Decided I’d get a bit more mileage out of my tropical coconut arrangement. Here is the flip side of the bouquet:

Decided I’d get a bit more mileage out of my tropical coconut arrangement. Here is the flip side of the bouquet:

Heliconia, ginger, baby’s breath and Lily in a coconut.
Luckily, the weekly flower vendor sets up shop in the street directly across from the street entrance to my beach rental. Friday, I took the coconut I’d bought from a beach vendor, minus its coconut water, to the flower vendor and chose flowers and greenery and arranged it on the spot. Today my neighbor contributed the lily to polish it off. After spending two days out on the porch to soak up the sea air, it is coming inside so I can soak up the sight of it.
The remains of the day. After the food was eaten, the wine drunk and the stories told.
I had a little dinner last night for three women who are in my writing group as well as their husbands, one of whom is also a writer. It was a magical evening, starting with a spectacular sunset I was too busy to photograph. We were on my back porch, which empties onto the sand. The ocean is less than twenty steps away, the sun dipping into it like a great teabag, staining a pathway through the rolling waves.
After dinner and a good deal of wine as well as wonderful conversation, including each of us telling the others what we had done to deserve being in this beautiful place with these people, I asked everyone to read a piece they’d written. My friend Linda Crosfield read this piece and gave me permission to share it with you. I’ll put the first five stanzas here, then give you a link to her blog where you can see the last five stanzas. Just scroll down through a few other poems on her blog and you’ll find it:
Ten Ways I’d Prefer Not to Die
i
Not for me Virginia’s stony stride
through sweet-sipped waters
meant to cool the brow
slake the thirst
streaming veil the cresting waves’
white dress—white death
ii
Not for me the sound of my own bones
crunched in some heedless mouth
wrapped ‘round my head.
Don’t care if it’s protecting young
or its next meal
let not that meal be me
iii
No fall from trees or towers
no plummet to the ground
my fifteen minute’s fame
reduced to a couple of lines
on page fourteen of some newspaper
no one reads any more
iv
No snow-swept hills
no avalanche for me
I carry no transceiver
v
No rattler will reduce my flesh to sponge
its spring-thaw poison coursing through my veins
the horror of the strike
making all that follows
the lesser nightmare
Now, to see the remaining 5 ways, go to Linda’s blog where you will see other wonderful poems she has written as well: http://purplemountainpoems.blogspot.mx/2012/11/poetry-as-conversation.html
My sister Betty, ages three to seventy three
She Always Sleeps with the Radio On
Each night,
as I negotiate
the squeaky stairs
from her attic guest room
down to the bathroom
one more time,
I hear the voices.
I imagine them as her companions,
drowning out night sounds,
freeing her mind from its hard task
of remembering.
Tonight, she sits on a lawn chair
on the grass. I sit on the front steps,
listening
to a friend on the
steps next to me, strumming, strumming,
as my sister and I sing along
in high school harmony.
The little girls across the street
are the first to come,
tiny lawn chairs in arms,
to plop themselves in front of us
for the concert.
As they settle, my sister says,
“Now, back to the music.”
Moments later, their mother follows,
bringing initial happy news
of their upcoming trip
to a lake where last year
a teenage girl had been abducted,
a segue to more disturbing news
of yesterday’s daylight intruder
flushed from a house a block away.
I’d noticed
the police car
circling, puzzled
by his vigilance as we walked
the neighborhood today.
I’d smiled at the man on the bike who didn’t look
a part of this neighborhood, wondering how he’d fare,
but now I feel the threat of him.
“House of the Rising Sun,” stops dog-walkers in their tracks
as the litle ones
sit on the sidewalk
stringing beads I brought,
capturing this night
to hang around their necks:
gray plastic elephants,
pink stars,
orange hearts,
green dolphins strung midleap
on sparkly purple cord.
This night strings us all together:
beads, words, music, the night sounds
of insects and frogs,
happy stories interspersed with fearful ones,
traffic from the busy street one block away.
Hungry mosquitoes,
gathering suddenly,
are what break us apart.
As we climb the stairs,
her door
next
to the only
bathroom
in the house
closes.
For the first time
in the week I’ve been here,
I hear no radio
on my nightlong explorations
down the stairs.
At ten o’clock, 1:30 and 3,
the hall outside her bedroom
stays silent,
this evening’s full company
flooding over into the night.
