Monthly Archives: October 2015

Silhouettes

Silhouettes

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http://abstractlucidity.com/2015/10/07/shannons-creative-photo-challenge-silhouettes/

Travel Theme: Intense

Travel Theme: Intense
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I believe Diego was ready for either breakfast or dinner.  He had tried his hardest to be polite, but his mom was intent on her blog, so finally he let his wishes be known vocally. Things always get intense at my house around meal time!

IMG_5264 (1)Little boy lost or simply little boy somewhat overwhelmed by a tall world? Either way, he looks intense to me!

DSC00004I think my friends Lach and Becky look very intense as they entertain a crowd at La Rueda.  Alas, they are back in the states and La Rueda is no more, but the good news is that although they came to visit, they ended up buying a house and will be back down soon!  We did the same thing.  Came for one day, stayed ten and by the end of it had purchased a house.  Mexico stirs up intense loyalties in those who get bitten by the bug!

http://wheresmybackpack.com/2015/10/02/travel-theme-intense/

Story Songs

 The Prompt: What sort of music was played in your house when you were growing up and how has it influenced your life?

                                                                   Story Songs

The Andrews Sisters, Les Brown and his Band of Renown, Spike Jones.  These are the only records I can remember from my parents’ collection.  When I got older, I listened to my 4 years older sister’s records: Pat Boone, Elvis–jitterbug music. When I got to record collecting age it was the era of the sad story:  Johnny Get Angry, girls killed in car wrecks, My Boyfriend’s Back (and he’s comin’ after you-ooo.,) Red Roses for a Blue Lady. The songs were narrative and told pretty basic stories of love, death and teenage angst.

I think they did have an effect because I still want a song with a strong narrative.  For this reason I like the Avett Brothers, Gillian Welch, Brett Dinnen, Chris Smither, Joe Purdy, Townes Van Zandt, Rickie Lee Jones, Steve Earle, Tom Waits…oh, lots of others–who tell stories and interpret them in their own distinctive way.  I love harmony ala the Andrews Sisters–A modern equivalent is the Wailin’ Jennys. When I was small, in the days before TV, we had an big Victrola cabinet radio/record player that had a record changer so you could put a stack on.  I still associate those songs of the forties and fifties with my parents.

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Our living room with maroon rug, puce/maroon walls and chartreuse and maroon drapes.  The Victrola can be seen in the corner–an important piece of furniture when the only other entertainment was books or weekend movies in the theater on Main Street.  Those lamps are chartreuse as well, as are the planter and one of the candy dishes on the blonde coffee table.  I talked about this room during yesterday’s prompt, so if you haven’t read it, you may find it HERE.

Bleached Hibiscus: Cee’s Flower of the Day Challenge

Bleached Hibiscus

IMG_5477I can’t compete with that deep red, Cee, so I’m going in the opposite direction. Here is an hibiscus with the color drained out of it. I would love to have one that was really this color! (Or lack of color.)

I was given this flower today so want to share it. See:  http://ceenphotography.com/2015/10/07/flower-of-the-day-october-7-2015-hibiscus-for-judy/

Assembled Palm Fruiting Stem Flower: Cee’s Flower of the Day Challenge

Assembled Palm Fruiting Stem FlowerIMG_5500

Flower of the Day – October 6, 2015 – Autumn Mums

A House Divided

                     daily life color090 (1) This picture must have been taken very soon after we moved into the house because I was 10 months old when my mom and dad bought it and that’s about the age I look in this picture. I see the twin to the “piano bench” mentioned in this story sitting on the front porch and my dad has already seeded the lawn which appears to be growing.  Those boards were soon replaced by a thick layer of grass and a row of elm trees that grew up with me.

                                                            A House Divided

When I was ten months old, my father decided it was time to buy a house big enough for three girls and his wife. It wasn’t that he hadn’t offered my mother a nicer house long ago, but my mother had suggested he use the money to buy cattle instead, and it had been a good decision. By the time I was born, the ranch that my dad had begun when he purchased the 640 acre homestead of his parents had grown to over ten thousand acres. Some in town saw him as an opportunist, but as I see it, someone had to buy the land foreclosed on by the bank or given up on by men like his father who just did not have it in them to work the land and my father was a good guardian of the land and a generous benefactor to his town and church.

The house my father bought was a very large house owned by a man and wife who were horticulturists. My sister remembered a big room upstairs that looked like a laboratory but was actually a room used to grow plants. Since the house was both too big for his wallet and too big for one city lot, my dad, an enterprising man, actually bought half the house. My mother tells of seeing the men on the roof with saws, sawing it in half, then carpenters and plasterers sealing up the open walls on both houses.

