Author Archives: lifelessons

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About lifelessons

My blog, which started out to be about overcoming grief, quickly grew into a blog about celebrating life. I post daily: poems, photographs, essays or stories. I've lived in countries all around the globe but have finally come to rest in Mexico, where I've lived since 2001. My books may be found on Amazon in Kindle and print format, my art in local Ajijic galleries. Hope to see you at my blog.

Portrait of the Artist

My husband was an artist and so it seemed fitting to write a profile/portrait of him that described him primarily in terms of color.

Portrait of the Artist

The artist in you
understood color so well.
And yet, even as you layered on
red and green,
so much of you was blue.

Your white hair,
loosened from the pony tail

and streaming down your back
in your wild man look,
prompted strangers to ask
if you were a shaman,
or declare you to be one.

But there was
that black in you
that altered it,
that shade created
by the blend
of white and black
you knew so well.

The red that flamed out from your work,
subtly put there even in places
where it had no logical purpose for being,

that red tried to make things right.

Yet all of us
who knew you well

knew the blue.
It was the background color
of all of your days.

It was the blanket
in which we wrapped
ourselves
at night,

trying to be close,
but so often
divided

by it.

For fifteen years, I tried
to paint you yellow.
There were splashes of it, surely,

throughout our lives together.
You on the stage, reading your heart,
me in the audience, recognizing
all the colors caught within you.

Finding the pictures you had taken of me
studying your work at the art show,

those pictures you had snapped surreptitiously
even before we  met,

I discovered, after your passing,
that you had recognized
me even then, when I thought
I was the only one
angling for a meeting—
sure of my need to know
those secret parts of you

that I will never know
now that you have given yourself
to whatever color your ever-after
has delivered you to.

A new life later,
I am suffused
by my own canvas
of memories of you—
every other pigment
splashed against
a vivid background
of yellow.

 

The dVerse Poetics prompt is to create a profile or self-profile in verse. Go HERE to read additional poems written to this prompt by others.

Gull Plus: Bird of the Day, Oct 8, 2019

I still can’t figure out what this is sticking out of the top of this gull’s head. It looked like a toothpick or a porcupine quill. Or perhaps the big spine from a cactus. I guess I should try to fabricate a story about how it got there.gull

For Granny’s Bird of the Day prompt

Circle, Arches and Curves

Click on any photo to enlarge all.

For Cee’s Circles, Curves and Arches prompt.

Before it’s Too Late

Photo by David Everett Strickler on unsplash, Used with permission.

Before it’s Too Late

We could use a sentient being in the White House about now.
Surely his staunchest backers must be wondering how
they can save face. How can they be suffering no qualms?
You can tell them by their panicked looks and their sweating palms.
How can they stand behind him? How can they fail to see
how he’s cast our ship of state into a stormy sea?
Already, they’re too slow to recognize the fact that they 
jeopardize our country. Their fealty just may
bring about our final fall. This game that he’s been playing at,
remember, when he’s gone, is still the world that we’ll be staying at.
Judges, remove your blinders. Senators, seize the rein.
Acknowledge that our captain has slowly gone insane.
It’s not too late for action, but if we do not act,
we’ll go the way of other fallen empires. That’s a fact! 

 

Prompts today are slow, cast, qualm, sentience and sea.

Tin Man Redux

The photo prompt above is from Mircealanc at Pixabay.com, a photo prompt published by Fandango

The Tin Man Talks to His Creator

I’m just a “thing” made out of metal,
stovepipe legs, my head a kettle.
When it rains, I rust apart
and so expose my lack of heart.
It is no mystery, no riddle
that I’m empty in the middle.
Some say a heart is of no use.
It is a trap. It is a noose.
It is an organ of abuse,
at best of times, merely a truce
in the battle of the sexes
between them and all their exes.
They say, “When born without a heart,
there’s nothing there to tear apart!”

Yet still I feel that all that pain
would not, could not, be in vain.
I’d bear the sadness for the start
of love that I’d feel with a heart.
And so, I pine and wish and stew
that I might be born anew
with a beating corazon
so I’d not feel so alone,
and though I would be made of tin,
that living heart that pulsed within
would let me feel at last what they
take for granted every day.
What care I that I fall to dust
if I could love before I rust?

Once more, I pray to my creator,
to that great procrastinator.
I ask again to have a heart—
what I’ve asked for from the start.
I say, “The pain, without a doubt,
can’t be worse than going without.”
Then that Great Tinsmith in the sky
looks me firmly in the eye
so the truth I cannot miss
as he gently tells me this:
“A heart’s not something I can bestow.
It is a thing you have to grow.”

For Fandango’s Flash Fiction prompt.

Hibiscus: FOTD Oct 7, 2019

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One to six of these newly bloomed ladies greet me every day as I leave my kitchen door on the way to the garage. Who needs a florist?

