Monthly Archives: June 2021

The Doggone Doggie Blues: dVerse Poets


The Doggone Doggie Blues

The naughty dogs who leave their marks when jumping up on me.
The naughty bruises that remain, spreading their stains on me.
I cannot stop this rudeness. I cannot find the means.
I cannot stop their tugging at my blouse sleeves and my jeans.

Unruly little denizens of my humble home,
they range wherever they may choose on terrace and on dome.
They jump up in the hammock when I choose to swing.
They jump up on my visitors to see what they might bring.

They dig into my planters and eat the tasty loam.
They even dig into my sleep to bring their mother home
from dreams where she evades them, living her own life
away from doggie pressures, away from doggie strife.

What pleasures might she find anew living all alone?
What pleasures might they miss for which her conscience would atone?
All in all, they make up for the problems that they bring.
All in all, their lonesome howls to sirens are the thing
that swell her heart and make her want to join along and sing.

I wrote this for the dVerse poets Anaphora/Epiphora prompt, but unfortunately missed the deadline. Been there before, will be there again, no doubt. At any rate, here it is for the world at large!

But, just had a brainstorm and posted it on the dVerse Poets Open Link Night, where we can post any poem on any topic. Tardy but still within the law!. Here is a link to others who published poems for Open Link Night.

Act Three

Act Three

The echo of your footsteps as you trod across my mind
creates anticipation of a nostalgic kind.

You elevate my consciousness as you were wont to do

and so in time I manifest the whole grand rest of you.

You’ve been a silent tenant for so many years
that this surprise appearance prompts again those  tears

I thought had been dried up in me when you had to go
to that place where you were drawn by the undertow.

For only a brief moment, we are as we have been, 
’til with a click of memory, I banish you again.

You slip back into shadow in the attic of my mind,
where both of us lie tangled, hopelessly entwined.

I come back to the present while you’re banished to the past,
once again resuming the roles in which we’re cast.

You imprisoned in act two, caught eternally
while I assume a solo role, living out act three.

Prompt words today are elevate, echo, click, tenant and cross.

Butterfly on Bougainvillea

 

For Cee’s FOTD

Bad Ending, Sweet Beginning


Bad Ending, Sweet Beginning

In the graveyard of my memory, an adventure stirs.
First it circles like a cat, then settles down and purrs.
The message that it imparts via magical vibrations
reminds me of adventure and of youthful excitations.

No rigmarole of gossip. No conspicuous inflection.
No past welling up sickeningly like some dormant infection.
Fear fades into shadow and romance swirls into view.
And I suddenly remember what attracted me to you.

 

 

 

Prompts for today are rigmarole, conspicuous, adventure, impart and graveyard. Second image from Unsplash.

Plumeria: FOTD June 6, 2021

 

For Cee’s FOTD

Moon in Flux

These are 20 different photos of the full moon taken within a period of a few minutes from my backyard. The only editing tools I used were cropping, light adjustment, color, saturation, and sharpen—all aspects of the Photos Application on my Mac. You’ll get a much better image of each photo if you click on them. The two photos that show two moon are photos of the moon and its reflection in my pool. They are shown in the order in which I took them.

 

 

 

The Green Chair

I love this green chair spotted at Pasta Trenta, a local Italian restaurant, and I had to take a break from festivities celebrating my friend Gloria’s 88th birthday to photograph it. I should have seated her on it, like a queen on her throne, but that would have caused too long a break in the celebration.

For the Pull up a Seat Challenge

Up Close and Personal, Hibiscus: FOTD, June 5, 2021

 

For Cee’s Flower of the Day Challenge

Grandma’s Treasures

Grandma’s Treasures

Once full of chickens, by the time I was old enough to remember, the old shed located just outside my grandma’s back door had started to fill up with other things instead. Now that I am nearly the age she was when I was born and now that the old shed and her house have been long-razed and buried, I have questions about how she managed to acquire the clutter as she was already too old to drive, if she had ever driven anything more modern than a horse and buggy.

