Tag Archives: art

Night Gallery

Night Gallery

They surround me, wall by wall,
so many I can’t name them all.
Paintings of people, things or beasts–
my eyes devour this visual feast.
I sleep beneath each rendered ghost,
the lives of painters caught in most.

A shapely leg with heel inclined–
the painter lying full-reclined
watching his cousin’s shapely wife
reach in the kitchen for a knife.
His teenage mind caught fast in love,
touches the leg and what’s above.

To its side, a fish is rendered.
Its face is human, vaguely gendered.
Does it think or does it dream
as it floats at rest in a somber stream?
The colors muted, it seems at peace.
As though from the world it seeks surcease.

More fish in a smaller frame
float in water that’s not the same.
There’s movement here. The head of one
floats bodyless beneath the sun
of inspiration far above.
Does it dream of art or dream of love?

Farther right, the queen of all.
A stately woman, four feet tall
with birds on shoulders, palms and head,
she’s stood for years above my bed
reminding me that I am free
to be whatever I want to be.

To her right, a tall bookcase
holds ones I love, face after face.
And to its right, a rabbit–eyes
wide open furnish a disguise
for those for whom it is the task
to sleep behind a wooden mask.

Beneath the rabbit, a monkey sits
in landscape full of fruit and pits.
Prosperity and monkeyshine
perhaps leak in as I recline
just feet from totems such as these
to take my nightly dose of ease.

Beneath these animals again
a wide-eyed fish comes swimming in.
Its face is staring nose-to-nose
at a man with eyes closed in repose.
Just the head of man and fish.
I wonder which is dreaming which?

An angel and ex votos four
hang beside my closet door.
One in wood, the others tin,
they simply fill the spare space in.
I keep them there behind my back.
Perhaps they fill in what I lack.

How strange as I’ve said what I see,
I’ve missed the art in front of me.
The Huichole piece painted with thread
with angels floating overhead.
A deer head peering down into
a cauldron of peyote stew.

A bird and man pinned to the wall
to the right, far over all.
Beneath, a woman hung by her heart,
reveals where I both end and start.
It is a sculpture made by me
addressing creativity.

Just one more wall I’ve saved till last–
the hardest one to try to cast
my mind against, for it is hung
with fifteen pieces so far unsung.
But time, I know, is running out.
You’ve other things to read, no doubt,

and yet I simply can’t resist
mentioning them in a list.
Two nudes, a Huichole painting and
ten retablos made by my hand.
An etching plate, painted and framed,
a Victorian child, unknown, unnamed.

These are the walls I’m centered by
as nightly in my bed I lie
and in the morning as I write,
they watch in horror or delight
as my word portraits are unfurled
to grace the walls of a wider world.

You can view images to go with this poem HERE

Note: I’ve actually written today to an earlier prompt Wall to Wall that asked that we write about what is on the walls of our houses and what it reveals about us.  One friend joked that this could keep me busy for years!  I was at the San Miguel Writers’ Conference at the time and hadn’t time to write about anything, let alone a whole house filled with paintings and art and since I woke up before today’s prompt was posted, I decided to fill in the time writing about the earlier prompt. Three hours later, I’ve only finished the task as it describes my bedroom walls, so perhaps I’ll continue at a later date, perhaps not.  I still have today’s prompt to write about, but first…I’ll post this.

China Bulldog

China Bulldog

I dreamed last night that we were clearing out my mother’s house.  The front doors of all the kitchen cabinets had been removed and I was puzzled about this.  On the mantelpiece, I found China bulldog after China bulldog that was a replica of one I one my mother had told me to take home with me when I cleared out the house after my father’s death.  “Judy asked for this. You can fight over the rest.” said a note taped to the bottom.  A mayonnaise jar, it was of white glazed ceramic that had a rainbow sheen.  Its head came off as a lid and its bright orange tongue was the handle of a spoon.  The body fit into a depression in its saucer that had the outline of the bulldog’s feet and bottom so it nested a bit.