We have exhausted her mind, filled it, worn her out.
She stlll feels our presence.
Four a.m.
A creaking door, and once again,
silence becomes
a cup for her to fill.
Something is needed
to relieve worry—
to leave no room
for either remembering
or the lack of it.
I hear them then, insistent, down the stairs and in the hall.
Voices all night long.
](https://judydykstrabrown.com/wp-content/uploads/2018/02/screenshot-2018-2-9-5-8-magnitude-earthquake-near-san-patricio-jalisco-mexico-and-guadalajara-jalisco-mexico-february-0-1.png?w=625)
This morning when I got up at 6:30 to cook for tonight’s dinner guests before the day got too hot, I was 128 views from the 500,000 mark. Reading it instead at 28 views off the mark, I constructed a post that was a sort of countdown. Once posted, I noticed my mistake so took it down, thinking I’d post it again after 100 views. I went to buy flowers and shop for beer and other groceries and returned to find I’d passed the mark without notice, let alone fanfare. Nonetheless, it is nice to pass the half million mark. Believe me, I could have never predicted I’d be this dedicated to a blog when I started out four years ago plus. Thanks for helping me get this far.
jdbphoto
Deep Voice
The stranger on an airplane in the seat next to me
never said a single word, and so I let her be
until our arrival, when I prepared to stand
and she produced a paperback—put it in my hand.
“It’s time for you to read this,” she said, then went away.
I didn’t say a word to her. Didn’t know what to say.
That book, however, changed my life and attitude and choices—
encouraged me to listen close to interior voices.
Buscaglia, Jampolsky and all of Carl Jung’s books
drew my mind away from appearances and looks
and into that finer world of instinct and of mind;
then drew me westward to the sea and others of my kind.
After a writer’s function, a stranger sent to me
“The Process of Intuition,” which I read from A to Z.
I read it twenty times or so, then sent it to a friend.
Then bought up every copy left to give as gifts and lend.
I don’t remember talking to the one who sent it to me,
but if I need a proof of faith, I guess that this will do me.
For I believe there is some force that draws the next thing through me
and if I follow instincts that hint and prod and clue me,
they are the truths that guide me on the path towards the new me.
The signs are there in all our lives if we choose to see.
No, I don’t believe a God guides our destinies.
I don’t believe in lifelines or spirits within trees.
I don’t believe in any faith that has a name or church.
I do believe, however, that I’m guided in my search
by something that unites us and sets our pathways right
so long as we listen to our own interior sight
that urges us to follow the right side of our brain
even though those choices are logically inane.
I know that it takes many types of brains to run the world,
but for me it’s intuition that when carefully unfurled
guides me best—towards art and words and unplanned days and oceans
and prompts me make a Bible of what others may call notions.
And so to simplify I’d say that I must have faith in
that voice we’re all a part of that speaks to us from within.
If you haven’t already viewed it, Word Press would not let me link to their Weekly Photo site yesterday, so please view also: https://judydykstrabrown.com/2018/02/08/tending-house/
This is a rewrite of a post from four years ago. The prompt today was simplify.
I’m supposed to tell you what I like about the place where I live and to take you on a tour, so here goes. I’m surprised that this tour doesn’t contain more scenic and village shots, but time and again, the images I wanted to share were of activities, people, flowers, trees and animals. I don’t even have many shots of the scenic streets of Ajijic. Activities, the arrangement of objects, people and animals have always captured my interest more than places.
This is the town where I’ve lived for 16 years–the longest I’ve ever lived anywhere in my life since high school. I live a short ways out of the town of Ajijic in a hot springs area in the mountains. One hour from Guadalajara, we are one mile high, surrounded by mountains, looking down on the biggest lake in Mexico, Lake Chapala. It is a little Shangri-la. I shouldn’t be telling you about it! This is a self-guided tour. I hope you enjoy the images.
Click on the first photo to enlarge them all and to see as a slide series.
https://dailypost.wordpress.com/photo-challenges/tour-guide/
https://dailypost.wordpress.com/photo-challenges/tour-guide/
All photos may be enlarged by clicking on any photo.
Bittersweet endings to bittersweet days.
Every emotion is only a phase.
For the Color Your World Challenge:Bittersweet– Jan 7, 2018.
