Tag Archives: Bob Brown

After 15 Years, for dVerse Poets Apr 25, 2024

If this poem left justifies, click on it to get it to center as it is a shape poem!

After 15 Years

Your memory                                                     cuts so sharply
through my dream’s beginning that I wake,
gasping like a fish on the sand
left by some fisherman
too intent upon his next catch
to end it cleanly.

In its tight skin,
I gasp for air,
rise as it cannot rise
and like you cannot rise
out to that night sea air
which is the only coolness
in a month of burned days.

My memory, curving round,
pulls in the memory of you
like gills seeking to understand
the waterless air.

Landed by some bigger fisherman
whose bait you couldn’t resist,
“Oh,” you said, just “Oh,”
before you took the hook,
slipping from my grasp
as I held on, held on,
let go.

 

This is one of the poems in my book of 50 years of love poems  titled
If I Were Water and You Were Air, about to be published on Amazon.

Posted in response to the dVerse Poets Open Link Night.
See how others responded to the prompt HERE.

“Yellow” for NaPoWriMo 2024 Day 21

Yellow

You were so red, so white.
So much of you was blue.
Yellow is what I missed in you—
that brilliant optimism—
that power of the sun.
There was that black in you
that cancelled it out.
You were the artist who understood color the most.
That color created by the union of yellow and black, you knew.

Your white hair, confined in a pony tail
or streaming down your back
in your wild man look
prompted strangers to ask
if you were a shaman,
or declare you to be one.

That red that flamed out from your work,
subtly put there even in places where it had no
logical purpose for being.
That red tried to make things right.

All of us who knew you
knew the blue.
It was the background color of all of your days.
It was the blanket in which we wrapped ourselves at night,
trying to be close,
but always always divided
by blue.

For fifteen years,
I believed that one day I’d bring you to yellow.
There were splashes of it, surely,
throughout our lives together.
You on the stage, reading your heart,
me in the audience, recognizing
all the colors from within you—even yellow.

Finding the pictures you had taken of me
at the art show, looking at your work—
those pictures taken even before we ever met.
I discovered, after you’d passed,
that you had recognized
me even then, when I thought
I was the only one
angling for a meeting—
sure of my need to know those secret parts of you
that I will never know
now that you have given yourself
to the black
or blue
or red
or even to the white.

Whatever your ever after
has delivered you to.

A new life later,
I am suffused
by my own canvas
of memories of you—
every other pigment
splashed against
a vivid background
of yellow.

 

The NaPoWriMo prompt is to write a poem that repeats or focuses on a single color.

Closets, May 4, 2023

 

Closets

The signs of my leaving were clear.  Closets  were open in every location of the house where clothes could be stored, for gradually over the years, as each family member in turn left our house, they left not only a space in my heart, but also an extra closet for me to appropriate.

The front bedroom, which had been first Jodie’s room and then Chris’s—stepchildren now gone on to new lives—was now the guardian of my heavy winter coats, extra robes and the too-flamboyant clothes of my thirties.  In the basement closet of what had  formerly been a guest bedroom, then converted into my metalsmithing studio, I stored sizes 10 through twelve, suggestive lingerie from my past,  Halloween costumes and spring jackets.

My “fat” clothes, unfortunately, were presently residing  in the closets of the master bedroom–size 14 through 16 in my own closet, sizes 18 through 1X hanging like abandoned lives in “my” portion of Bob’s closet, his clothes having  been culled by five of his kids and their spouses and girlfriends who, just weeks ago, had gathered for his funeral. I wish I had taken a photo of them as they stood around the nearly empty TV room, each of them in a pair of his wild pants or one of his t-shirts or both, wearing their recently departed dad  or near-dad like a skin. He had been a wild dresser. Red suede sneakers, drawstring puffy-legged pants we’d had made from batik in Bali, Guatemalan shirts.

Now, beside his few remaining garments, hung mine. It was like a major filing system spread throughout the house. Unfortunately, clothes seemed to migrate from closet to closet–my hot pink suede cowboy boots walking over for a visit with my old office clothes or my winter capes winding up mysteriously amidst  teddies and feather boas.

So it was that closet doors all over the house stood open as I searched for items that would cover climatic necessities from thirty below zero to tropical.

The floor was covered by my big suitcase and my small suitcase, peeled open like bananas awaiting their stuffing.  Around the suitcases, the floor was littered by various personal items that had spilled out from a dropped cardboard box. I lay belly down now, my hand swinging out in arcs in search of the flashlight which had rolled under the bed when it tumbled from the box..  Like the Halloween  “body parts” game wherein in a darkened room a peeled grape became an eyeball and cold spaghetti  was reputed to be intestines, my hand skittered over various small objects.  A dust ball that felt like a small mouse, hairpins, paperclips, a missing black sock, before finally settling on the flashlight .

I tossed it into the front zippered  compartment of my canvas suitcase.  I believed in being prepared for any contingency in travel and so I carried a mini drugstore that would cover emergencies from scorpion bite to constipation as well as a small tool kit, flashlight, book light, alarm clock and mini umbrella all tucked into the front two zippered sections of my suitcase that I had dubbed my “utility” compartments.

