Tag Archives: dVerse Poets

Jester: dVerse Poets Pub, Nov 15, 2017

 

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Jester

These tipped-up lips of wide renown
of the world’s most famous clown
are but pigment and not the man.
We know him not, for no one can.
No one assumes the painful task
of seeing what’s behind the mask.
The cloth that wipes it off each night
brings his true nature into sight,
for painted smiles are thrown away
as truth of night displaces day.
Underneath his painted mask,
he hides the truth
we dare not ask.
One more day of tricks and laughter
cannot make up for what comes after.

His face, stripped down to flesh and bone,
reveals that he is all alone. 
A painted face, a made-up smile
cannot mend a lover’s guile.

For the dVerse  pub prompt.

Ode to His Rudeness, Monsieur the Raccoon (With Backstory)

Found Art Sculpture and Photo by jdb

The Backstory

                  The magnetically locked cat door was our attempt to block his nightly visits. Once he’d pried off all the magnets and entered anyway, we foiled him for awhile with an uninstalled door propped up like a fort against the opening at the top of the stairwell. The night he knocked down the seven-foot-high door and the sculpture which held it in place, toppling my jewelry display cabinets that stood next to it like dominoes, he frightened himself into a rapid retreat down the stairs, leaving the trail of feces he’d scared out of himself.
                     Having propped the door up with heavier reinforcements, we have been deprived of his company for weeks. Our cat food has gone unmolested. No muddy footprints mar the pedestals. No trails of cat food crisscross the kitchen floor. Imagine my surprise, then, when I awoke this morning and, believing myself to be walking into the kitchen, walked instead into chaos: Red chilies strewn across the counter like dead soldiers, one of them with its head bitten off. My Chinese porcelain teapot shattered in the sink. His muddy handprints all over the tiles and sink corners.
                  I move around the kitchen, finding further devastation: all of the baskets pulled down from their window hooks, my cookbooks spilled like shuffled cards. And, the final indignity: on top of my Cuisine of Colorado Cookbook, the pile of excrement––his revenge for the head of that red chili he ate?
                  In the living room, he has cleared the windowsills of the black Egyptian fish from the Louvre gift shop, of the Ethiopian wooden coffee jar, of the Lombok wooden and coconut shell implements, of the four yarn spool candlesticks. The steel-tipped African arrows and the wooden-tipped bamboo New Guinean arrows are spilled like pick-up-sticks on the floor, except for one rammed point first into the wood surrounding the hearth. This is raccoon terrorism of the worst sort: devastation, feces, and barely veiled threats.
                  In the den, the four-foot-high West African Spirit carving lies toppled over onto its face, feather epaulets now horizontal, horned forehead still blessedly intact. Now I remember finding the Kalimantan dragon lying on the bed in the guest bedroom when, coughing, I’d moved to the guest room half way through the night. I’d blamed the cats for knocking it off the window ledge, thankful for the bed beneath to cushion it. Now I know it was Monsieur bandit, moving out into new territory. Now I know that already he had been here and gone.
                  I move to the computer room, not expecting the devastation I find: the cover spilled off the printer, poetry spilled like leaves over the floor, a basket of family pictures distributed randomly in front of the file cabinet, the aluminum blinds tilted at crazy angles at the windows, the phone knocked off the hook. Then, finally, I hear the front door open––Bob home from his early Friday morning foray to the flea market. Together we examine the evidence, find more feces on the kitchen window frame, far up next to a perfect raccoon handprint on the glass. In the hall, we see the impossible: the door still in place with only a ten-inch opening at the top. The only possibility is that Monsieur raccoon has climbed the vertical batts of the redwood wall of the stairwell up to the door top and jumped over the door to wreak his revenge––to display his superiority over our greatest security measures. Then, when he sought to leave, there being no walls rough enough to climb on this side of the door, he tried each window in the house before climbing the large iron sculpture to the hanging lighting track, walking the track like a tightrope walker across the room to the huge Bobo butterfly mask which now hangs crookedly high up in the hall, then onto the top of the door and down the stairs again, through the cat door now flapping easily, devoid of magnets that formerly kept it closed to all but our own cats with their magnetic collars.
                  Again, Monsieur raccoon, you have bested us. Thus this ode to you––for all the clay flowerpots you’ve sent careening off our porch railings to shatter on the railroad ties below; for all the bushels of cat food you’ve managed to purloin from their storage place in the locked garbage can by wrestling it sideways and reaching one small black hand up to pull the plastic bag out by the hem, spilling cat food by the handful until you’d emptied the whole can; for all the leftover wet cat food you have licked from the cat dish and the kitchen floor; for all of the cat doors we’ve replaced, only to have you find a new way to circumvent them; for all of the handprints we’ve 409’d from our pedestals after one of your midnight art tours; for all of the leavings of yourself you have left for me to clean up, I construct this ode:

To his Rudeness, Monsieur the Raccoon,
Winner of Last Night’s Battle,
This Ode to Mark the Resumption of our Warfare.

Bob has brought the sheet of plywood to measure.
I have marked off the proper size and shape,
sawed it on the band saw.
Now, Bob brings the wire and the hand drill.
We are boarding up l’avenue de chat,
more recently l’avenue de Monsieur Coon.
No more will you dine in our bistro.
No longer will our cat door be your Arche De Triomphe
No longer will our studio gallery be your Louvre.
You, masked traveler, will need to find fresh boulevards to roam
at midnight when our household rests.
We have scrubbed your hand prints from the face of our house,
boarded over your only hopes of entry,
cut you off from your free meal ticket.
Had you have been a polite guest,
we might not have been driven to these extreme measures,
but Frenchmen will be Frenchmen and coons will be coons­­––
neither one of them with the manners to survive in polite company.

And so adieu, Monsieur Coon and bon voyage
into new avenues.
I leave you to the night owls
and the cougars
and the other dark prowlers
that we close our doors against each night.
May you dwell with each other more sociably
than you have lived with us.
May you find a tree hollow for the winter
and sleep peaceably throughout the rains.
May you have the best of coon lives without ever again
darkening our doorstep.
May you defecate in the woods and eat in the woods and sleep in the woods.
May a mantle of trees be your gallery, the bottom of a rotten log your table.
May your hand prints remain on your fingers,
may my flowerpots remain on my railings
and may never the twain meet.
Adieu, Monsieur the Coon. Adieu.

(Note: Less than a week after boarding and wiring up the door, we found the four boards and wire with which we had closed it removed and piled in a neat pile outside the door. The cat door swung freely, but there was no evidence that the raccoon had entered the house.)

for https://dversepoets.com/

Lush Night (Erasure Poem for dVerse Poets)

 

Lush Night

That delicious
middle
of the gravel road.
Safe sun coming up.
The first time
pleasures
of a night owl—
finding time
everyone else was wasting
on dreams.

An aficionado of night
ever since.
Poems written
in the dark
while cities slept.

Time for yourself
with magic happening.
Ever afterwards,
you have survived
on as little sleep as possible.

Party years,
dancing and drinking until three,
then breakfast with the single crowd
and driving straight to school at six.
Invulnerable.

Even married,
sneaking out of bed
to your basement studio
all night long,
back to bed before he awakened,
feeling that little terror,
like a vampire caught by light.

At 54, with no more husband,
above ground,
no longer hidden,
watching light go out
as you sat piecing art—
until suddenly,
impossibly,
light after light went on again
so you were going to bed
as your neighbor was arising
to start his day.

Romance at 62
entered your midnight afterworld.
Serenaded by a night-addicted lover bard,
Skype your love letters
and your trysting spot.
Night that intimate invisible union
through the magic
which now joins you
in that single space
within you
you keep separate
from the world.

At night,
you know exactly
what it is you want
and live it
with no world
to lead you elsewhere.

This poem was written to a prompt by dVerse Poets. The idea is to take a found poem and to erase parts to create a new poem.  I used my own poem, Lush Night. This is what it looked like before the erasures:

Lush Night

Remember that delicious
walking, arms linked,
down the middle
of the gravel road
in your pajamas
at five in the morning
when you were twelve?
That first slumber party
in your safe small town
when you all stayed up all night
for the first time in your lives?
That eerie first sight
of the sun coming up
when your head had never hit a pillow
since it went down?

