Tag Archives: Judy Dykstra-Brown Poetry

He

The Prompt: Hindsight is 20-20—What if you had the power to rewrite history? You do.

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One of 15 creches I’ve made using material I’ve found on the beach

He

would have married the girl and had children
and been less overt with his teachings
of peace and love too radical
for a world immersed in their opposite.

He would then not have changed the world, perhaps,
but  only lived in contrast
to that power popular among those who needed it
and effective in keeping those adverse to it quiet.

If he had married the girl, the world would probably have ended up
pretty much how it has anyway, but he might have had a different ending.
Grown old, had his cronies over to talk about the good old days,
converted water into wine and served them loaves and fishes.

Mary Magdalene would have danced for them in their memories,
and all of his grandchildren would have listened in awe
to hear the tales of how he walked on the water,
bade Lazarus to rise from the grave.

He would shush his cronies as they started in
with tales of how he smashed the souvenir stands
and threw the money changers out of the temple.
Not stories for young ears not quite ready to learn revolution.

And all of the ill done in his name might have happened anyway,
but at least he would have had a good life.  Would have suffered less.
And some other savior might have found a way to save the world
that would have worked.

Note:  It has been so long since I’ve been able to pingback that I’m posting this even though I wrote to the weekly prompt today instead of this one!

For a more remarkable poem that might have been the prequel to this one, but was actually written first, go here.

Shooing with Tongue on the Tongue of a Shoe

To celebrate my 400th posting, I am going to follow the “Poets and Writers” prompt instead of the WordPress one. To see their weekly prose and poetry prompts, go here: http://www.pw.org/writing-prompts-exercises

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                 McPeevish McPue on a good day

The Prompt: Whimsical Creature—This week, write a whimsical, nonsensical poem about a creature you’ve dreamt up. Try to let go of the meanings associated with the words you use every day when describing this creature. Instead, use words as springboards for weird associations, as colors in a vast mural. Let your mind run wild and hang on for the ride.

 

Shooing with Tongue on the Tongue of a Shoe

There once was a grouch named McPeevish McPue
who spent his whole life on the tongue of a shoe
where he shooed away flintocks* and floogles* and stuff.
As a matter of fact, he would get downright rough.

 He would beat them with bagels and flog them with floggles
from the foot of their feet to the top of their toggles.
Then he bopped them again every minute or two
till those flintocks and floogles were beat black and blue.

But they just wouldn’t leave until McPue had sung
a rock-a-bye ballad with only one lung.
Then they leapt and they lithered until they were gung.
Now McPeevish McPue only shoos with his tongue!

*Floogles: fairy folk who get even with grouches by spraying foot odor into their shoes daily.

*Flintocks:
I’m not completely sure what flintocks are, other than the fact that they drive McPeevish McPue crazy. I’m counting on my readers to tell me more about them.

 

Don’t Make Me!

The Prompt:Kick the Bucket—What are the top items on your anti-bucket list — those things you never, ever want to do, places you never want to visit, books you never want to read, etc.?

Don’t Make Me

Please don’t ever make me go back to Cancun.
If I never return there, I’ve visited too soon.
Don’t make me go to church again or listen to more rap.
Don’t make me go to bed at eight or take a daily nap.
I don’t want to do those things I don’t want to do.
Don’t make me look at animals trapped up in a zoo.

Brains are meant for keeping up farther in your head.
To have to eat the things I think with fills my mind with dread.
Don’t make me eat anything only adults eat:
liver, caviar, pate, kidneys or pigs’ feet.
All of those are parts of animals I’ve come to fear,
for none of them are meant to put in human mouths, my dear.

I think that I’ll live longer without jumping from above.
For bungee cords or parachutes I have no sort of love.
Even roller coasters present uncalled-for risk.
For me a walk upon the beach is adequately brisk.
Anything that’s bumpy, jerky, swooping, fast or twirly
makes me want to arrive late and go home really early.