One of my first memories was seeing it sitting on the small triangular shelf in our kitchen.  My mother never used it and later, in newer houses where it didn’t suit the decor, it always sat within a cupboard.  My mother was too modern for China cabinets or knickknacks that didn’t match the color scheme.  When I was small, her taste went to magenta and chartreuse.  Beige and pink and turquoise marked the seventies, the turquoise and pink traded in for avocado and burnt orange in the eighties and back to a more understated green and beige in the nineties.

Whatever the color scheme, the bulldog never quite fit in, but it was the one object asked about by both of my sisters after the Loma Prieta earthquake.  I I was living in a house near its epicenter, and the bulldog had worked its way from the back of my kitchen cupboard to sit teetering on the edge, but it had not fallen.  It was one of the few things in a house packed full of art and artful objects that I chose to bring with me to Mexico.

I’d like to say that it has assumed a position of importance in my house in Mexico, but sadly, the China bulldog just never quite seems to fit in to the mainstream.  It has sat on a shelf in my studio for the past twelve years, somewhere near the back where it is safe but unseen.  But for some reason, if I were to be able to take one more object from my house, the China bulldog is what my mind falls upon. Perhaps it is time to think about why.

I often dream about a subject that ends up being my blog topic for the next day.  For some reason that topic fits into the prompt and so it is never very difficult for me to begin the day’s writing.  In this case, once I’d settled on the bulldog as my topic, I immediately remembered that in my dream I had found five or six bulldogs on my mother’s mantel.  Some were without bodies, all without their dishes.  Some were smaller than others and lacked the brilliant sheen or bright colors.  One seemed to be almost crumbling, as though it had been under water for a long period.  All were missing their tongues.

In the dream, I imagined my mother combing second hand stores and never being able to resist whenever she found a bulldog in the same shape as the one her older sister had given her when she was a child.  It’s been at least 100 years since she received that strange gift that was the only remaining thing that seemed to have been brought with her when she moved first from Missouri, then to Kansas and then to South Dakota, to marry my father.

She told me no stories about it and as I think about that, I realize she told me few stories at all.  Not about her wedding or my birth.  The stories in my family all centered around my father while her stories seemed safely tucked away on a shelf like the China Bulldog.  Perhaps that is why that one piece of all the pieces of my mother has assumed a center place in our memories. I know that my middle sister, who lived in the same town as my mother for the last six years of her life, has mourned her loss the most over the years.  My oldest sister, who was estranged from Mom for the last twenty years of her life, is in the throes of Alzheimer’s and so never mentions her at all.

It has been fourteen years since her death and I don’t think of her daily or even weekly, but every so often, something happens and the thought comes in a flash that I have to be sure to tell Mother about it; and for the past year, most of my poetry has been written in her joking, rhythmic cadence and rhyme.  Perhaps some essence of her that has been steeping in me for over sixty years has suddenly reached its saturation point and must come out.

And the China bulldog?  The dream? It is as though for all these years she has been trying to get it back, never quite replacing it but nonetheless not giving up the search.  And I can’t overlook the irony that it is these less perfect incomplete bulldogs that she chose to put on her mantel.  Is she trying to tell me something about beauty or the adherence to a dream or about giving up perfection to enter back into the quest?

My mind ricochets without finding an answer, but I continue to feel the prompt.  Perhaps there is reason in the name “wordpress.”  I feel that press to find meaning through words as I feel my mother’s gentle prod and communication through genes or memory or dreams, to leave perfect things behind and to get on with my life.

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The Prompt: Burnt—Remember the prompt where your home was on fire and you got to save five items? That means you left a lot of stuff behind. What are the things you wish you could have taken, but had to leave behind?

The Sticky Fingers of Things

The Sticky Fingers of Things

Over the past year, I have started to feel so encumbered by things that I feel like they are choking me.  Even my art-filled and carefully arranged house, which I love, has started to make me feel like I’m trapped in one of my own collages.

I once wrote that I like to do assemblage because it is an arrangement that is glued down so other people can’t rearrange it, but recently I’ve begun to feel like one of those objects.  I just can’t get myself unpinned from my present life.  It is not that there is anything terribly wrong about it.  Just that I no longer have a feeling of freedom..

