Category Archives: Art

La Manz Studio Peek: Mazinka Rutherford

Up a very steep hill to the very top–and you’ll find a Shangri-la worth the climb.  It is the  adobe and palapa home of mosaic and mixed-media artist Mazinka Rutherford.  Her art is such an integral part of her house that the entire environment is like a mixed-media assemblage.  Here are some of its ingredients:

(To see the photos in an enlarged format, click on first photo, then click on each arrow to proceed through the gallery.)

All of the art pictured is by her creation.  One of the homes on the site is for rent.  The adobe was hand built by Anaxazi’s competent hand with Mazinka as helper.  She did the gorgeous tilework in the bathroom floor that is pictured above.  He also built the adobe/bamboo/palapa treehouse that I stayed in five years ago that is the setting for this video. The woman pictured is, of course, Mazinka.

Sculptor in the Sand

                                                                     Sculptor in the Sand

Mario Gagnon is retired from his life as a hospital maintenance engineer in Quebec, but when we retire from our profession, we do not retire from our interests, and his lifetime fondness for what he calls “decorating” comes with him when he comes to the beach.  Like most of those camping beachside, he has made the palapa living area of his campsite “homely” in only one usage of the word.  From hammocks to wall sconces fashioned from fruiting bundles of palm trees, his environs are beautiful in addition to comfortable.

I revisited him yesterday, partially because I’d forgotten to take a picture of him when I met him on the second day I visited, but I was also there because of my curiosity over whether he altered his sculpture each day.  I did find him fussing with the tail of the iguana, but that was perhaps just staging for the bypasser who was currently taking his picture.  When the “interloper” (kidding) departed, it was my turn.

This time it was a female neighbor who translated for us and she explained to me something that I had not cottoned on to the first time we’d met.  “He can’t understand you because he is deaf and he can’t read your lips because he doesn’t speak English!  Formerly, I had thought his friend was interpreting only because of the language barrier, and when I spoke Spanish, thinking it was closer to French, it hadn’t helped much either. Trying to imagine what the beach would be like without its sounds to accompany it,  I asked him if he could feel the pounding of the surf. “Yes, he told me, “because I am deaf, my other senses are stronger.  When I smell a fire, I can tell how long ago it was lit, what is burning and what was used to start the fire.”

This dapper, handsome man was generous in sharing his art, his home away from home and his time.  Here are some of the pictures I took of his world:

(Please click on first photo to enlarge and view gallery.)

If you didn’t see the first segment I did on Mario’s wonderful beach sculpture of the iguana, to see it, go HERE.

Dream Jobs

                                                                        Dream Jobs

I have been lucky enough to have several “dream jobs” in my lifetime.  First of all, I was a teacher. I loved teaching kids and enjoyed the other people I worked with.  My first teaching jobs were in Australia and Ethiopia, which additionally gave me the chance to travel and live in “strange” environments–things I had wanted to do since very small.

I taught for ten years before finally deciding I needed to change my life to enable me to find time to write.  I then moved to Orange County, California, to live with a dear friend and spent two years studying a number of areas I felt had been neglected in my earlier education.  I would go to the library with lists of topics I wanted to know more about: art, artists, places, concepts, psychology, philosophy.

The writing of Carl Jung was of special interest and I allowed synchronicity and the unconscious to guide my life.  This took me to Los Angeles and into film school at U.C.L.A., an apprenticeship at a Hollywood agency and eventually to a job working in p.r. and publicity for Bob Hope’s production company.  It was a job where I was laid off for 5 months of each year, between shows, and this enabled me to write and travel.

After three years of working here, I married and moved northwards to the Santa Cruz area where I became a silversmith and paper maker.  For fourteen years, I traveled and did art shows with my husband.  This was as close to working for a traveling circus as I would ever come, and I loved both the studio work and the traveling.  The people we would meet in various locations across the U.S. became our friends and we slept in our motor home or van in convention center parking lots from California to Ann Arbor to Boston.

