Tag Archives: poem

“Abundance” for dVerse Poets

Abundance

How can we approach “abundant”
without resorting to “redundant?”
We must simply have the gall
to search for the original
instead of coming in the door
with something we have bought before––
like “Beanie Babies” by the score.

What if, everywhere we went,
we looked for something different?
So when we chose a friend anew,
they had a different point of view?
From countryside or town or city,
be it huge or itty-bity––
just choose someone you find witty

and mine their mind for something new
that can grow a part of you
that’s different from what came before––
that can open up a door
within your heart, within your mind
of that place where you can find
beliefs of a matching kind.

For dVerse Poets prompt: Abundant

( I know I’m not supposed to be blogging. The dVerse Devil made me do it…_

Wild Nights Out, For the Weekly Writer’s Workshop

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Wild Nights “Out”

When we are young we brag and flout
our exciting evenings out,
but later on the joys of gin
start to wear our patience thin.
Lately, though I still go dancing,
I find an hour or two of prancing
is quite enough to slake my thirst;
and I must confess the worst.
When it comes to nights of sin,
my most exciting nights are “in!”

For the Weekly Writer’s Workshop, the prompt is “Wild.”

The Combiners, for Word of the Day, Sept 7, 2025

Since I have written around 4,000 poems for this blog, I have lately started searching to see how many of the prompt words have been used in an earlier poem. I couldn’t resist doing so for  “sundae,”  thinking this might be the one word I’d never used before, but it actually came up in 4. This is the one I chose:

 Sixteen!! The Combiners (Excerpt)

This is an excerpt from a longer narrative poem in my book, Prairie Moths.  It is the final section of  “The Combiners” –a poem about the itinerant workers who would drive up from Oklahoma each summer to harvest the wheat crop in South Dakota. This infusion of fresh young men into a town of just 700 people was, of course, exciting to teenaged girls whose own male classmates were a bit immature. Not that any of us ever did anything about it.  Imagining and talking was enough for us at the age of sixteen!

combiners dance

The Combiners

I saw him first on the bleachers
on the other side of the floor.
As dancers came together and parted,
I saw him and then didn’t see him.
After the music stopped, I craned my neck
around the legs that stood in front of me,
trying to see him across the cleared dance floor.

Then the voice at the top of the legs
asked me to dance, and I looked up–at him.
Feeling uncertain, wicked and wild,
I answered yes.

I’d served him once or twice
at Restaurant 16–
that highway-fronting restaurant
as exotic as its name.
I knew he was working the Weston place
with an outfit my dad had never used.
He liked his steak well-done,
French dressing, no tomatoes.
Butterscotch sundaes made him cough.
Over the water pitcher and order pad,
we had traded a look or two.
I knew he wore Old Spice
and drank Cokes with breakfast,
but I didn’t know his name.

When we got to the dance floor,
he took my hand,
put his other hand on my damp waist.
It was a slow dance and the night was hot.
The dance was work.
I was awkward–too inhibited to get as intimate
as following in dancing requires.
Over the music, we tried to shout our names,
tried to find a mutual rhythm,
finally giving up both endeavors
to dance the slow song, not touching,
moving our arms in fast song 60’s style
to the slow song rhythms.

When the music stopped,
he walked me back again
to the bleacher
he had plucked me from,
reinserted me into the correct space in the line of girls,
smiled, and walked away.

My friends closed around me
like a sensitive plant
to hear the news.
I watched his back,
blue short-sleeved shirt,
his pressed Levis
and his cowboy boots.
I watched the Oklahoma swing of his hips–
danger on the hoof.
He wouldn’t ask me to dance again,
yet, his sun-blackened arms,so finely muscled,
had held me for a minute or two.
His bleached blue eyes
had seen something of worth in me.
He had asked my name, touched my waist,
and walked me off the dance floor.
And, since this was as spicy
as any of our stories would likely be
all summer long,
I turned to my friends to tell the tale.

The Word of the Day prompt is “Sundae.”

Our Emperor’s New Clothes, for the Weekly Challenge, Aug 23, 2025

Our Emperor’s New Clothes

How do we mentor our burgeoning youth
in these times of unequalled stretchings of truth?
Teach them to sort out these rash acts of treason,
to approach them with heart and strain them through reason.
Teach them hating is wrong and exclusion is selfish—
that plastic’s destroying our coral and shellfish.
That medical care should be something for all
and that hoarding of wealth brings a country’s last fall.