Recently, I was asked what I would save if my house were on fire and I could only save five things.  My answer would be an album of childhood pictures, an album of pictures from Africa and Australia, my computer and two backup drives.  Then I’d put them in storage, buy a new computer and go on another trip around the world with no planned itinerary and no planned start or stop dates.

Why can’t I do this on my own?  Who knows why we let ourselves be controlled by things? Maybe it is because we know we can’t take them with us and so we strive to get as much pleasure out of them as possible while we can.  Perhaps it is because we fear that without things, we ourselves are nothing.  Perhaps it is because we cannot see that the beauty is within ourselves.  Perhaps it is because we fear that others give us value simply because of the things around us.

I once heard my eleven-year-older sister tell someone that she liked to visit her younger sisters because they both had such interesting lives and friends.  I felt so sad that she hadn’t said that she loved to visit me because I, myself, was interesting and loved.  I think this has influenced my feeling for her ever since.

My sister is now in the stages of dementia where pretty much everything has been taken from her.  She no longer knows what most common objects are for, but my niece recently told me that she had been given a life-sized baby doll that she holds and rocks and talks to and that the other day she called it Judy. I guess she waited too long to express any feelings of love she might have felt for me. Now, she is seemingly expressing that love toward an object when all these years she could have been expressing it to the person who could have returned it.  Is this what I’m doing by refusing to surrender the objects that fill my life?  Maybe it is time to find out.

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The Prompt:  What five objects would you \save from your burning house?

Beach Christmas

The Prompt: The holiday season: can’t get enough of it, or can’t wait for it all to be over already? Has your attitude toward the end-of-year holidays changed over the years?

Beach Christmas

I can’t get enough of any holiday, no matter how much it is commercialized.  The world evolves. Whether we agree with the way it does so or not,  the only thing we do have control over is our attitude, so I simply celebrate every holiday the way I want to celebrate it.  This year, I’m at the beach for Christmas.  For the past month, I’ve been collecting wonderful finds on the beach and putting together an altar  that is comprised of a palm fruiting stem, flowers I’ve made out of egg cartons and all of the heart-shaped rocks that seem to have cropped up more frequently than ever before.  I now have 60 or more of them that decorate both the fruiting stem “tree” and the altar around it. Then, I started seeing rocks in the shape of characters from a nativity Creche and constructed 15 creches which may be seen on my facebook page.  You can connect with it here.

Contrary to what you might think from these pictures, I am not religious.  I  do hope that something exists outside of our physical realm, but I don’t  comprehend exactly what it is.  We all find the beliefs that get us through our lives, and I love the Christmas story (be it fact or myth), the Xmas memories, communion with family and friends, the decorations and celebrations.

It started with a palm fruiting stem washed ashore.  I added flowers I made of cutouts from egg cartons, painted and glued together, then added pelican feathers and verious heart-shaped shells and small stones found on beach walks.

It started with a palm fruiting stem washed ashore. I added flowers I made of cutouts from egg cartons, painted and glued together, then added pelican feathers and various heart-shaped shells and small stones found on beach walks.

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Detail from tree.

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I then covered a flowerpot with shell finds and cemented the “tree” into it.

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Although I wanted the tree to be all natural, I quickly decided an Xmas tree without lights was not going to be enough! The mural behind the tree came with the rental house!

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Details from the altar.

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I’ve started sleeping on the futon in the living room to enjoy the tree by light strings and candlelight.

 

 

Wooden Heart

Wooden Heart

He handed it to me without ceremony—a small leather bag, awl-punched and stitched together by hand. Its flap was held together by a clasp made from a two fishing line sinkers and a piece of woven wax linen. I unwound the wax linen and found inside a tiny wooden heart with his initials on one side, mine on the other. A small hole in the heart had a braided cord of wax linen strung through that was attached to the bag so that the heart could not be lost. He had woven more waxed linen into a neck cord. I was 39 years old when he gave me that incredible thing I never thought I would receive: his heart—as much of it as he could give. Continue reading

Hard Drive

The Prompt: Buyers, Beware? The year is 2214, and your computer’s dusty hard drive has just resurfaced at an antique store. Write a note to the curious buyer explaining what he or she will find there.