She also tells of the perfect plastering on both the original walls and the new one—and after successfully moving the house the five miles into town on two flatbeds moving side by side down the night time highway, the shock of seeing the house slip off the jacks as they settled it on the foundation and hearing the plaster cracking and crumbling so that in the house I lived in, the surface of the walls was not exactly even—some seams jutting out a bit and not quite matched to the texture of the original plaster.

As a baby, I occupied the downstairs room that later became our dining room, but even after I was moved upstairs with the “big” girls at the age of 3, the place we ate 99 percent of the time was a sort of wide hallway between the living room and kitchen. We kids sat behind the table on what we called the piano bench, but it was actually one of the two bench-high dividers that separated the two parts of the living room. Wanting to create a more spacious feeling in the room, my mother had the two dividers removed so the living room became one giant room that extended across the entire front of the house.  On the left part of this room that you faced as you entered the house was an entire wall of bookshelves, filled with books and my mother’s salt-and-pepper shaker collection.

One of the lower shelves was stuffed bottom to top with comic books—a fact that made our house a favorite with Jimmy Kerlin, who would sneak in the front door and sit for hours on the floor, poring over Mighty Mouse and Superman, Little Lulu and Richie Rich comics. Our favorite family story was the about the time we got home from a day’s shopping expedition in Pierre—sixty miles away, to find Jimmy sitting on the floor in the corner, nose in the last of a long progression of comics he’d been reading all day long. Unbeknownst to us, he’d been sitting there reading when we left in the morning, locking all the doors to the house. He had remained happily reading all day long.

Whether his mother noticed his absence has gone unremembered in our version of the story, but may remain central in his family’s telling of it, although I believe that other than his younger brother Tommy, all members of that family known to me are now deceased.

A genre of comic books Jimmy might have found little interest in was not to be found on those shelves, for what we called “love comics” were forbidden by my mother. She had told Jack Mowell, who was the the local pharmacist/comic-book vendor, not to sell them to us, but we had an agreement with him. So long as they were buried in the stack and not on view on it’s top layer, he merely asked us “how many” without inspecting what exact comic books we bought.

At ten cents each, we usually bought them ten at a time, so quite a few love comics could be accumulated so long as one “Archie and Veronica” comic was positioned atop the stack. This portion of our library was kept at our friends’ houses or buried far beneath our beds or mattresses. By the time we were the least interested in this questionable reading material, our mother rarely ventured into our rooms since we were the ones responsible to keep them clean and orderly, to make our own beds, change our own sheets and carry our own washed and ironed clothes from the back porch washer/dryer/ironing room up the steep wooden stairs to our rooms.

I was only 10 months old when we moved from the east end of town to that big house on its near western edge. By the time I had an actual memory of that house, it had been much influenced by the taste of my 11 years older sister, who painted our upstairs bathroom chocolate brown and chartreuse and our living room different shades of maroon and puce to coordinate with my mother’s choice of living room drapes: maroon-ish sansevieria leaves on a chartreuse background.

The couch was a greyish-toned sectional that took up a good part of one half of the living room. In the room with it was a big blonde modern coffee table—unusual in its day and covered with a chartreuse planter and ashtray (even though no one in our house smoked) as well as current issues of Redbook, Ladies Home Journal and The Saturday Evening Post. On the other end of the room next to the fireplace, another long blonde coffee table next to my dad’s comfortably padded and uphostered rocking chair was covered by stacks of his reading material of choice: True West, Saga, Argosy, Grit, and the Mitchell Daily Republic newspaper.

In at least one of his magazines of choice, there was always a centerfold picture of scantily dressed or nude women—which furnished me with one of my first glimpses of the sexual nature of the world that I would have otherwise had no idea about. Certainly, the love comics were tame by comparison, and I’m surprised that my mother didn’t see fit to remove those portions of my father’s magazine library; but she never did and from a very early age, I was attracted to them like a magnet the minute no other member of the family was around.

It was a good house to grow up in. There were three rooms upstairs—one room each for each of us girls, once I was old enough to graduate from the downstairs nursery to the girls’ dormitory upstairs. I think we were the only house in town with three bathrooms—one upstairs for us girls, one downstairs for my parents and anyone present on the main floor of the house, and one in our largely unfinished basement—to be used either by whatever hired man might be living down there or whomever was in urgent need of a bathroom when the two others were filled.

Only our living room was carpeted––in a maroon tightly woven carpet. The floors of all of the other rooms, including all the bedrooms, were covered in linoleum, the colors and patterns of which each of us was able to choose for our own rooms. Mine was green with big leaves that coordinated well with the yellow walls and my ruffled white bedspread covered in big yellow flowers with green leaves. My sister Patti, 4 years older, chose a charcoal linoleum with pink and white and black flecks—dark pink walls and white painted furniture. My 11 year older sister Betty chose a green motif with green and white and black checked drapes and bedspread.