Please don’t make me listen to those who rant and rave.
If I meet them in the street, I’ll merely nod and wave.
Let bores much given to monologues find another ear;
because those who never listen, I have no wish to hear.
Tea-partiers, loud mouths, bigots and folks in the elite
are on my list of strangers I do not need to meet.

I hope no radiation or chemotherapy
is ever necessary to make me cancer-free.
No machines to make me breathe and no dialysis.
As little poking, pushing, testing and analysis
as possible is what I wish for on my “do not” list.
Just let me go gently into that final mist.

I’ve grown to hate the overuse of “bucket list” as label
for what folks want to do before their death if they are able.
So please be more original in thinking what to call
that list of things that you most want to do before you fall.
For the thing I don’t want as “I am” turns into “been”
Is to ever hear the phrase of “bucket list” again!

You might be able to find a list of other people who have answered this prompt by clicking on each person who has “liked” this topic here:

https://dailypost.wordpress.com/dp_prompt/kick-the-bucket/

Blue-footed Booby

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Blue-footed Booby

Graceful Vee of wing and curve of neck
laid out in sea foam on the beach—
it is as though you are making a final goofy move
on feet dressed up in blue first for dancing and then for love.
The means of your death is less a mystery to me
than what has left you and where it is now.
Perhaps, as I cup my hand through air above you,
I hold a part of you not soon enough departed.

Remembering those tiny sea turtles,
alone in the sea for moments,
picked off by the birds,
these mysteries worry me
like tiny flippers
resisting
that next great adventure
of the inside of a pelican
as I finally understand why anyone
would choose to have their ashes scattered at sea.
I have always dreaded descent
to the ocean’s dark floor,
when I could have been imagining
washing up on a favorite shore.


Monosyllabically Possible?

The Prompt: One at a Time—Today, write a post about the topic of your choice — using only one-syllable words.

Monosyllabically Possible?

I
might
just
fail,
but
I
will
try.

in
a
case
of
do
or
die,

If
I’m
caught
out
in
the
kelp,

It
will
do
to
just
cry
help!

But
if
you
want
to
cuss
and
shout,

it
just
won’t
work
to
go
that
route.

When
in
the
door
you
slam
your
thumb,

we’ll
see
how
far
that
you
have
come.

Your
girl
has
just
gone
on
the
lam,

and
you
just
have
to
shout
Goddamn!

Floating Meditation

Floating Meditation

I don’t want to do aerobics;
I want to float the sea,
pretending that I’m flotsam
or perhaps that flotsam’s me.

I’d like to try to meditate
the half hour I’m adrift,
but I fear that between me
and my subconscious there’s a rift.

“Am I flotsam now or jetsam?”
keeps running through my mind.
I guess to tell the truth,
I’m not the meditating kind.

Work Ethic / Canción de México: Two Poems

The Prompt: Gut Feeling—When’s the last time you followed your instinct despite not being sure it was the right thing to do? Did it end up being the right call?

Work Ethic

There’s something stirring in me. I do not know its name.
It whispered to go seawards, so that is why I came.
I do not know the object, though once I thought I did.
Once here the book I thought I’d write left my mind and hid.

I find that I am drifting like a seabird on the swell;
and so far that is fine with me, in fact I like it well.
Instead, I write these ditties that I finish every day,
forsaking what I think I should to just write what I may.

No need for all the boring things: research, footnotes, citing.
Whatever is in front of me is what I end up writing.
Some might say that it’s responsibility I’m shirking,
but I say that I’ve simply learned to go with what is working.


Canción de México
(Song of Mexico)

This small café sits on the square, or rather the rectangle.
The gas trucks pass by, blaring “Gaaaaas,” their grounding chains a-jangle.
Trucks and cycles lacking mufflers roar by every minute,
bass blaring from each car window without much music in it.

The guinea fowl make such a ruckus that they sound insane,
but to complain about the noise in Mexico’s inane.
The daily garbage trucks, the water truck and all the rest
all live by the assurance that what’s loudest is the best.