“You won’t need all that stuff,” Jayson had told my as he surveyed my knitted muffler and mittens and winter coat. “Isn’t it pretty much hot all year round in Mexico?”

“Yes, but I have friends and relatives in Wyoming and Minnesota. I might visit them. Or take that trip up the west coast of Canada to the Northwest Passage that Bob and I always meant to take. No need to have to buy new clothes.  And the Mexico house has lots of closets, too.” 

Surreptitiously, I slipped Bob’s Mudcloth African shirt ornamented with the x-shaped metal studs into one of the boxes, along with a pair of Bali pants the daughters-in-law had overlooked, and his “Art Can’t Hurt You” T-shirt that I had thought would be cremated with him, but instead had arrived back intact with his ashes, along with his red suede sneakers, another pair of batik pants and his metal dental crown, complete with fake teeth. I packed them, too, setting aside his cremation urn, for which I had a special place. The family  would all come down to Mexico in the spring to help my spread his ashes in Lake Chapala. In the mountains above it was the beautiful domed house we had meant to make our retirement home, but we had waited too long to find it. Now I would soon start the long journey down to it, from Boulder Creek, CA to Mexico, where I would fill out the closets of a new home.

I folded my Mother’s Japanese cotton kimono jacket and slid it into the box. It had been an old man’s housejacket, my Japanese friend had told me, and please not to wear it when I met her family. But, my mother and I had loved it when we found it in Nobu, a Japanese shop in Santa Monica, and she had worn it for years before dying just three months before Bob and I left for Mexico to find a new home, buy it, and return to California to sell our home of 14 years. Two months later, although we had not sold the house, we had sold most of its contents. We had packed most of the van—mainly with books and tools, reserving packing our clothes to the very end, thinking we could perhaps stick them into the cracks between other items–– before discovering, during our last-minute medical check-ups, that he had cancer. He lived for three weeks.

So, I’d be moving alone to Mexico, but would always have the option to be surrounded by my dearly departed. My closets would be full of my own past and present selves, but one small portion of them would carry Bob and my mother with me as well.

WDYS 154 – Tools and the Man, Oct 9, 2022

 

I can’t see tools without thinking of my husband Bob who had every tool on earth. Here is a poem I wrote about him. It’s been on my blog before so hope this is acceptable. Click on this link to read the poem:  https://judydykstrabrown.com/2016/11/27/you-have-become-the-art-you-lived-for/

Here is a photo of him at his happiest, in the studio creating:

For What Do You See Prompt

Agastopia (For Bob)

Agastopia*
(For Bob)

At my dear departed husband’s behest,
my ode extols the female breast.
In a dream world of his making,
breasts on beaches would be baking,
naked in the sun, to gold,
then, unashamed, to brown and bold.

No petty thoughts would cloud his mind,
his excitation, an artful kind,
and as he paints or sculpts or molds,
each scoop of plasticine he holds,
will take a shape of his devising,
as he works, his hands revising

all that God and nature wrought,
their perfect beauty therein caught.
While some malinger at their tasks,
a breast is all my true love asks—
to do what nature first has done
and duplicate them, one by one.

 

*Agastopia is the admiration of a particular body part.

 

Prompts today are dream world, petty, malinger, revise, excited and agastopia (the fetishestic admiration of a specific body part.)

Forgottenman reminded me of this post of more of Bob’s sculptures: https://judydykstrabrown.com/2019/07/12/mentor/

 

The Poet Artist

The Poet Artist

“Poltroon!” He calls out in his sleep,
caught up in words, even when deep
in dreams—those places where he goes
where fresh ideas, rows upon rows,
spreading farther, stacking higher,
crowd his brain . And now, “Pismire!”
Is he building poems or sculptures there?
What new dream, what bold nightmare

will he allow to come to light
as soon as he has finished night
and carved his way into the the day?
The worker ant come out to play?
Carving stone into a face
or moving words from place to place.
All those schemes conceived in dreams
turned into his creative schemes.

I intrude, a kiss, a cuddle,
bringing love into the muddle
of his early morning head,
still sleeping here in my warm bed.
This is no coward sleeping here.
He has no qualms, displays no fear
of any challenge of his art
or adventures of the heart.

Metal, wood, paper and stone—
no one material alone
can solve his lust. He needs them all.
No stone too heavy. No scheme too tall.
And, alas, no woman will
manage to completely fill
that questing heart. That grasping soul.
seeking to reach that final goal.

See some results of those dreams HERE.

Prompt words today are poltroon, cuddle, pismire, allow and worker.

Win Some, Lose Some

 

 

It is such a wonderful synchronicity that Santiago (Yolanda’s grandchild and Juan Pablo and Emilia’s baby) would be born twenty years to the day since Bob’s death. If living so closely connected to my pets and nature for the past two years since the Coronavirus sent us all home to play has taught me anything, it is to have an intense appreciation for being a part of it all as well as an awareness that nature keeps recycling us along with the rest of its creation.

