If I were forced to always walk,
so cars and trucks would make my list
of machines that should exist.

I could live if forced to brave
this world without my microwave,
but take my Wifi? Don’t you dare!!!
Some things are better sent by air!

The Prompt: Handmade Tales—Automation has made it possible to produce so many objects — from bread to shoes — without the intervention of human hands (assuming that pressing a button doesn’t count). What things do you still prefer in their traditional, handmade version?

NaPoWriMo Day 24: Building Walls

Our prompt today was to write a poem that features walls, bricks, stones, arches, or the like.

Building Walls

The new neighbors are not friendly.
From their side of my wall,
they have reached over my wall to sever the vines
that have covered my tall palms
that abut the wall
that has separated our properties
for thirteen years—
those maroon bougainvillea vines,
stretched ten feet wide
by covering layers of blue thunbergia,
formed a community that housed families
of birds and possums and possibly
a very large but harmless snake.
I saw it cross my patio once,
the dog and I turning our heads toward each other,
exchanging looks of surprise
like characters from a stage play or a comic book,
her so startled and curious that she followed,
nose to the ground, to the brush beside the
wall the snake had vanished into,
but never issued a bark.

At night the palm trees
and their surrounding cloaks
would give mysterious rustlings that
aroused the barking of the dogs
and I’d let them in—the pup to sleep
in the cage that was his security
and my security as well—against chewed
Birkenstocks and ruined Oaxacan rugs
and treats purloined from the little silver
garbage can that held the kitchen scraps
saved for Yolanda’s pigs.

Along with the vines,
the new neighbors cut the main stalk of the bougainvillea
that grew to fifteen feet on my side of the wall
and furnished privacy from the eyes
of those standing on their patio,
ten feet above mine,
so that now their patio looks directly down
on my pool and hot tub and into my bedroom,
their new bright patio light shines all night long
into my world formerly filled
with stars and moonlight and tree rustlings.

The old wall has revealed its cracks and colors
from several past paintings
that were later made unnecessary by its cloak of vines.
Now an ugly wall that  separates  neighbors,
it echoes the now-dead vines that stretch 80 feet up
to the fronds of the palms.
It takes three men three days to cut the refuse of
the dry vines down from the trees,
two truckloads to bear the cuttings away.

The dogs still bark, but the possum and the birds
have gone to some other haven,
and the men come to erect the metal trellis,
12 feet high, above the top of my low wall.
I hope the bougainvillea will grow
to cover it this rainy season,
building a lovelier wall
between neighbors who still have not met
by their preference, not mine,
causing me to wonder
if I really am as welcome in this country
as I have felt for all these years.
“My neighbors are the same,” my friend tells me.
“They do not really want us here,
and if you think they do,
you are deluding yourself.”

Thirteen years in Mexico. I miss my old neighbors,
best friends who would come to play Mexican Train at 5 minutes notice.
I miss their little yipping dog and the splash of their fountain
that the new neighbors ripped out and threw away
and the bougainvillea that drooped over my wall into their world.
“Scorpions!” the new neighbors decreed, and lopped it off wall-high.
It was a wall more than doubled in its height
by a vine as old as my life in Mexico
that can now be peered over
even from their basement casita.

With old walls gone,
higher walls of misunderstanding
have been constructed.
Each weekend their family streams in from Guadalajara.
Children laugh, adults descend the stairs
to their hot tub down below.
When I greet them, they do not smile.
I have painted the old wall,
now so clearly presented to view,
and I have taken to wearing a swimsuit in my hot tub,
waiting for my new wall to grow higher.

Before detail of tree vine

“Before” detail of tree vine and hedge.

"After" detail of tree vine.

“After” detail of tree vine.

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Constructing a higher wall to limit their view into my yard.

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Trimming the dead vines after their gardener reached over the wall to cut it’s main trunk.

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Detail of my wall with the dead vines stripped away, prepped for repainting.

(Happy Ending: Eight years after writing the poem you have just read, I now have new neighbors, the bougainvillea and thunbergia have grown to cover the new trellis wall, and they love the vines that actually flower more profusely on their side than mine.)