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My Retablo, “Autobiography”

Hard Drive

If you long for mystery,
poems, facts and history,
long perambulations
and wild exaggerations,
recipes and letters and
episodes of Homeland,
Elementary, Sherlock, Friends,
a blogging site that never ends,

Emails, Youtube, Facebook notes,
starts of novels, copied quotes,
OkCupid pictures of
possibilities for love,
notes from nice guys, threats from creeps,
notes from guys who play for keeps,
friends who only write when drunk,
chain e-mails, jokes and other junk,

two hundred drafts of my third book,
(each one different, have a look),
kids stories and their illustrations,
the Christmas plans of my relations,
photographs of my whole life—
its happiness and pain and strife—
some successes but also follies,
fireworks, insects, gardens, dollies,

travel snaps and friendly faces,
rooms at home or foreign places,
birds and children, beaches, skies,
the camera lens is true and wise
and not as given to fraud and lies
as writings filtered through the eyes
of one who feels the joys or pains
of what she witnesses, then deigns

to try to change her reader’s mind
to accord with the type or kind
of thoughts she carries deep inside:
pride’s cutting edge, love’s waning tide—
things lovely, funny, jarring, rare.
So read this hard drive if you dare,
but if you fear a life laid bare,
I have one word for you. Beware.

Saved

The Prompt: Local Color—Imagine we lived in a world that’s all of a sudden devoid of color, but where you’re given the option to have just one object keep its original hue. Which object (and which color) would that be?

Saved

If all at once, all color were bleached out from the world
and suddenly a universe of whiteness were unfurled—
the rainbow, flowers, trees and art all newly bleached and pearled—

I know what single object I would choose to retain
in all its colored glory, in every hue and stain,
in sun and shadow, snow and hail and dust storm, drought and rain.

Its natural color changes every day we see revealed
over every continent: forest, city, field—
over every place from which the colors will be peeled.

This one glorious object would retain its vivid hues.
It would be the whole world’s canvas and every poet’s muse.
Every lake and river, its reflection would infuse

with all the colors nature has selected for that day:
blue or gold or purple, salmon, orange or gray,
according to whatever whim of moisture, dust or ray.

If I select the sky as the object that I’d choose
to retain its myriad pigments that only start with blues,
there are a thousand colors that we wouldn’t have to lose!

And the whole world could see them in the daytime or the night.
All the colors of the rainbow would not be lost to sight,
as every day and every hour, a new one’s brought to light.

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photo by Judy Dykstra-Brown, On the road to Ajijic.

Leftovers


Leftovers

When my father died forty years ago, it was in Arizona, where my parents had been spending their winters for the past ten years.  They maintained houses in two places, returning to South Dakota for the summers. But after my father died, my mother never again entered that house in the town where I’d grown up.

Our family had scattered like fall leaves by then—my mother to Arizona, one sister to Iowa, another to Wyoming. Both the youngest and the only unmarried one, I had fallen the furthest from the family tree. I had just returned from Africa, and so it fell to me to drive to South Dakota to pack up the house and to decide which pieces of our old life I might choose to build my new life upon and to dispose of the rest.

My father’s accumulations were not ones to fill a house. There were whole barns and fields of him, but none that needed to be dealt with. All had been sold before and so what was to be sorted out was the house. In that house, the drapes and furniture and cushions and cupboards were mainly the remnants of my mother’s life: clothes and nicknacks, pots and pans, spice racks full of those limited flavors known to the family of my youth—salt and pepper and spices necessary for recipes no more exotic than pumpkin pies, sage dressings and beef stews.

Packing up my father was as easy as putting the few work clothes he’d left in South Dakota into boxes and driving them to the dump. It had been years since I had had the pleasure of throwing laden paper bags from the dirt road above over the heaps of garbage below to see how far down they would sail, but I resisted that impulse this one last run to the dump, instead placing the bags full of my father’s work clothes neatly at the top for scavengers to find—the Sioux, or the large families for whom the small-town dump was an open-air Goodwill Store.

