(Click on first photo to enlarge and view all.)
http://jennifernicholewells.com/2016/02/20/color-your-world-lavender/
http://jennifernicholewells.com/2016/02/20/color-your-world-lavender/
(Click on first photo to enlarge and view all.)
http://jennifernicholewells.com/2016/02/20/color-your-world-lavender/
http://jennifernicholewells.com/2016/02/20/color-your-world-lavender/
(Click on first picture to see enlargements of all three. You don’t want to miss out on any detail of Scrub Daddy!!!!)
(Axion is a gritty paste dish soap much used in Mexico. You can run water over it and the top layer softens and creates suds for the dishwashing water. The grit turns any sponge into a soft scrubber. The face and eyes help let the soapy water out and the sponge is the exact size of the container. Ahhhhhh. Keep your diamonds. Just send me another Scrub Daddy.)
Update 3-26-2016: Sadly, Scrub Daddy didn’t last long. Go HERE to read the latest.

In addition to being a fine writer, Denise Brown is an accomplished drummer and vocalist who plays several gigs weekly around La Manzanilla–most frequently at Palapa Joe’s. More information about her playing schedule is given after the poem.
La Manzanilla Tourist
…visitors are slightly different
How can you tell a tourist is aqui
Camera in hand bumping into me
Asking poor Lydia for plain white bread
Always looking up never ahead
Laying on the beach in all shades of red
Swimming in water most of us dread
How can you tell a tourist at the bar
Three margaritas goes way too far
You can’t drink like that in the heat of the day
They don’t like what they hear when they hear what I say
Come morning they rise looking so ghastly
Straight to the bano stepping so fastly
And out of the bathroom appearing quite ghostly
They say it’s the street food. I say it’s probably tequila (mostly.)
How can you tell a tourist is aqui
Just look around it’s no mystery.
Denise will play a final gig with Dave and Sally next Thursday, Feb. 25. She also plays there with the Lounge Lizards on Fridays and will play with Bindu Gross at artis gallery at an event that begins at 4pm on Feb 24.
Denise Brown
Lemony Snicket
(Click on first picture to enlarge and see gallery.)
http://jennifernicholewells.com/2016/02/19/color-your-world-laser-lemon/

(Abdominal areas in shadow appear much larger than they actually are. Really!)
Belly Talk
Stomach, darling, first of all I’d like to tell you how indispensable you are. Literally, you are irreplaceable in my life. Aside from digesting my food, you separate my waist from my chest and keep my belts from straying. You warn me about absolutely revolting subjects as well as food and are handy for nudging ahead in tight crowds.
That said, I need to bring up one large touchy matter. For all the good you do in this world, do you need to be quite so large? Lately, for instance, I’ve watched you extending your territory–venturing out into one plump donut extending around my back. This makes looking at my rear view in the mirror extremely distressing. “I never look at myself in back,” one friend told me years ago, but darling, that had been evident for years–testified to by the tight snarl of hair in the middle of her head.
But I digress. You’re awfully quiet. I’m a bit worried that I might have offended. But, the topic of magnitude of sound being brought up, I’ll continue. Were you aware that you have taken to communicating with me at inopportune times? A small growl after midnight to remind me of today’s brownies hiding in their microwave storage space safe from ants and marauding family members and friends? That’s fine…and probably the real reason you were given a voice in the first place. But that long low rumble increasing in volume in the middle of the significant pause in the dialogue of the movie playing in a hushed movie theater? Totally unacceptable. Other times your voice is uncalled for? At the dentist’s office and in the throes of a long passionate kiss. In teachers’ conferences and at ladies bridge afternoons. No. No. No. You are not invited in this capacity. Yes, digest the margarita, the popcorn or the rich dessert. Comment upon it? No.
That’s it, dear stomach. I appreciate you. I know you are vital to my health and happiness. You provide me with countless pleasures–those pleasures increasing with the years. But, sweet middle of mine, if you could see your way clear to not increasing at a rate commensurate with my pleasures, I would appreciate it very much. Oh. Talking again, I see. And probably not listening. Oh well. I hear your message loud and clear. A pint of triple chocolate extra fudge gelato in the freezer? Well, honey, this time you are speaking my language. No one is around. And it is totally acceptable!
The Prompt: Shape up or Ship out–Write a letter to the personality trait you like least, convincing it to shape up or ship out. Be as threatening, theatrical, or thoroughly charming as is necessary to get the job done.
https://dailypost.wordpress.com/prompts/shape-up-or-ship-out/