As the area of our travels narrowed to the west coast, Arizona, Oregon, Washington and Colorado, I accepted a “job” as the curator of a new art center in the San Lorenzo Valley near Santa Cruz.  Although this was a volunteer position, it was both time-consuming and extremely gratifying as I met and worked with artists throughout the Santa Cruz area.  I loved coordinating and hanging eight shows a year as well as teaching classes and handling show themes, admissions, publicity and openings.  It was practically a full time job in itself,  but we continued to handle a full show schedule ourselves.  By then, in addition to my making silver and copper jewelry, Bob and I were making art lamps together. He did the stone and wood work and some of the framework for the sail like shades whereas I made the handmade washi  paper and some of the framework for shades and covered the shades.

I’ve been lucky my entire life to always have a job I enjoyed and believed in and this continues to this very day as retirement has brought time to write more and to shift my focus from jewelry and lamps to mixed media assemblage, which I continue to this day.  While at the beach, I concentrate on collages of found objects from the beach and city streets. It also gives me time to write this blog which consumes an ever-increasing amount of my time.

Here is a gallery of shots that capture, I hope, my process in  collecting, assembling and mounting found objects into my assemblages.  If you click on the first picture, it will enlarge the photos and show them to you one by one:

Prompt: Describe your dream job. https://dailypost.wordpress.com/prompts/money-for-nothing/

No Rest for the Wicked

No Rest for the Wicked

Now that the art walk is finished and I no longer have to maintain a pristine home, I’ve hauled out my art materials as well as the things I’ve collected from the beach and I’m planning a few dozen new pieces. This is the fun part, with the shells and wood and other elements laid out all over the kitchen and dining room and pushing and shoving into place.  Not glued down or even fully planned, just getting the pieces assembled.

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More Retablos, Closer Up

More Retablos, Closer Up

These are not the most accomplished photos, but I am so happy at having retrieved them from the bowels of the  “Photos” labyrinth, that I’m posting them.  They are a few of the more formal “Retablo” series that I’ll be displaying  January 31 from 10-3 in addition to the “Found Art” collages I posted yesterday. Since the Art Walk is tomorrow and I’ll be busy (I hope), right now I’m going to go for a walk of my own on the beach and for a swim!  (Click on photos to enlarge.)

Why We Believe

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Why We Believe

I think the reason why I believe is probably at the root of it the reason why we all believe in something.  It is just such a miracle that anything exists and that I get to be a part of it. What are the chances out of the entire universe that I would be born  at all, let alone born to the time and place and parents that I was? And what are the chances that I would be healthy and have the benefit of an education and that I would find the courage to live the life I want to and continue to have that courage into my sixties and I hope my seventies and eighties and nineties.

I can understand why it would be hard to continue to believe in the magic of life if one were ill or abused or confined or physically handicapped, yet people do continue to hold onto every scrap of existence.  Life is such an incredible thing and to not appreciate it when we have every reason to appreciate it is such a waste.

There is so much cruelty and oppression and greed and poverty and disease and sadness in this world.  Yes, we do what we can to fight it, but an additional and very important way to fight it is to be as productive and happy as we can be.  Polarity demands its opposite and the world changes for the good by holding onto as much of the positive as we can.  Living it.  Promoting it in others.  Helping each other.  Good mothers and fathers do this every minute of every day and those of use who don’t have children can do it by trying to be surrogates for those children and those adults who need our care and help.  This help may be given in an organized fashion by volunteering and donating or by the way we treat others in our every day life.  We can be observant. We can be helpful.  We can be as kind to each other as possible, given that we are human and feel anger, fatigue, frustration and hopelessness.

At the end of the day–even the worst day–we get to choose whether to give up or to continue to believe, and even if the choice is to give up, we have one more chance.  I think dreams are messages and reminders we send to ourselves–little boosts encouraging us to listen to that deep part of ourselves that will always believe, even if it has to go on without the support of our conscious minds.  It is the part we get to when we write or draw or paint or dance or sing or play an instrument.  That is the importance of the arts.  They connect us to our beliefs.

So when I find myself floundering, whatever time of the day or night, my easiest way to find a reason to keep going is to do what I’m doing now.  To write. Or to make art out of whatever I find around me.  For in this aspect, art imitates life.  It is simply looking around for what we can find around us and making the best of it.  Someone once says “It is the job of the artist to take the detritus that the world creates and to hand it back to the world as art.”  That is exactly what I do in my “found art” collages.  And this, at the end of the day, is enough for me to believe in.