It was ten years after my father’s death before my mother ever returned again to South Dakota. By then, that house, rented out for years, had blown away in a tornado. Only the basement, bulldozed over and filled with dirt, contained the leftovers of our lives: the dolls, books, school papers and trophies. I’d left those private things stacked away on shelves—things too valuable to throw away, yet not valuable enough to carry away to our new lives. I’ve been told that people from the town scavenged there, my friend from high school taking my books for her own children, my mother’s friend destroying the private papers. My brother-in-law had taken the safe away years before.

But last year, when I went to clear out my oldest sister’s attic in Minnesota, I found the dolls I thought had been buried long ago–their hair tangled and their dresses torn—as though they had been played with by generations of little girls. Not the neat perfection of how we’d kept them ourselves, lined up on the headboard bookcases of our beds —but hair braided, cheeks streaked with rouge, eyes loose in their sockets, dresses mismatched and torn. Cisette’s bride dress stetched to fit over Jan’s curves. My sister’s doll’s bridesmaid dress on my doll.

It felt a blasphemy to me. First, that my oldest sister would take her younger sisters’ dolls without telling us. Her own dolls neatly preserved on shelves in her attic guest bedroom, ours had been jammed into boxes with their legs sticking out the top. And in her garbage can were the metal sides of my childhood dollhouse, imprinted with curtains and rugs and windows, pried apart like a perfect symbol of my childhood.

Being cast aside as leftovers twice is enough for even inanimate objects. Saved from my sister’s garbage and cut in half, the walls of my childhood fit exactly into an extra suitcase borrowed from a friend for the long trip back to Mexico, where I now live. I’ll figure out a new life for them as room décor or the backgrounds of colossal collages that will include the dolls I’m also taking back with me.

Mexico is the place where lots of us have come to reclaim ourselves and live again. So it is with objects, too. Leftovers and hand-me-downs have a value beyond their price tags. It is all those lives and memories that have soaked up into them. In a way, we are all hand-me-downs. It’s up to us to decide our value, depending upon the meaning that we choose to impart both to our new lives and these old objects. Leftovers make the most delicious meals, sometimes, and in Mexico, we know just how to spice them up.

The prompt: Hand-Me-Downs—Clothes and toys, recipes and jokes, advice and prejudice: we all have to handle all sorts of hand-me-downs every day. Tell us about some of the meaningful hand-me-downs in your life.


 

 

The Collector

The prompt: Digging Up Your Digs—500 years from now, an archaeologist accidentally stumbles on the ruins of your home, long buried underground. What will she learn about early-21st-century humans by going through (what remains of) your stuff?

The Collector

Tools, pictures, clothes, shoes,
too much food and too much booze.
Too many games and too much fun
for a house of only one.
A mystery why this big collector
didn’t have the proper vector
directing her away from things:
(potions, lotions, bracelets, rings)
directing to another track—
something that could love her back.

But, for the rest of the story about living alone, go here

Money Optional

The Prompt: Work? Optional!—If money were out of the equation, would you still work? If yes, why, and how much? If not, what would you do with your free time?

Since I am already retired and spend most of my day making art and writing, I guess my answer is yes. I do it because I feel it is my reason for living and without that work, life seems to lose its importance. I do it because it forces me to look closer and to think more deeply. I do it pretty much every minute I’m not sleeping. Really, I always did what I wanted to do without taking into consideration what would sell and that still seems to be the case since I’m not getting wealthy on what I do, but I swore when I retired that I would stop doing all those parts of making art that I hated: the applying for shows, the promotion, the pictures, the resumes, the mailing lists. Now I just enjoy the creation and if I am sending them out to an unaccepting universe, nonetheless, I’m having the experience of creating, which any serious writer or artist will tell you is  the most important part and why we really do what we do.

Today is my 221st post, and since it is a short one, please scroll back and read an earlier post you haven’t read before and if you have the time, please comment. 

For instance, if you’d like to know why I ended up in Mexico, read this: Foreign Tongues or, if you want a love story with a happy ending, read this: The Ballad of Poor Molly.

Thank you for reading my blog.  Although yes, I do it for myself, I can’t help but feel gratified when others find what I write to be of consequence or enjoyable.  Judy