Teach them the future is theirs to decide.
Teach them the truth of whom to deride.
Teach them that facts being taught by their teachers
may rival what they’re being taught by some preachers
and those who would rule to win their own gain,
lining their pockets again and again
with tax cuts that only extend to the rich
while the trickle-down theory develops a hitch.

Teach them to sort out rhetoric from fact.
Teach them to care and to vote and to act
to stretch out the privilege to blanket us all.
We are not alone on this spinning great ball.
Our former meddling and incredible gall
is why we’re considering building a wall
to keep out the hungry and frightened downtrodden
who come to us weary, exhausted and sodden.

They ask for asylum and our protection
from dictators who have prompted defection
much as many Americans are fleeing south
to avoid the stupidity and the vile mouth
of the dictator who is now ruining our land
with illogical thinking and truth that is canned.
Who will mentor whom in this crazy new world
once the last hateful invectives are hurled?

Our world has been sold out for profit and gain—
overseen by leaders opportunistic and vain.
Perhaps it’s our youth who will now mentor us
to sort out the truth from this internet fuss.
As in the old legend, They’ll teach the uncouth
to forsake propaganda for naked truth.
It’s hoped that our youth wake us up from our doze
to point out the truth of our Emperor’s new clothes!!

 

The Weekly Challenge Weekend prompt is “burgeoning.”

“Hairlooms” for Cellpic Sunday

 

I know.. weird photo…I just like it.  I took it to accompany a poem I was planning to put on Youtube along with an oral reading of the below poem from my soon-to-be published book, If I Were Water and You Were Air. I am reconsidering even doing the audio posting of poems on youtube, so will make use of it here and include the poem as an explanation of the photo.

Long Weekend

Her shoes on the floor next to the pot-bellied stove
do not have holes in them, as her father said,
but rather triangles and rectangles
and everyone is wearing them
laced up to below the ankle.
Her friend Marjorie, who has lots of shoes,
has pink ones
and Sheryl has a white pair
and even my new stepdaughter’s real mother
has shoes like this.

Her used Band-Aid lies in fetal position
on the new white sofa cushion,
her hair twister on the kitchen counter
along with a handful of pens she grabbed from my desk
and then abandoned.
Her clothes, like crumbs of her,
lie scattered down the hall.

She is asleep in the loft of my study,
in the nest she has chosen
for a place to stash herself, along
with those collected objects of my past
that have captured her fancy as she helped
with our unpacking of boxes.
With them, she has created a little world within our world:
a painted blown egg from the Tucson street fair,
assorted brushes and antique hair rollers,
hair combs I bought in Peking, African baskets to put them in,
a beach chair, a sheepskin rug, and her stuffed dog.

Stealing into my study to find paper and my one remaining pen,
I hear her gentle snores from the high space
at the top of the ladder on the wall behind my desk.
My new daughter––with us for our first weekend
as we open boxes in our new house.

The bouquet of wildflowers on the bookcase––
California poppies, creeping Jenny, sprays of honeysuckle––
she has learned all their names, along with moss roses, aloe vera and lobelia,
collecting them in her sorties out to the deck
to scare away the jays, feed peanuts to the squirrels.

She loves this house and wanted to unpack one more box
before bedtime––my bathroom box that held handy hair rubbers
and the tiny Chinese combs––both of them speedily added to her purloined collection.

She calls me Mom, her knee sticking through her Christmas tights.
She is a girl I can’t keep together––
already a hole in the turquoise top we bought together yesterday––
four tops, four pairs of tights
and a pink jacket.
Socks, next visit.

When she leaves to go back home, I plant dahlias and purple salvia.
I find the hidden box of toothbrush, toothpaste, and acne medicine
she has secreted in her loft above as though staking her claim.
I find cups to put them in,
put them on the counter in the bathroom next to ours.

For Cellpic Sunday

Dining Alone, for Fandango’s Flashback Friday, July 18, 2025

For Fandango’s Flashback Friday, we were asked to reblog a blog written on a previous July 18. This one was first published on July 18, 2018

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Dining Alone at the Maria Bonita Restaurant Bar

Señor Garcia is smoking today.
Below him,
Maria Phoenix lies on satin sheets
on the wall of Maria Bonita Restaurant Bar.

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It is a small palapa restaurant––soft orange front with
hot pink trim–– that I’ve driven by hundreds of times before;
and every time, I’ve wanted to come in, but haven’t.
Now today, suddenly,
I don’t want to go home
and so my car turns in across the carretera.