In addition to photos of Santiago, I thought I’d share with you the little memorial to Bob I have installed for the day–the 20th anniversary of his death–as well as this snuggie that hopefully Santiago will fit into by the time the weather gets cold, holding the Teddy bear I couldn’t resist buying for him in the U.S. Yes, I know I just published a photo of the little jumpsuit, but the Teddy bear just looked so cute on its lap that I had to show it again.

Lirio, (Water Hyacinth) FOTD, at 5:55:55 A.M., Sept 18, 2021

Click on photos to enlarge.

For the past year, I have frequently looked at the clock at 1:11 or 5:55 or checked out views and found them at 444. This repetition of numbers happens countless times a day to the point where it has become eerie. But this is the first time it has gone to six digits! Here is proof:

Don’t know what it means.  I also realized yesterday that today would be the 20th anniversary of my husband Bob’s death, so Bob, these lirio flowers are for you!

The lake is filling up with lirio (water hyacinth) again. They’ve had to dredge or poison it a number of times since I moved here 20 years ago as in time it inhibits the passage of fishing boats and numerous people have drowned because they got trapped underneath it. Just last year a man drowned when he went into the water to reclaim a ball his children had mistakenly kicked into the water. Sad.  

Bob, too, lies in this lake as when he died, his kids all came down and one of his sons took the remainder of Bob’s ashes out in his kayak that he had hoped to use in this lake. Sadly, he died before we could move down so I brought his ashes down in the toe of his kayak lashed to the top of our van.  R.I.P. Bob. 

For Cee’s FOTD

Mentor

Mentor

As an old man, he grew his hair long
and wore it unsecured, flowing white over his shoulders,
hiking it back as he walked with one sure toss of the head.
Few except himself would have judged him anything but superior.
His art, original and finely-crafted, showed him as the rogue he was,
yet he pored over art books piled around his chair—
large books rich in imagery and heavy to lift—
a laborious chore to plow through
page by page for anyone except him,
looking for himself in the pages, perhaps,
or looking for part of what he would become.

She thought he thought too much,
looking for answers in books
instead of in himself.
Religion, philosophy, art—
he searched for solutions
in Swedenborg and Picasso.
Compared his poetry to Sarton, Frost and Whitman
while others compared their art, their words to him.

Every piece he completed, he saw himself in as he created it,
but once done, it was as though he’d lost a part of himself in it
and so he started the search again in metal and wood and stone
larger and heavier each time, risking everything
to build himself ever higher.
Seven feet, then twelve, then eighteen feet—
stretching himself to the heaven
that he sought, also, through books.
Searching for what to be.

Wood, stone, metal, clay, glass, paper, words.
None quite solved the puzzle of himself.
Books on the shelf he read again and again
never had all of the answers.
He went as deep into himself as he could go.
Digging for the words he mined
from the parts of himself he most feared,
he often came up empty-handed,
as though he could not bear to see
all of the truth already revealed
in the pure instinctual lines of his sculpture
and those few fine poems he got out of the way of.

A virile man, he worked his angst out
in the shape of children—ten of them
with three different women—going through women
as he went through plasticine or wood or stone,
leaving crumbled remnants to reconstruct themselves
afterwards, as he built poetry out of their mutual pain.
He moved through the world
as most beautiful things do—unaware of his swath.

I rose from his rubble, missing him but remembering
all he taught. The scrape and cut and vibration of a fine machine,
the shaping with hands, the dip of the mold and deckle,
the power of a 20-ton press, the fine hiss of a torch.
Showing me how to get the beauty out of myself,
he formed that confidence within me that he lacked in himself.
Looking in books for what he already had,
looking in the faces of women for love
he never quite believed in,
he never fully realized that it did exist,

even during his worst rages,
right here in the heart
of one who so long afterwards
tries
to sculpt his essence
through these words.

 

(Click on photos to enlarge.)

Here is also a write-up and photo shoot that a gallery owner did of our home and studio during the Santa Cruz Open Studio Tours a few years before we closed down our house and studio to I move to Mexico: http://www.wmgallery.com/cruz/brown.html

And here is another blog I did on him and his art: https://judydykstrabrown.com/tag/bobs-sculpture/

Prompt words today were hike, write, original and superior.

Moss Rose, FOTD Apr 6, 2019

IMG_1357

 I planted this plant in the broken off lower part of a huge sculpture Bob and I bought the day we bought our house. There were two of the three-foot high precolumbian sculptures, one a seated woman and one a seated man. I put them on the pedestals inside the front gate–one on either side–one representing me and one Bob, who as you know, did not live long enough to actually move into our house. The “kittens” knocked one off its pedestal a year or more ago, the other a few months ago.  Since they were in too many pieces to possibly mend, I saved the one, intact from the waist down, and the other, only intact from the hips down, and planted ferns in them and put them back into their old positions.  Unfortunately, there wasn’t enough soil to support the one, so I replaced the fern with this moss rose, which seems to find its new home to be sufficient to thrive. Here is the newest member of its family.