My childhood dollhouse was a helium balloon,
caught in a tornado with a flock of flying squirrels,
equal novices in these midnight adventures
soaring out into the world away from horses,
wheat fields, henhouses and unpaved roads.
Escape was a constant theme in that jumprope, hopscotch life
where costumes were for Halloween and dreams kept silent under wigs.
Sailing rainwater rivers down deep ditches,
wearing vestigial vernix as protection against inevitable dunkings,
my uncle’s porkpie hat my umbraculum against hot prairie skies.
The only exit from that world I escaped in time was too often an ossuary:
tunafish Catholics buried under Papal supervision in one part of the cemetery,
Methodists in another, lily-white in their observance of the rules:
Sunday morning church a prerequisite for Saturday night dances.
Jazz nights under covers, Jesus Loves me in the light of day.
Inner tube boats traded for planes and ocean liners,
orange juice traded for absinthe, I sailed and flew into the world.
Using my first world as a grounding place,
I seized chance’s fortune as well as its mistakes––
to venture out and earn a life.

Escape