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I am the lone customer.
The cook and waiter
spring to action.
Totopos for him to bring,
a fire for her to light.
This is a fish restaurant
and I am a non-fish
eater, choosing between
quesadillas and beans
or a hamburger and fries.
Needless to say, I’m not here for the food.

I am here for the view and the limits
imposed by eating alone in an otherwise empty
restaurant/bar. I have a poem to write
and need the discipline imposed by a place
where there’s nothing else to do.
My only distraction is the view,
which forms the subject of my poem
and so is anything but a distraction.

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The smoke from a dozen fires
rises into the air from the entire eastern slope
of Mount Garcia across the lake.
Whether by accident or by the hand of farmers
lighting fires to clear last year’s stubble from the fields,
the effect is that this extinct volcano
has somehow come to life,
springing leaks.

Fanned by a recent wind, the smoke grows denser, rises higher.
Below the slopes, a patchwork quilt of strawberry and raspberry
fields, covered with plastic sheets,
spawn fruit for the tables of El Norte.

Maria, that other smoldering beauty, lies suspended all around me––
long canvas banners reflecting her screen loves and her roles.
She looks over one shoulder, wears a rebozo or a mariachi’s sombrero.
Cantinflas, that beloved clown, shares her wall but is never in a shot with her.
They are opposites: the sexual symbol and the comic. One raises tension
and the other seeks to dispel it.

Maria Phoenix

I am in between, a mere observer, I know.
In every case it’s likely that the fire has been lit by means unnatural,
but nonetheless, it ignites my imagination.
I am surrounded by it.
“Blue Bayou” plays on the sound system.
Sleepy eyes.
My eyes sting from the smoke
that has filtered toward me
from eight miles or so across the lake.
The tears in my eyes are from the smoke,
not from memories of the departed one
I used to come with to these fish restaurants.

They are not the place for gringos.
Word is out about the sanitation
or where the fish comes from
or who might be encountered here.
A few restaurants down, there was a cartel killing
just about a year ago––perhaps more, perhaps less.
At any rate, Americanos and Canadians are rarely found here.

Today, no one else is found here.
“There’s no exception to the rule”
plays on the sound system.
“Everybody plays the fool.”
Feeling a stranger in the place where I live
is a feeling pleasurable to me––
an emotion I do not feel foolish for pursuing.

The waiter, as though I’m a repeat customer,
brings an entire bucket of ice
and fills my glass each time he passes.
They have my brand of rum.

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I have always known this place could be my place.
The pleasure of knowing it to be so warms me
as much as the second jigger of rum.
Shall he pour it for me? Do I want it all?
Just half, I tell him, and fill the glass with Coke.
I like it weaker, so I can spread it out.
Like the fire.

Smoldering.

 

Chewing the Train for dVerse Poets, June 26, 2025

 

Brooch and pins by Judy Dykstra-Brown

Chewing the Train

A metaphor is a freight train
that gets us within 30 miles
of our final destination,
but we still have to catch a taxi to get all the way there.
And a simile is just a metaphor whose brakes have failed.
If we know that peanut butter
is like a circus on a tired tongue,
does it bring us any closer to the smell of peanut butter?
Elephants and sawdust
and sequined camisoles flavored
with the sweat of 100 performances?
Is that what peanut butter smells like?
Does it taste like candy apples
and too-bitter mustard
on stale buns
and hot dogs turned too long
upon the rollers of their grill?
Does peanut butter feel
like the unoiled bump of the Ferris wheel?
Does it sound like a calliope
or look like an ice cream cone?
Peanut butter is peanut butter.
I rest my case.

So how am I going to write a poem
without metaphors and similes?
How can I write verse
while telling the pure unadulterated truth?
How can I make you taste a poem
that is only itself?

How can I be Janis Joplin
when I’ve been taught to be Joni Mitchell?
A Rose is a Rose is a Rose,
said Gertrude Stein,
predating my insight
by a generation or two.
But this isn’t Paris,
and folks in Mexico
want a dollop of figurative language
in their poetry.

So let me say
that my mind is a busy beaver,
trying to fulfill this impossible task
of twenty little things.
I’m expected to imagine
how peanut butter sounds.
The sucking gumbo sound
of South Dakota mud
or thick mucus of a cold?
Anything but appetizing.
Ay, Caramba! you might say,
but if you were Australian,
you would say, “Don’t come the raw prawn on me, mate,”
and you would mean
“Don’t try to pull the wool over my eyes,”
or “Don’t try to con me, man.”