I drink my coffee, eat my muffin, try to grin and bear it;
but when she sets a napkin down, I grab at it and tear it.
And even though one part of me says that I shouldn’t dare it,
I use a bit to wipe my lips. The other part? I wear it!

I stuff a wad in either ear, and though I still hear all,
I go by the illusion that I hear it from afar.
Sometimes I feel the threat of age, so quickly it is nearing;
but if I lose one faculty, dear God, please make it hearing!

Putting the Tiny Sea Turtles into the Sea

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Cruel Harvest

In this middle morning,
pelicans drop like hail on the surface of the water.
This is not their usual style,
for they do not dive headfirst
and squeeze bills to necks
and swallow as before,
but merely float and dip their beaks
and raise their heads and dip again.

I hope it is not the tiny sea turtles
that we put in the water last night
that they are feeding on like hors d’oeuvres,
greedily.
But surely those turtles,
placed in to swim away 15 hours ago
are elsewhere than this,
facing other dangers, no doubt,
but at least to one I don’t bear witness to.

 We had waited until sunset
when the birds had gone
to lift the tiny creatures
from their plastic world
and set them,
confused and stunned,
upon the sand
to turn in circles
until we placed them right again
and again,
sometimes patting their tails
to encourage their voyage
to a new life shocking in its largeness.

 “What is this
lifting up and putting down?”
they must think,
“and then this broad expanse
that lifts us, spins us,
submerges us?
We lift our heads and swim,
then tumble, in shock.
What more has life to surprise us with?
First bursting from the shell that had protected us
now this thrusting into a colder world.”

Children squeal with glee and are warned by elders
not to step back lest they step on turtles that surround us all.
All of us look backwards as we step.
Cameras clicking,
voices in English, Spanish, French—
all enchanted with these creatures perfectly formed
with black flippers and beautiful shells.
We see their tiny heads like periscopes above the waves—
swarms of them at first and then separate,
swimming off to their individual fates.
Fifteen minutes later, the rising action
features a solitary pelican that swoops for one
and then another and another
bedtime snack.
“No,” we scream.
One woman throws a rock.
These pelicans that have enchanted me for weeks
as I watched their graceful flight and sure plummetings,
now prompt a new story.
They are villains, stopping new life,
bringing back the theme I am so aware of here
for these weeks floating in the sea.

Every organism, every animal, every person on this earth
lives only by merit of the death of others.
When life ends in infancy, how sad, how sad, we say;
but also say seeing the full grown pelican on the beach,
bleached to bones,
its beak sealed shut with a plastic circle from a six pack
or the needlefish, stretched on the sand and picked by carrion.
Never so obvious as here, this feeding of life on life
and never so startling as when we place the baby turtles
on the sand, wanting to save one for ourselves,
but knowing this action has a larger purpose than that.

We surrender them to their life apart from us,
then moments later,
see the pelican feed on them
guiltlessly,
living his place in the world.
Oh that I, too, had acted more selfishly—
palming the tiny turtle,
putting it in my loose pocket,
keeping it safe
away from that broad sea
that has so many means
by which to claim it.

New World Miracle

The Prompt: An Extreme Tale—“It was the best of times, it was the worst of times.” — Charles Dickens, A Tale of Two Cities. When was the last time that sentence accurately described your life?

Note:  For the ninth day in a row, I (along with several other bloggers) have not been able to pingback to the Daily Prompts page.  If you are able to, can you mention this poem in your blog and pingback to me?  WordPress doesn’t seem to be doing anything about this problem, although we’ve written numerous times!  Thanks.

I’ve told the second part of this story in an earlier post.  Now, here is the beginning and the ending.  One day I’ll tell the in-between.


New World Miracle
(Ethiopia, 1973-74)

Black Tiger in safari jacket
you told me
hyenas in the hills
would attack the mule if I tried
to ride alone
from the lowland landing field
to Lalibela.

By
sunset
we had reached
the high plateaus
sheep crying
miles away
shepherds calling
mile on mile.