And then you knew for the first time
the pleasures
of being a night owl—
of finding time
that everyone else was wasting
through dreams.

And you have been
an aficionado of night
ever since.
All of your term papers
and exams studied for
at the last minute,
all night long.
Books written, poems written
mostly in the dark
while towns and cities around you slept.
That power of having all of your time for yourself
with not a chance of phones ringing.
Some magic happening
once you had the world to yourself
so ever afterwards
you have survived
on as little sleep as possible.

During your party years,
dancing and drinking till three,
then going for breakfast with the single crowd
and driving straight to school at six.
You were invulnerable.

Even married,
sneaking out of bed once he’d fallen asleep
and working in your basement studio all night long,
sometimes sneaking back to bed before he awakened,
at other times caught.
“It’s nine in the morning! Have you been up all night again?”
Feeling that little terror, like a vampire caught by light.

Then at 54, with no more husband,
no more job necessary,
with a new country and a new studio
above ground,
guilty pleasures no longer needed to be hidden—
watching light after light go out
as you sat piecing art together
in your studio—until suddenly,
impossibly,
light after light went on again
so you were going to bed
as your neighbor was arising
to start his day.

Then, improbably, at 62, internet romance
entered your midnight-and-after world.
Every night serenaded to sleep
from 1500 miles away
by an equally night-addicted lover bard
at two or three or four a.m.—
or whenever pillow talk led to it.

Skype became your love letters
and your trysting spot
now and then all day long;
but still, night better swaddled
that intimate invisible union
through the dark air
that has always been magic for you,
but which now joins instead of
sending you into the single space
where you unite with that within you
which you keep separate from the world.

At night, united or alone,
you know exactly what it is you want
and live it,
with no world
to lead you elsewhere.

 

 

Autumn Schmautumn

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Autumn Schmautumn

The only colored leaves I see are going to be faux,
for autumn never visits in my part of Mexico.
In fact, those piles of autumn leaves are far back in my past.
Green on the leaves in Mexico just lasts and lasts and lasts.
It’s true that each leaf everywhere must one day be defeated,
but down here where I live, the only way leaves are unseated
is not by frigid temperatures. There’s no cold to unglue them.
Our only leaf-removal means is cutter ants that chew them!
The ones who cut them down are all the bravest and the best.
Their comrades wait below to carry them all to their nest.
Their robberies completed without the slightest peep,
their piles of leaves depleted in the nighttime while we sleep.
Our guard dogs doze on soundly as ants pass by in the dark,
letting all these thieveries go on without one bark.
And so I fear that this far south no autumn colors are viewed.
Our trees create no spectacle. They go from green to nude!
And though ants harvest all our leaves—just chew them off and take them,
at least they grant us favors in that we don’t have to rake them!

Our Mother, Cloaked in Silence (Daily Post and dVerse Poets Rhyme Royal)

Our Mother, Cloaked in Silence

Although she was our portal to the world,
with little pageantry we laid her down.
No trumpets blared, the flags full mast unfurled,
for it was small, the realm of her renown.

And yet the limbs were bare, the whole world brown
as though the trees she planted all were lief
to shed their full green finery in their grief.

The prompt today was cloaked.  Also for the dVerse poets prompt, Rhyme Royal.The rhyme royal stanza consists of seven lines, (usually) in iambic pentameter. The rhyme scheme is  a-b-a-b, b-c-c. It was the standard narrative meter in the late Middle Ages.

Nosy Mortal Monologue

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Nosy Mortal Monologue

Why is our living just part of our dying
and why must our failures be part of our trying?
Who made up this game and who’s throwing the dice?
Why do we play on, no matter the price?
How can men worship this ultimate gamesman
who gives us our faults and then unfairly blames man
for acting the way he’s created to be?
Why aren’t we given mind power to see
how something so seemingly unfair might tend
to all turn for the best when it comes to the end?
Could it be that our dying is part of our living?
That somehow our getting is tied to our giving?
Does Karma exist? Does Heaven or Hell?
Does the Universe know, and will it ever tell?