So let me just say that peanut butter is made
by grinding peanuts so finely
that all the oil comes out
and it acquires the consistency of butter.
It isn’t like butter
nor is it butter.
It acquires the consistency of butter.
This is literal fact.
But to know the taste of peanut butter,
you will need to spread a bit upon a cracker
and have a taste, or grab a finger full.
What you will taste will be peanut butter.
The truth of it. Its reality.

And only then will I tell you
that literal truth doesn’t always tell
the whole truth.

My friend says
it is the peyote leached into the soil
the corn grows from
that gives Mexicans
such a remarkable sense of color.
The bright pigments of imagination
flood his canvasses.
His peyote dreams leak out into the real world
and wed it to create one world.
“Peyote dream” becomes its opposite—
a freight train taking us into the universal truth.
A larger reality.
This stalk of corn, this deer,
this head of amaranth,
all beckon, “Climb aboard.”

So when you bite into a taco
or tamale, when the round taste of corn
meets your tongue, and pleasure tries to flow
like a lumpy river down your throat,
look up at the poet standing in the shadows.
She’ll call herself by my name if you ask,
but do not ask. Instead, look deeper
into the shadows she wears around her like a cloak
and see that it is light that creates shadow.
See the many colors that create the black.
Follow where the corn beckons you to go––
into the other world of poetry and paint
and dance and music. Hot jazz with a mariachi beat.
Chew that train that takes you deeper. Hop aboard
the tamale express and you will ride into your
new life. It will be like your old life magnified
and lit by multicolored lights and the songs of merry-go-rounds
and when you bite into your taco, it will taste
like cotton candy and a snow cone
and your whole life afterwards will be a train that takes you nowhere
except back into yourself—a Ferris wheel
spinning you up to your heights and down again, with every turn,
the gears creaking “Que le vaya bien.”
I hope it goes well with you
and that you see the light
within the shadow
and the colors
in the corn.

glass-gem-corn-2-460

 

For dVerse Poets synesthesia poem. You’l have to sift through this poem for the synesthesia, but I promise you , it is there.

Broken Concentration, for dVerse Poets, June 25, 2025

 

 

Broken Concentration

The words packed tight within my mind
seek the empty page.
They fly like hummingbirds and hawks
escaping from their cage.
But when all my empty places
I seek to fill again,
too many words rush in at once,
creating such a din
that nothing can be made of them.
I cannot restore order
in these alien syllables
that flood across my border.

I did not think these previous lines.
They just crept up on me.
I place words here upon the page
and thereby set them free.
They have no place within my head
where I had plans to write
a solitary love poem.
Instead, they spar and fight,
one trying to beat the others
to the front line of my mind.
Love words elbowing their way,
lined up in back of “pined.”

So “heartsick” steps on “passion’s” toes.
“Adore” runs out of steam
trying to reclaim the place
where words like it must dream.
I no longer know the purpose
that I set out upon
I fear the mood is broken,
my concentration gone.
The thought that any love poem
will come is now absurd.
Minutes ago I was in love,
but now I have been cured!!

 

The dVerse Poets prompt is “broken.” We have broken vows, broken systems, broken expectations, broken agreements, broken communication, broken societies. Especially right now in this world, many of us know “broken”. Will we be able to repair the divisions? Can we put the pieces back together? Can we recreate a better world?

 

 

Long Before, for Forgottenman’s Poetry Prompt, June 22, 2025

 

Long Before

Long before our years began,
before the mind of nature had conjured man,
the artists of the universe,
(artists that they were)
that started it all,
started imagining a combination of science and art,
imagining its form and actions and its thoughts.
Its beginning a particular straying of atoms,
beginning that parade
that at its tail end––
at its possible tale’s end––
its greatest creation or its
greatest, perhaps, mistake.
Perhaps that last thing that ended its own being,
that humanity-declared champion of creation:
Humanity.

(Would that we had lived up to our name.)

 

Please go HERE to read ForgottenMan’s poem that introduced the prompt.

dVerse Poets Quadrille Challenge #220

The Lady Doth Protest Too Much

That name engraved across my mind
is of the phantasmic kind.
The one who seems to have carved it there
is one for whom I do not care.
It is not grounded in truth or fact.
It seems my thoughts have just been hacked.

 

 

for dVerse Poets

To see other poems written to this prompt, go HERE.