In this high air
heard from mountaintop
to mountaintop
from valley
lifting to plateaus above
you with Afro out to here
admitted the hyenas were a lie
took my picture
tucked my camera in your pocket
pulled me up
to you
and
there was no
resistance
in
this
air.

I was
enamored
of the falling sun
the cries of shepherds
your hair
your jacket
your clean mouth
white teeth
and beautiful
tall rest of you.
I had always needed
to feel like this.
Giddy.
Your kiss pulled me in then
ricocheted
to valleys
under valleys
under valleys.
Always something
under
something else.

We were at the edges
of the world.
We were at its
cracking rims.

And I can believe
in you
standing
on the rifted rock
above the canyons
still
I can’t imagine
you
in the valley
deeper in the valley
than the valley floor.

I can’t imagine you
dusted hair
eyes closed by clods
growing trees from your navel
pomegranates from your fingernails.

When you touched me
I grew
then I grew too far.

But nothing
since
has touched your warm
your brown
your hands
your mouth
where you touched
nothing since
has quite
touched.

In your country
where names
are only words
strung together
your name
Andu Alem Tamirat
meaning new world’s miracle.

You could have come with me
to grow invisible in California.
Instead you
died in
futile
revolution,
seeding
painful
memories.

Remember
how you used to climb
out of my dining room window
to the back yard compound
to pick orange waxy blossoms
from the pomegranate tree—
how you used to
tuck them
in my hair?

To The Island

The Prompt: We’ve all been asked what five objects we’d take with us to a desert island. Now it’s your best friend’s (or close relative’s) turn to be stranded: what five objects would you send him/her off with?

To the Island

If I sent you to an island, it would be for your own good.
It wouldn’t be unwillingly, with chains and ropes and hood.
I’d lure you off to be with me, surrounded by the sea.
You wouldn’t have to talk or walk or be in love with me.

The objects that I’d give you are a camera, notepad, pen
and a computer with no wifi to connect to where you’ve been.
You’d live in the present with the details of your life,
examining where you have been without the daily strife.

With no Internet distraction, no ringing of the phone,
sometimes you find a part of you that you have never known.
There’s something that is lacking in what’s crowded in one’s brain.
It’s hard to find ourselves when we must live the whole world’s pain.

In the morning, you would walk the beach, move inward with the tide,
examining what treasures the waves conceal inside.
A stone shaped like a check mark or a continent or heart–
it’s hard to suspend looking, once you’ve made a start.

You may take photos of them or collect them in your pocket—
something to make art from, or a picture for your locket.
Another way to get inside is what you write about them.
If you have secrets, it’s inevitable that you’ll out them.

The sea’s part of something larger and each treasure is a clue
connecting the whole universe to something within you.
This is why each object plucked up from the sand
is part of you that you’ve reclaimed—there within your hand.

What you see in what you find is what you have inside.
Perhaps it’s something you don’t know or that you know and hide.
The very fact that it is here revealed for you to see
may mean that you are ready to finally set it free.

The sea with all its treasures and its recurring tide
is also found within you—safely tucked inside.
So look into a mirror—a metaphor, more or less;
if you are wondering if you’ve changed, you won’t have to guess.

You’ll look for things within yourself as closely as the sea
and find out more of who you are and who you want to be.
You’ll see the changes on your face that say you’ve become wise.
Deep worry lines around your mouth and laugh lines by your eyes.

And once that you have found yourself, you’ll find yourself again;
for you are always changing—refining what you’ve been.
Tucked off on an island like a wallflower on a shelf,
perhaps you’ll find the whole wide world there within yourself.

And when you see the world within, you’ll want to live in it,
for it’s a world that you have power to change as you see fit.

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Just a few of the more than 30 heart-shaped rocks I’ve found. I’ve photographed many more than that.

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What do you see in these beach finds?

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This check mark shaped stone was one of my favorites today. I also found one in the shape of Africa, which is alluded to in the poem, but didn’t take a photo.