Tag Archives: dversepoets

Touchy Subject, for dVerse Poets

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Touchy Subject

My soul, once slippery as an seal,
that eased as easily as an eel
to heaven and back, a wave worn path,
like slippy-sliding in the bath,
has grown rough ridges that jerk me back
into the mosh pit with the pack.

We flail with elbows, boot tips, knees—
all of us caught within the squeeze
of what we hate and knock against,
beat fist and teeth and cock against.
It’s like a cageless, viral zoo,
this rough world we’ve evolved into.

The whole world’s in each other’s viewing,
killing, ripping, tearing, chewing.
We touch the keys to tear asunder,
ravage, rape, ransack and plunder.
These same hands that could stroke the keys,
pound and punish, grab and seize.

We Tweet or Snapchat, Facebook, Skype,
barely touching as we type.
We are so constantly in touch
that we do not consider much
that in our constant online dealing,
we should give more thought to feeling.

We cannot feel a handshake’s squeezing,
warm and tender, pressured, pleasing,
when we’re too far away to touch.
We cannot feel so very much.
We feel with organs meant for thinking,
and make connections without linking.

Those of us who predate the text
tend to fear what’s coming next.
A simple touch could end the world—
all of us pulverized and hurled
into a place where nothing lingers.
No tongue, no lips, no questing fingers.

https://dversepoets.com/2018/11/13/tuesday-poetics-touch-me/

Oblivious Seduction

15 Replies

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Oblivious Seduction

You’d completely
won me over
by your second stanza, 

even before you knew
I was the one
you were writing it for.

You had me
in the wink of an eye, even
before you knew

it was me
you were meant
to  wink at.

 

For dVerse Poets Quadrille prompt: Wink.

The Smell of Curry

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The Smell of Curry

Would that sentiment were only
positive and never lonely––
but all emotions of the world
in sentiment are tightly curled.
Every memory we cherish
is doubly edged with “live” and “perish.”
In every city, country, land––
bad and good go hand in hand.

The blend of cardamom and lentil
always makes me sentimental.
Odors of turmeric and its ilk,
garam masala and coco milk.
Curry spices being roasted,
degree of peppers being boasted,
chickpeas, carrots, potatoes, rice––
stirring in each thing that’s nice.

What do I think of when I smell
and taste that it is going well?
Bombay and wedding saris thin
sliding down my youthful skin.
Visions of a midnight ride
to cages with young girls inside
sold by their parents and then resold
nightly for a bit of gold.

Traffic, sitar music, fingers
scooping curry––all this lingers.
The beauty of that winsome song
that showed me where the world’s gone wrong.
His action, swift, unthinking, curt
of small coins cast into the dirt
to deflect those who beg and bleat,
surrounding us in every street.

Palaces and then the clash
of children in a world of trash,
the refuse of this giant city
the world they lived in—what a pity.
Back when traveling was new,
experiences were so few
that India changed my life forever.
So, will I forget it?  Never.

Since it was a journey that changed my life forever–both the physical journey through the streets of Bombay as well as that journey of the senses I go though every time I cook or taste a curry, I’m rerunning this poem written two years ago for the dVerse Poets’ Pub prompt of “Journeys.”

Early Morning Jazz

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If you are viewing in Reader or on facebook, please click on the title or URL to view poem in its correct form.

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                                                      Early Morning Jazz   


The scrape of your chair.
                     The gentle tap of keys
   as you, rhythmic early riser,
 rouse the day.

I burrow deeper, 
trying to ignore

Icicles
          beating 
           your accompaniment
        as
       
        o
        n
        e
       
        b
        y

        o
        n
        e

     touched
           by
       sunlight,
                   they
               loose
       their    
         h
         o
          l
         d       

      on the
frozen, silent
        night.

Version 2

For the  dVerse Poets Quadrille Challenge.

Ill-fitted

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Ill-fitted

He dragged his feet along the floor until
his brand new bride decided she’d her fill.
She pulled his shoes off of his feet and said,
“If I had known the truth when we were wed,
I might have had a very different goal—
to find a man who had a better sole
instead of feet so swollen and so red.
I might have had a cobbler’s son instead
if I’d paid less attention to your bod
and chosen me a groom much better shod!” 