A question poem for dVerse Poets

Driven: dVerse Poets Open Link Night

jdbphoto                     

 

Driven

They’re always back there in my head––
the things I could have said instead.
Sometimes not voiced for a reply,
but just existing in my mind’s eye.
Words joined in ranks turn there about
wondering how they’ll get out.
Before they start to riot and rage,
I let them out of their bone cage.

The voices murmur and they chide.
Cause trouble if they’re locked inside.
What if the mad men of this world––
in asylums cruelly hurled––
are simply writers who don’t know it.
Wild voice inside. No place to stow it.
All those entities inside
taught that they must try to hide.

Perhaps if they could let them out
to prance and scamper, whine and shout
on paper––empty, white and thin––
it would be the simplest medicine.
To fill the paper the surest way
to bring tortured voices to light of day.
To join that strange fraternity
Of those who have to speak to see.

What drives us to this room, alone,
our lives austere as any bone?
Is it the voices there inside us,
barely able to abide us,
needing to be wider heard?
To keep them in would be absurd.
I let them out for exhibition.
Free them from their cramped perdition.

And as I drift off into sleep,
I am the company they keep.
I hear their whisperings faint but clear
as they march in ranks from ear to ear.
Words rolling out in countless reams
fill my empty chambers with dreams.
When I awaken, they break their order,
wild to escape this nightly hoarder.

They jostle, elbow, push and squeeze
to make their way onto these keys.
I can barely match their pace
as they stream out, caught in the race
to be the next to flee my head
in their mad stampede to be said.
I don’t control these words, you see.
I am their transport. They drive me.

 

To play along with dVerse Poets, go here: 
https://dversepoets.com/2017/09/07/openlinknight-203/

Quartet (Quadrille)

 

Please click on any photo to enlarge all.


Quartet

They flicker like tiny sparks,
these rapid kittens
intense in attention,
movements reflecting
every neighboring small movement.
Suspicious of brief distractions.
Violent, then soft like the feather
they’ve destroyed, 
drifting to the window frame above,
forgotten by its intense stalkers
of a second before.

 

Happy 6th Anniversary & Quadrille #36

dVerse Poets: A Letter from Morrie and Diego

Finally, A Voice!!
(A Letter from Two Bad (Misunderstood) Dogs)

Do you think it’s simple, giving voice to our demands
without the proper vocal chords, without your human hands?
Everytime we try to talk, you scold us and you hush us,
even though you’ve just admitted that our howls are luscious.

And lacking proper fingers, we cannot write you letters.
We aren’t given proper tools to address our “betters.”
Simply howls and growls and barks and waggings of the tail—
and yet you do not take the time to learn this doggy Braille!

If you’d listen closer, perhaps you’d understand us.
Instead you shout out, “Stop!” and “Hush!” and seek to countermand us.
Can’t you understand that we’re protecting you from prowlers?
Feral cats and owls and skunks and nearby canine howlers?

We have such curiosity, though you determine to balk us.
We wouldn’t have to rush the gate if you’d take time to walk us!
We have to climb up on the roof to get a worldly view.
We wouldn’t be there barking if you’d take us out with you!

As for the cat food, take a clue. The reason we adore it
Is ‘cause it’s smelly, wet and luscious. Dog food? We abhor it!
That cat leaves a bit to tempt us—it’s a cruel feline game!
So why not buy us cat food? It costs you just the same.

And now the final agony. The ultimate tragic hitch,
Not only can our mom not cook, but now we make her itch!
No wonder our neuroses include jostling for attention.
A mother who can’t touch us? This escaped your earlier mention.

We thought you didn’t like us so we tried to win your favor.
Your touch is what we long for even more than cat food’s savor.
And as for pooping in the yard, you never told us to
sneak behind the garden shed to have our little poo.

You seem to think we know these things, but where would we have learned?
It’s you who should have taught us, for obedience must be earned.
If you would spend more time with us, perhaps you’d finally see
there is no other creature with whom we would rather be.

The dVerse Poets prompt this week is a fun one: to use anthropomorphism  making an animal or object behave and appear like they are human beings.” in a poem.

See the prompt and other examples here.  Come join in the fun! https://dversepoets.com/