My sister and I at a park near my grandma’s house in Kansas on a merry-go-round similar to the one in the school playground across from our house in South Dakota.
Merry-Go-Round
Their creaks were my alarm that kids were on the elementary school playground across the street and if my biggest sister was downstairs or away from home or even sleeping as soundly as she always did after coming home late the night before, I’d sneak into her room to look out onto the playground from above and see who was there. I knew the difference in the sound between the merry-go-round and each set of swings—the little swings next to the little slide, or one of the three big sets directly across from the block my house was on. Higher, with longer and more flexible chains, these swings could be made to loop de loop—pass up so high that you actually went over the top of the frame the swings were suspended from and wound the chain once around the pipe.
Some of the boys could repeat this three or four times until the swing got so high that none of the little kids could get up to it. Then the janitors would have to get their tallest ladder and go up to push the seat over and over the cross pole with one of their big push brooms to straighten it out again and bring the seat down closer to earth.
There were rules forbidding loop de looping, but the boys would come after school when all the teachers had gone home and even our janitors, Mr. and Mrs. Polachek, who lived kitty-corner across from the south end of the playground, were at home in their backroom away from the sounds of kids they had to deal with every day.
The creak I was listening for was the creak of the merry-go-round. Teepee shaped, it had a wooden runner all the way around it a foot up from the ground. There was a handrail about thirty inches above it, so you could stand on the wooden runner, facing the center pole, hold onto the hand rail and enjoy the ride as the big kids ran around in circles around the merry-go-round, pulling it with them to go faster and faster, then stood on four sides of it, grabbing the handrail pipe and pushing it off to make it go faster still. One by one, more onlookers would enroll in the joint effort to get it going fast enough. Then they’d jump on and everyone would pump up and down, sticking their bottoms out into space as they bent their knees to keep up the momentum.
There were other ways to use the Merry-go-round. The bigger girls like Marie Holstedt who lived on the street that faced the opposite side of the playground from the one my house faced, would sit on the foot board with her boyfriend Robert. Their feet side by side on the ground, they would sway to and fro in a kind of two-step movement—two to the right, then one to the left––their knees touching with their swing to the right, their hips touching when they swung to the left. When they did this, the sound of the merry-go-round reminded me of the strange rhythmic creaking I’d hear sometimes late at night in my house.
It was probably the TV antenna on the roof, my mother had said. Or maybe the furnace trying to pump out heat, she had speculated when I pointed out that it had been a windless night.
Life was simple and I believed her. Only now do I make sense of it and of my father’s late night short trips down the hall to the bathroom—the washcloth always draped over the tub faucet the next morning.
It was an innocent age where it was entirely possible to be eleven years old and to never have had the least idea that anything like sex existed in the world. Yet a good deal of what eventually led up to it went on in the playground across from my house. Older girls would sit in the swings, swaying back and forth without ever taking their feet from the ground. Or, take fast running steps forward and backward without really letting go and allowing the lift off. To their side or in front of them would be their crush of the day or the week or the hour. If he was not the boy of choice, sometimes the girls would switch swings. If the boy switched again, too, and the other boy let him, then it was a sign language of sorts that indicated which boy favored which girl, and if the girls went home, a clear message that things had not matched up correctly to their satisfaction.
But at other times—usually during games of ditch ‘em played in the twilight and darkness of summer—courtships could progress toward hunkering down in the ditches around the playground, close up to some culvert where the ditches were their deepest, the girl in front, the boy with his arms around her waist, holding her back from running to try to get to home base when one of the littler kids who was “it” ran past without seeing them. In these junior high years just past childhood, the objects of the games started to shift until finally in high school, the rituals of the old games were left behind entirely and ditch ‘em became merely a starting place––as did the swinging back and forth, the pumping, the dance.
Today, with merry-go-rounds a thing of the past, they are still an appropriate metaphor for what life pushes us toward from our birth. It begins with our rocking in the arms of our mothers, the rocking chairs of our grandmothers, the wild swings through the air locked hand-to-hand with our fathers. It is what slippery slides and swings and merry-go-rounds and dancing move us towards. Everything going around and around and in doing so really going back and forth from generation to generation. Passing the world on and fading away. Now and then doing a loop de loop just because we can.
This is a rewrite of a piece from three years ago. The prompt today is enroll.