Tag Archives: Mexico

NaPoWriMo Day 6: Mexico Saves Daylight

We go on and off Daylight Saving time later than they do in the U.S., so this morning was the morning we lost an hour. Our prompt was to look out our window and record what we saw and heard, then to write a poem using these images. It was still dark here when I arose, so I went outside to sit first on my terraza and then in my gazebo which sits at the edge of my property overlooking the hillside that leads down to Lake Chapala. I had never looked at this scene this closely from this time perspective, so it was a unique viewing of a familiar scene for me.

These Chinese Lanterns are solar and await the darkness to shine!

These Chinese Lanterns are solar and await the darkness to shine!

Mexico Saves Daylight

Nobody knows
what this new day
has in store for us.
The colors stolen by night
have not come back yet––
only the string of miniature Chinese lanterns
strung on the patio
glow their soft tones:
lavender, yellow, peach, rose, lime green.
Powered by energy stolen from the sun,
they light up this very early morning darkness
otherwise lit by the random stars of
streetlights undulating over roads that wind up foothills.

The mountain peak named Señor Garcia
stands against the gray predawn sky.
Colima volcano peers over his shoulder,
half-obscured by mist and clouds.
My day emerges.

Scatterings of lights twinkle
from the small pueblos across the lake.
Bats swoop and dart
after the last insects of the night,
then speed impossibly into second-story tejas
for their communal day’s rest.

The hot tub cover,
submerged a few inches beneath the water’s surface,
forms a mirror for the wild hair of palm trees.
Dried leaves rest on the water,
swirling in the breath of morning.
Roosters crow.
A cacophony of bird calls:
“Me hee hee hee hee hee. Me hee hee hee hee hee Me.”
scolds the most persistent of the lot.
Mourning doves answer in a register from another time.
The grind of trucks accelerating on the roadway far below
too small for trucks.
Church bells speak their language,
tolling the morning hour.

The round
subtle drone
of unseen bees
takes precedence
over all other sounds
as I move to the gazebo.
I picture a whole hive
moving to new quarters,
starting that process over again,
busy giving birth to their new home,
perhaps in the stark Guamuchil tree
that survives like a dinosaur
among the castor beans
in the jungled houseless lot next door.

Like one of those internet birthday cards
where an invisible hand
yields a brush
over a black and white drawing,
slowly, colors lost to the black night
emerge through the fog
of earliest morning blues and grays.
Rose pink of the first hint of sunrise.
Colors of houses on the mountains:
vivid orange and gold,
lime green and blue.

Bougainvillea silhouettes give way
to curly detail and bright color:
fuchsia, orange, peach, gold, brilliant white.
Three green foam noodles lie abandoned poolside,
caught in the arms of aloe vera
and by the crown of thorns.
Green washes the hillside
around the gold and brown
of last year’s corn stalks.

The diverse calls of grackles
join the morning conversation.
Quetzacoatl spreads his sinuous frame
over the entire wall above my bedroom doors
as though stretching his kinks out for the day ahead.
7:30 am April 6, 2014,
announces the computer screen
glowing on my bedside table.
Coral sheets and a blue pillowcase.
A large watercolor of a woman
with birds perched on her shoulders
and her hands.
I yearn to go back to bed,
but time changed here
in the very early morning.
It is an hour later
than it was
the same time
yesterday.

Mount Senor Garcia from my gazebo

Mount Senor Garcia from my gazebo

Backyard overlooking Lake Chapala.

Backyard overlooking Lake Chapala.

Quetzacoatl Mural Over Door to Bedroom

Quetzacoatl Mural Over Door to Bedroom

Sabor de Mexico

Sabor de México

 

The weaving of the inside of the palapa roof forms an exotic herringbone––in places its pattern interrupted by a patch of pale blue sky where the palm fronds have been eaten away by wind and rain.  We are nine gathered around the table: eight women and one man.  We sit writing in theme books, on typing paper, small notebooks or computers.  Three of the four computers are Apples, a testament to my firm belief that this is the best computer for the artistic mind.  Something about it is instinctual—which is right up my alley.

Alleys are something lacking in this town of small palapas and concrete houses.  Neighbors back onto neighbors. Chickens have no dirt pathway to cross between properties, but jump from one shared fencepost into either yard:  the one they belong in or the one they choose to go into.  More often than not, no fence separates the spaces between houses.  Here, privacy is not a big issue.  The sounds of life float from street through window, uniting the visitor unwise enough to live in a house fronting on the main street in town with a night full of ATV’s, motorcycles, loud bands and tape players, air brakes, raucous shouts of those vacating  bars at closing time. 

The time between the night’s last departures and the next morning’s first arrivals is but an hour or two.  Every morning I am awakened by the blasting of radios turned full volume and shared via rolled-down windows of pickup trucks and cars.  It is a harsher form of the church bells that serve the same function in my village in the interior of Mexico.  Who would need to be asleep later than 6:30?  Who could be complained to if I were so foolish as to register any complaint?