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Click on any one of the images to enlarge and enter gallery.  Can you find “Lord Love a Duck,” a pheasant, frigate birds, the ballerina, puffin, a seal, a sea bird, wild pig or “Found Heart?”  I just realized I left out my favorite, so I’m going to add it below.

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The Prompt: In Reason to Believe, Bruce Springsteen sings, “At the end of every hard-earned day / people find some reason to believe.” What’s your reason to believe?

Homely Studio


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Homely Studio

My studio is my refuge––a place I’m never hounded.
Safe within my compound walls, its door is never pounded.
There is no telephone at all, no internet or texting.
No sense of what I should have done, no hurrying or “nexting.”

Its drawers are full of little things; its shelves are full of paint.
For when it comes to art supplies, I have little restraint.
Some might call it cluttered and I cannot deny it;
for if it’s miniature and cheap, I cannot help but buy it.

Here I paint, arrange and glue––what some would label “playing,”
and if objects perchance might fall, they stay where they are laying.
Yet I’m at home within it, for I know where each thing goes.
Never quite so happy as when making retablos.

Within my many drawers of flowers and charms and old watch parts,
of animals  and tiny fruits, there is a drawer of hearts.
So if “home is where the heart is,” my studio is my home––
the place that I come back to, wherever else I roam.

Often it’s disorganized–things piled and under feet.
Cruel folks say its cluttered, but the tactful say “replete.”
But, the truth is when I’m busy, the mess soon grows absurd.
and it’s true my studio’s homely in both meanings of the word!

Repleted: 1. filled or well-supplied with somethingsynonyms: filled, full, well stocked, well supplied, crammed, packed, jammed, teeming, overflowing, bursting, jam-packed, chockablock, chock-full

Homely: 1. unattractive in appearance. unattractive, plain, unprepossessing, unlovely, ill-favored, 2. (of a place or surroundings) simple but cozy and comfortable, as in one’s own home “a modern hotel with a homely atmosphere”

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The topic “Homely Studio” was generated for me by Jennifer’s Topic Generator.  You can find it here: https://topicgenerator.wordpress.com/submit/

Fortunate Photography: Odd Ball Challenge 2015 Week 45

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This picture was captured as a result of a photo shoot for “Thursday Doors.”  I was leaving a writer’s group meeting at a local hotel/restaurant when I saw a doorway with lovely flowers and birds surrounding the door, along with some other surprises I discovered when taking pictures of the details.  At first, I didn’t realize that one of the details was merely an impromptu visitor.  Luckily, he stood still as I snapped a few closeups.  Reality is happier than fiction, for this grasshopper escaped the hummingbird’s beak, even though this picture might tell a different story!

You’ll see the entire mural in next week’s Thursday Doors.

http://ceenphotography.com/2015/11/08/cees-odd-ball-photo-challenge-2015-week-45/

Ajijic, Mexico, Malecon––Bench Series: November

DSC00102 (1)The area along the malecon in Ajijic has become a sculpture garden where inhabitants of this lovely little pueblo commemorate their lost loved ones.  This bench serves as both sculpture and resting place.

/https://smallbluegreenwords.wordpress.com/2015/11/01/bench-series-44/

Plethora: Cee’s Compose Yourself Challenge, Week 3

Version 2 Version 3 Version 4 Version 5 IMG_5871 IMG_5872 Version 4 IMG_5874 IMG_5875 IMG_5876 IMG_5879 IMG_5880 IMG_5882                                                          Plethora

Cee says to take lots of shots and I won’t fight her on this..I’m a great believer in the fact that the more you take, the more likely you are to find one you like.  Sorta like chocolates! (Sorry, Forrest.) Believe it or not, I’ve weeded out my shots.  Some need cropping, but I’m leaving them to show the difference. I like the first one best, but I would  crop it to remove the computer power cord.

http://ceenphotography.com/2015/10/14/cees-compose-yourself-challenge-week-3-always-take-more-than-one-photo/