It suddenly occurred to me that I’ve been only taking photos of closed doors, but open doors and what they lead to is often more interesting than the door itself.
This statement by okcforgottenman written as a comment to this photograph is so true and so related to this photo that I must reproduce it here:
“I marvel at how Mexican businesses (and some homeowners) build doorways so differently from what I know in the U.S., where our doors are rigidly defined, narrow, and usually closed (even if they automatically open). There in Mexico, the doorways to the shops are usually wide enough to drive a car through, and they stay open, inviting, during business hours. They blur the distinction between being in the shop and being just outside. Viva Mexico!”
And, in case you are wondering what lies obscured by shadows in this photograph, here are two more views:

https://miscellaneousmusingsofamiddleagedmind.wordpress.com/2016/02/18/thursday-doors-february-18-2016/

With so few flowers to photograph here, I’m still relying on photos I took on Valentine’s day.
For more flowers, look here: http://ceenphotography.com/2016/02/18/flower-of-the-day-february-19-2016-daffs-and-tulips-in-my-backyard/
My Karma Ran Over My Dogma

This picture was taken two sunsets ago from the porch of the beach house I’ve rented in La Manzanilla, Mexico. Not a bit of color editing has been done.
She felt the small disk glance off the steering wheel and land on her lap as they jolted over the rutted dirt road. She picked it off her leg before it was jostled off and onto the gray carpet covered with dirt, gravel and slips of paper containing quickly-scribbled lines of inspiration for future poems. Quickly, she glanced at the words printed on its front. “My karma ran over my dogma.” What did it mean, this button she now stabbed back into the sun flap over the steering wheel of her dusty van?
She had thought it hilarious when she saw it pinned to the poetry sweater of the stranger at the reading at the L.A. coffee shop almost twenty years ago, and now here she was, driving eleven young men, one young woman and a puppet theater complete with sound system and fifty 3/4 scale puppets to a tiny village on the other side of the largest lake in Mexico.
This simple button had led her to this and now the man who wore it for every poetry reading they’d attended for 15 years was fulfilling his karma on another plane while she fulfilled her own in the life she’d planned out for him on this one. So had this entire adventure of living in Mexico simply not been part of his karma, or was karma such an intricate tapestry that it was impossible to untangle yours from that of those near and dear and even strangers met in passing?
Surely, the unbelievable interplay of serendipity was more than coincidence. Some force that is called karma by some, fate or synchronicity by others, and God, Allah or The Great Spirit by others, may be what determined who walked into your life; but it was up to you to decide whom you let walk away, whom you let stay, or whom you refused to let go.
“The school is here, Judy,” said Eduardo, as he pointed to a dull gray building much-enlivened by a huge mural no doubt painted by the students themselves. She pulled up in front of the school and Isidro, Jose Luis, Mario, Roberto and the other young men who formed the membership of the loosely-jointed cultural council of her own small pueblo started to assist the husband and wife team who constituted the entire backup cast of the puppet theater to unload their equipment. When their own truck had broken down enroute on the other side of the lake, villagers had told them to call the leader of this young band of artists, poets and dancers, and inevitably, she had been the one they called. How many times had she proven to be their backup player when plans, money or a vehicle had been needed to further their plans for the cultural enrichment of their small town?
Here in this life she had fashioned to be free of the regulation of a job, applications, shows, schedules, boards of directors, groups, clubs and all of the “have to’s” of her former life, she had not resisted the charms of synchronicity and so had allowed herself to be pulled into the slow current of life in Mexico that, although it was not free of obligation–to family, friends, community–was nonetheless contingent on another sort of energy not so dependent upon schedules or clocks or calendars. Here things happened because they happened and you were drawn into them because you were present or known or because you had been willing to be drawn in in the past and so were known to be someone open to chance and willing to play along in this great jigsaw puzzle known as Mexico.
She had planned it all out. Her husband, sixteen years older than she, was wearing out fast, she could see. They would move to Mexico to live simply so he could retire. They found the town, bought the house, sold most of their worldly goods and packed their van. It was only then that they’d received the results for his final checkup before they hit the road. Cancer. He’d lived three weeks. She dealt with what needed to be dealt with and hit the road for Mexico. Who knows, from day to day, whether we are part of someone else’s karma or whether they are part of ours?
The Prompt: Karma Chameleon–Reincarnation: do you believe in it?
Here is the challenge given by okcforgottenman. The three words he gave me are hubris, hat rack and unwieldy. The poem below is given in jpeg form because it is a shape poem and WordPress changes the shape to left justified in the Reader.
To see my other poems written for this prompt, go HERE.
Thanks, okcforgottenman, for the three-word prompt. To see okcforgottenman’s blog, go HERE.
The Prompt: Write a piece making use of an article, a noun and an adjective provided by one of your viewers.