Senses in Mexico are there to be stimulated.  The patterns of shadows thrown by palms, bright colors, the bite of salsa and tequila, sounds formerly mentioned, the grit of sand underfoot, the sting of saltwater on sunburned arms and backs, the smell of tamarind and lime and the rotting blowfish on the beach.  All senses mingle in a salad that we all taste from the common bowl.  Whether we live here or visit here for months or weeks or hours, we take our few bites or many according to the time we have to digest them. 

Poem written after the Celebration of Life for Nina and Eduardo

 The ceremony for Eduardo and Nina was full of the loving thoughts of friends, details about their lives given from many perspectives, a few tears but even more laughter from remembering the good times.  It was only on the road home that the contrasts in the peaceful happy setting I saw around me and the events of a week before hit me.  The first lines of this poem ran over and over again through my thoughts and I had to pull over by the side of the road and write this poem.  Part of me wonders if it is exploitative to write about this sad event, but I’ve found that many of my writer friends who were friends of Nina and Eduardo have been driven to do the same.  It is as though I no longer know how to think about things unless I do so through my writing or my art.  Somehow, the only way to process a hard truth of life is to make use of it creatively and to try to create a message that makes sense even though the deed never will.

After the Ceremony: Driving Home

The streets are filled

With ice cream and cerveza

and the wildly patterned legs

of senoritas.

It is a day

of sunlight and red flowers

and fuschia flowers and blue.

A slight wind

 strums the swaying branches

of the palms,

but no other sounds

compete with the passing hum

of oncoming traffic streaming

 from the city to our shores,

 seeking safety, quiet,

the gentle lap of water against willow,

hypnotic bobbing of the pelicans

between the undulating liria––

a lazy day away

from the cares of urban life.

I pull to the side of the road to watch

 these visitors to our world.

 Have they not heard or

have they just forgotten

the breaking glass,

the knife, the club,

the red screams

slicing the midnight air?

The ones who were the screamers

 are very quiet now––

part of the calmness

of this afternoon.

Their darkness

is dispersed by sunlight.

Yet all of their fear and pain––

the terror of their leaving––

now gone from them,

is kept like a souvenir

within the hearts of friends

whose turn it is to remember

for a while what we, too,

had forgotten.

Our happy world

lies like a blanket

over a bed made messy

by pain and loss.

It is the world’s bed,

and deny it as we will,

we all have lain in it

and will again.

                                                                              –Judy Dykstra-Brown      February 24, 2014

Dichotomy

Someone on a social site I post on once stated that he couldn’t understand the contradiction between my statement that I was an agnostic and the fact that a number of my retablos made use of images of the Virgin of Guadalupe.

One side of the Mexican coin as well as the Universal coin.

One side of the Mexican coin as well as the Universal coin. (click on images to make larger.)

I answered that for me, she was a symbol of that gentle, loving, peaceful, motherly, female side of Mexico that balanced the macho, warlike, violent male side. He didn’t understand this and actually ended our correspondence—a perfect example of that force I sought to counterbalance. I have just finished a retablo entitled “Macho” that demonstrates the male side of the dichotomy.

 

My newest retablo deals with the dichotomy between the masculine and the feminine in both Mexico and the world.

My newest retablo deals with the dichotomy between the masculine and the feminine in both Mexico and the world.

I also have a sculpture I completed over a year ago entitled, “Anima/Animus.”

ANIMA/ANIMUSSHADOWED ANIMA

Since first reading Jung 32 years ago, I have been almost constantly engaged in examining that force which seems to drive the world—that shifting between anima and animus that the I Ching might call yin and yang and that religion might classify as good and evil. Not that either the anima or  animus is purely good or evil, but certainly all is a matter of trying to balance.  This is a simplistic statement of a very complex matter, but one I often deal with in my work.  This statement is being made after the fact as I very rarely have a concept in mind when I begin a work.  I like to see where each piece leads me and I’m as surprised as the viewer may be at where I am led by the process.

ANIMA/UNSHADOWED

ANIMA/UNSHADOWED

ANIMUS/ANIMA CLOSEUP

This detail symbolizes the shattering of the male side of the ego by a feminine consciousness.  The gold object in the glass case is a small replica of the instrument used to sever the head in sacrificial prehispanic temple ceremonies.  The hammer shattering the glass is meant to symbolize the gentling effect of the feminine on the msculine.

This detail examines the shattering of the male side of the ego by a feminine consciousness. The gold object in the glass case is a small replica of the instrument used to sever the head in sacrificial prehispanic temple ceremonies. The hammer shattering the glass is meant to symbolize the gentling effect of the feminine on the masculine.

A Special Start to My Day

When I came into the kitchen to make our smoothies this morning, I noticed there was a candle burning next to the virgin of Guadalupe statue on the island divider between my kitchen and dining room.  I didn’t say anything about it, but later, Yolanda said, “I lit a candle for your mother today.”  Today is mother’s day in Mexico.  So sweet.  I went and got a pic of my mom to put next to it. This is one of the things I would miss so much if I ever left Mexico.  What would replace this special sweetness in the States?  My life is so enriched by it.

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