For dVerse poets iambic pentameter prompt.

https://dversepoets.com/

A Misanthropic Anti-Creed

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Version 2

The assignment was to write a 6-line alphabet poem that started each line with a letter of the alphabet in a 6-letter sequence.  I.E. abcdef, qrstuv, etc.  Being a creature of excess, I used the entire alphabet, forwards and backwards, ending with a final Z to boot, since the title began with an “A.”  Please note that this is the cynical rant of a misanthrope—not necessarily my own view.  And this is the only photo I could find in my album that smacked of high society.  Actually, it’s a photo of me and my date for the junior prom.

A Misanthropic Anti-creed

After all is said and done,
Society is not much fun.
Cliques are just a machination
Dumbing down imagination. 
Each misanthrope must find his own
Final method to disown
Galas thrown to feed the poor
Hawking excesses they abhor.
Ladies in jewels you could die of,
Jostling to catch the eye of
Kings of minor countries or
Lords who are the things of lore.
Meanwhile, gents in tux and tie
Nod to try to catch the eye
Of that next lady in Dior
Possessed of means to feed the poor.
Quickened now, they move to kill,
Ready to restore their till.
Society’s main charity
Trying for a parity
Under the understanding that
Verisimilitude is boring.
What’s important is just scoring
Xcess being all the norm
Yielding to those who most conform.
Zero, then, goes to the poor.
You must admit, they are a bore.
Xtravagence is what they come for.
Widows they won’t waste a crumb for.
Very likely that the starving
Urgently needing  this feast’s carving
Taste not one small bite of it,
Still hungry now in spite of it.
Rich charity spends what’s allowed on
Quality that draws the crowd on.
Pheasant under glass costs more.
Only beans left for the poor. 
Not a charitable hope
Mars ponderings of our misanthrope.
Let not one charitable thought
Knit his brow.With doubts it’s fraught.
Jarring thoughts are all he thinks
In between ironic winks.
Hear well the stories he might tell—
Gory threats of burning hell
For that well-heeled society
Eating up the profits of
Doubtful fund raisers of love.
“Charitize” to feed the poor,
But really serve their own needs more.
Ask the misanthrope at the door.
Zero is left to feed the poor!!!!

The dVerse Poets prompt is to write a 6 line alphabet phone, using 6 letters in sequence to begin lines.  Here is the link: https://www.blenza.com/linkies/links.php?owner=dversepoets&postid=12Sep2018&meme=12493

Near: dVerse Poets Pub, Apr 28, 2018

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Near

My father went from obscurity to a sort of small renown.
He worked hard as a rancher and the mayor of our town.
He met my mother at a dance in her sister’s borrowed gown–
both of them lonely visitors to a faraway strange town.
I’ve thought about it often since we laid him down.
Why didn’t I ask more questions? Why didn’t I write it down?

Many a calf he helped to birth and many a field he’s mown.
Avoided his mother if he could–long-suffering aged crone.
Not many highways traveled,nor many airwaves flown.
He died in his angry daughter’s arms–the two of them alone.
I’ve thought of it often till regrets have turned into a drone.

His eyes were always looking further over yon.
Over a ripening field of wheat or over a fresh-mowed lawn.
Working, often, until dark and up again at dawn.
A man of camaraderie and wit and brains and brawn.

He liked to tell a story and sing a rousing tune.
Stand on the porch at midnight to piss under the moon.
He gave me a turquoise ring, a baby rabbit and a coon.

Now that he’s very gone away.  Now that I’m very grown,
I know my flesh is of his flesh. My bone is of his bone.

And I wish that I’d asked more questions. That we’d both been less alone.

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The form of this poem is one consisting of six stanzas, the first with 6 lines and each thereafter one less line.  Each line in each stanza rhymes with all the other lines in that stanza and each stanza’s rhyme is a near rhyme to the last. The name of this form is Sylvestrian Near Rhyme and since “Near” describes both the theme and form of my poem, it is also the name of the poem.  And yes, I did make up the form!  I’d love it if poets given to rhyming and meter would attempt the form and send me the results as comments or a link to this blog.

For dVerse Poets Pub