Perhaps once even chickens were too much of an endeavor for a woman in her eighties and nineties, she had started to shift items from the big barn that stood in the near distance down a long cement sidewalk to the smaller shed: wheelless bicycles and tricycles, old buckets with holes in the bottom, assorted broken chairs and small tables and an ancient treadle sewing machine. There was nothing atmospheric about the arrangement of her collection. The paper sacks and boxes full of old clothes stacked on the chairs and tables were no doubt collected with the intent of cutting them apart to make quilts or shredding them to create rag rugs, but nibbled openings in the tops and sides of the bags as well as tiny pellets covering the floor around them attested to their colonization by field mice and perhaps rats, which probably explains why the barn cats had also moved into the old shed.

I could not imagine her dragging home the objects that filled the chicken coop. Her own children had been raised on the prairie far from town and paved city sidewalks, long before tricycles of the variety found in her shed had even been produced, and the rusted-silent sewing machine was more or less the same variety as the one she still used that sat piled with projects in her “spare” bedroom opposite the heavy hatch in the floor that, once opened by lifting it’s huge iron ring, revealed wooden stairs that let down to her dirt-floored basement room that contained the rest of her treasures: shelves floor-to-ceiling that contained home-canned food that had gone uneaten after her husband had died and my mother had started providing her with her meals, driving them down to grandma’s house herself before delegating the job to each of us three girls as we grew old enough to drive.

Dependent on others to ferry her back and forth to the few places she still went: church, Sanderson’s store and occasional family dinners at our house or my Aunt Stella’s, I know that  she was also given to roaming on her own and the remaining canning jars in her basement not filled with expired food attested to this. They were filled with clutter aplenty of a smaller variety that she collected in her pockets on her walks around the neighborhood: Crackerjack prizes,  shards of colored glass, bits of string and pretty rocks and other small treasures abandoned by children: rubber jacks balls, severed limbs of dolls, escaped marbles, rusted tin soldiers. All joined  communities of things in the old canning jars that had gone long unused for the purpose for which they were intended.

When she died, all of those objects found graves of their own as the house was razed and covered over to prepare the land for the construction of the new hospital, providing, perhaps, an interesting study for some future archeological study of life in the twentieth century, her accumulation of various objects creating a treasure trove some future civilization will value as much as she did.

Prompts today are the old shed, clutter, atmospheric, aplenty and questions. I cheated a bit on this illustration, as this is actually me with my other grandma, my mom’s mother, rather than my dad’s mother, about whom this essay was written. Since I’ve published photos of my Grandma Dykstra in the past, I decided to seize this opportunity to publish a photo of my other grandma, who died soon after this photo was taken. 

Junkyard

Junkyard

It is a graveyard for lost toys
abandoned by their girls and boys—
objects of fun once ordinary,
spurned by children who are wary
of things on which to soar and slide,
of toys that draw a kid outside.

Once solely meant for entertainment,
they’re now fenced in for their containment
away from children set aside,
away from things to climb or ride
with other kids bare-faced, unmasked.
Now all are differently tasked.

Now housebound children stare at screens
or sit leafing through magazines.
Monkey bars, it is official,
turned into things more beneficial:
fences, barricades or bars
marking parking spots for cars.

But teeter-totters, slides and swings—
a community of cast-off things—
lie here abandoned in a place
that’s never seen a child’s face.
It is a junkyard overgrown
of pleasures that now go unknown.

The raucous crew for which they’re cast
has become a memory of the past.
Hordes of kids on jungle gyms
pursuing their communal whims
are things that they barely remember.
Leaf piles jumped on in September

neatly raked up in their heaps
are safe from children’s messy leaps.
Every child kept in their room,
the world outside would seal their doom.
So, junkyards filled with these diversions
are museums for today’s aversions.

One by one, the kids grow older
never getting one bit bolder.
Contained inside their separate lives,
Single cells replace their hives.
While hidden from this lonely crew
are all the things we used to do.

Remember when the school bell rang?

Kit and caboodle, the whole gang
would rush to see who got the swings.
What nostalgia their memory brings.
I remember them so well,
but especially the carousel.

Prompts for today are carousel, kit, ordinary, solely and community.