Thus, from a very early age, my mother encouraged our developing of an aesthetic unique to our personalities. To my knowledge, the ordinary was neither encouraged nor demonstrated in our family. In seeking to be different, my mother taught me that it was okay as well—and this has been a guiding principal in my life.

Thus it was that the house I grew up in—from its very inception by my father who, lacking the finances or terrain to buy an entire house, had the ingenuity to buy half of one––to my mother, who stepped outside the bonds of conventionality in her color and fabric choices as well as her taste in decorating elements­­––helped to form aspects of my personality that sent me out in life not seeking to meet the expectations of others but rather to follow my own impulses—to Australia, then Africa, California and Mexico. Not bad for a little girl from Murdo, South Dakota, population 700, on the wide empty plains of South Dakota.

The prompt: Our House––What are the earliest memories of the place you lived in as a child? Describe your house. What did it look like? How did it smell? What did it sound like? Was it quiet like a library, or full of the noise of life? Tell us all about it, in as much detail as you can recall.https://dailypost.wordpress.com/dp_prompt/our-house/

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Looking Glass Menagerie

I am trying to escape the menagerie—
all those selves I hold in front of me
as well as the ones I have let escape.
Those that run ahead—
the ones that are my future selves—
are here, hidden in the portrait that you see.
Domineering, perhaps. But seasoned with
an awareness of what might have created
all of the parts of myself I try to reign in.
This has produced a certain slowness to connect.
The natural is seasoned with a desire to honor dreams
of what I hope to be. When I look in the mirror,
I see them all: my mother and my grandmother
and my sisters. We demand, are stubborn.
Sometime we are martyrs, stifling tears.
Then suddenly, I pass them by like memories
of nightmares: all the anxiety attacks,
illnesses and heartbreak.
We are all wonderful performers,
using bad luck to fuel good.
The belles of our own ball,
we push back the grim news
of what we fear we really are.
Headstrong, we reach for what we can be.
Utterly addicted to change,
Tony or no Tony,
we are the stars of our own lives.

This is a poem I wrote a year and a half ago. (In response to The Daily Post’s writing prompt: “Mirror, Mirror, On the Wall.”)

Confetti Eggs: Cees “Compose Yourself” Challenge

Confetti Eggs
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If you are looking for color, Mexico has it no matter what your focal length is–from far and near. I couldn’t resist this pile of confetti eggs in the Ajijic plaza.  The idea is to break them over the head of a friend–not by throwing, but by getting him/her in closer focus and then crushing it over his/her head.  This creates a colorful friend and a big mess, so don’t try this at home, kids!

IMG_5265Part of focusing in is deciding what to focus in on from the larger scene.  Did I want the confetti to show?  Did I want the contrast of the eggs imprisoned in the plastic bag as opposed to those let free and then the futher freedom of the confetti that had already been released from its prison?

Version 2Or did I want to go with aesthetics over theme and just zoom in on the eggs and confetti alone?  We still have the theme of confinement vs. release, but just on two levels.  It did make for a more attractive photo without the bag, I think.

IMG_5266But if I came in closer and from a slightly different angle, might the bag work?  Not really, because now I’ve lost the confetti!

Version 3This was my final shot–in close so I lost most of everything but the eggs.  A bit of confetti showing, but losing the fluidity of the spill and pooling of the confetti.  Somehow, this shot seems too rigid.

All in all, although I usually prefer closeups, I think I like the third shot the best.  What do you think?  Any advice?

http://ceenphotography.com/2015/09/30/cees-compose-yourself-challenge-how-your-camera-is-not-like-your-eye/

Cee’s Oddball Challenge

                                                          Cee’s Oddball Challenge

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The first picture is the actual color of the wigs, but for some reason I prefer the second version, where I unsaturated the colors.

For more oddball color see:  http://ceenphotography.com/2015/10/04/cees-odd-ball-photo-challenge-2015-week-40/

Hibiscus: Faded Glory (Cee’s Flower of the Day, 10/5/15)

                                                Hibiscus: Faded Glory

Part of maintaining an interest in life is finding beauty in all of its stages–not just the budding and full bloom, but also in its slow relaxation towards the finish.
IMG_5851 IMG_5853The interior of this lush hibiscus, long past its prime, reminds me of a messy bed with it’s bent and tumbled stamens and pollen spilled out over rumpled and twisted sheets.  I can imagine the almost drunken pleasure of bees and other pollinators as they burrowed into the flower, creating this disorder!

http://ceenphotography.com/2015/10/05/flower-of-the-day-october-5-2015-small-daisy/