NaPoWriMo Day 15: Lunar Eclipse

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Lunar Eclipse

Last night I rose to watch the full eclipse––
a blood orange moon, full in the dark night sky,
around it, scattered stars and tall palm tips.

It was as though in this world, only I
watched the last fingernail of glowing moon,
chewed at by shadow, slowly wane and die.

And then the night birds with their lonely croon
gave timbre to this darkened night soon joined
by lonely burro, braying for the moon

as though they mourned for vision now purloined
or simply sang for joy of adding to
the beauty of this dark moon newly coined.

Then once again the moon’s edge came to view.
Earth moved aside in favor of the sun
and for an hour, I watched as moonlight grew.

Then sought my bed, the pageant not yet done,
as light increased and shadow slowly waned.
Inevitably, once more light had won.

The ending known, no mystery remained.

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Our prompt today was to write a poem in terza rima, a form invented by Dante and used in The Divine Comedy. It consists of three-line stanzas, with a “chained” rhyme scheme. The first stanza is ABA, the second is BCB, the third is CDC, and so on. No particular meter is necessary, but English poets have tended to default to iambic pentameter. One common way of ending a terza rima poem is with a single line standing on its own, rhyming with the middle line of the preceding three-line stanza.

See more blood moon photos here: https://judydykstrabrown.com/2015/09/27/eclipse-of-the-blood-moon-over-mexico/

Time Temporal (Final Day––Day 30––Of NaPoWriMo)

The prompt on this last day of National Poetry Month is to find a shortish poem that you like, and rewrite each line, replacing each word (or as many words as you can) with words that mean the opposite. I chose Sonnet 18 by Shakespeare.

Time Temporal

by Judy Dykstra-Brown

Shall I contrast thee to a winter’s night?
Thou art less lovely and more tempestuous.
No wind disturbs November’s empty stalks,
Oe’r which the winter hath too long a power.
Sometimes the too-cold moon lies sheathed in clouds.
And rarely does its pitted face shine forth.
Yet light from dark may rise. We’re proof of that,
Spurred on by fate or providence’s  plan.
But thy short winter soon shall pass away,
Restore to thee the homeliness of death.
Nor shall that birth that brought you forth to light
Still claim thee when time curtains you with night.
As men lose breath and eyes  give up their sight,
So dies this poem, and you echo its plight.

Sonnet 18

by William Shakespeare

Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate.
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date.
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimmed;
And every fair from fair sometime declines,
By chance, or nature’s changing course, untrimmed;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow’st,
Nor shall death brag thou wand’rest in his shade,
When in eternal lines to Time thou grow’st.
So long as men can breathe, or eyes can see,
So long lives this, and this gives life to thee.

Beholding Beauty (Day 27 of NaPoWriMo)

The prompt was to think of a proverb or axiom, to Google it and write a poem inspired by
what you read about that phrase. I chose, “Beauty is in the eye of the beholder.”

Beholding Beauty

You are more beautiful than you think you are,
but we don’t tell you because
it is such a pleasure to see you unaware of it,
doing everyday things in such graceful ways.

You are the Burmese cat, stepping high
over the small sculptures
on the wall where he is fed,
his tail curving into a delicate hook.

You are vibrating leaves on the hibiscus tree
adding the contrast of green
to the one exquisite yellow bloom
with its fuchsia sunset middle.

You are a child whose violet eyes
open wider to each wonder––innocent,
never knowing yourself to be more beautiful
than what you observe.

You are music, harmonious, played
on the spur-of-the-moment with no rehearsal,
fingerpaints on the wall in an incredibly wild pattern
that could not have been planned.

You are the gourmet meal
made of leftovers from the fridge,
the wonderful costume gathered
from hangers at the thrift store.

You have a beauty
you were not born to––
one that is an amalgam
of every choice you make in life.

Beauty is in the eye
of the beholder, many say,
but it is impossible to imagine
a beholder who couldn’t see it in you.