For Cee’s FOTD

Haven

Haven

I am so small, the world so big.
This corner built just right for hiding in.
Dark under the stairs and handy
for listening for danger’s footsteps
lest they come for me.

I have gotten so much done on “the” book today that I’m cheating and just doing this one tiny prompt. Just 32 words? Can’t hurt…

For Weekend Writing Prompt #126, we are to write on the subject of “Haven” using only 32 words.

Advice to a Poetry Critic

I wrote this for the figurative language prompt but missed the deadline for posting it by 30 minutes, so here it is in all its tardy glory!!!

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Advice to a Poetry Critic

Each poet worth her salt adores
well-appointed metaphors,
but when they step up to the mike,
similes they only like.
Before you discuss simile
consult an expert vis a vis
the difference between the two
so you will never have to rue
mislabeling your imagery.
Hyperbole is not allusion,
so don’t add to the confusion.
Synecdoche to oxymoron––
as you choose what to write more on––
get their names right for your reader.
There’s more to poems than rhyme and meter!

for dVerse Poets Open Link .

When Seafolk Get Together

I know I’m not supposed to be posting anything, but my friend Leslie sent me this email and of course it inspired a poem. Here is the list of collective nouns for ocean animals that she sent me.

Did you know….

It’s a smack of jellyfish
A shiver of sharks
A battery of barracudas
A romp of otters
A consortium of crabs
An audience of squid and
A fever of stingrays

 (Thanks @oceana for the valuable ocean info.)

This is what resulted!

 

When Seafolk Get Together

I’d like to smack that jellyfish for oozing here and there,
sticking to my elbows and globbing up my hair.
If I had known its tendency to stick right to my belly,
I would have brought some peanut butter to go with my jelly.

Sharks always make me shiver. You can’t tell where they are.
They might be nearly anywhere—swimming near or far.
The Chinese love their shark fin soup. They love its taste and crunch,
and sharks return the favor by having us for lunch.

Who knew a barracuda could navigate on land
and survive on highways as well as sea and sand?
All they need is batteries (the Plymouth folks discovered)
to become amphibious—both land and water covered.

If we made boots in their sizes, I know otters would stomp,
but since they must go barefoot, instead they dive and romp.
They open up their oysters by lying on their backs,
putting rocks on tummies and giving them great smacks.

A consortium of crabs can be an itchy deal.
Not the sort of gathering that one wants to feel.
Perhaps out on the beach it’s easier to bear,
but crabs should never gather in anybody’s hair!

Squid make a perfect audience. They do not mock or sneer.
They have eight hands to clap with, although they cannot cheer.
If you sit behind them, how fortunate for you,
for they wear no hats or hairdos to obstruct your view.

That guy there in that Stingray is a speeder and a weaver.
I think that you could say that he must have racing fever.
If he were a fish, it would be fine to go ballistic.
On land, alas, he’s just a fatality statistic.

Appetite

 

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Appetite

My appetite pulls in redwoods,
pulls in their yellowed needles and their green needles,
pulls in the squirrels that run their branches like freeways,
pulls in the forester who marks the tree:
his flannel arm, his tattooed bicep, the hairs of his armpits.
Pulls in the tuna and Swiss sandwich he had for lunch,
pulls in the sweat of his back, pulls in his paycheck and his boot laces.

My appetite swells along the ground beneath his feet,
pulls in the spoor of the cougar who lives in our ravine,
pulls in the rotting carcass of the timber rattler with its two remaining rattles,
pulls in the boulders tumbling down the sand bank by the road,
disturbed by the horse trailers and the lumber truck.

My appetite devours the lumber truck, devours the boulders and the road,
rolls like an avalanche toward the one-lane bridge.
My appetite spits out the bridge and drinks the creek,
swims up river leaving mud and boulders, only, in its wake.
Mud and swamp grass and abandoned tires,
Coke cans, cigarette wrappings, one black sneaker,
one kidnapped pink flamingo half buried in the mud.

My appetite flows into town.
Its stomach rumbles as it flows on past the lumber yard, past The Brewery,
clambers up the spillway, ducks its head under the bridge.
Kneels underneath the bridge like a troll,
puts one arm up to catch the Round Table Pizza delivery jeep,
spits out the delivery boy, spits out the anchovies.
My appetite floats upstream on the fuel from the pizzas,
stretches out one long elastic arm to Coffeetopia
to filch one extra-large zabaglione gelato,
a double latte, a half dozen biscotti and a lemon scone.
Then my appetite floats back downstream again,
catches hold on the bank behind The Brewery,
pulls itself up to the road streaming water, mud,
the paper gelato cup, the plastic spoon,
streaming scone crumbs and most of the now-soggy biscotti,
leaves them like footprints as it clambers up the street.

My appetite makes a left turn into The Brewery,
makes a detour around the menu board
and the notices for tonight’s open poetry reading.
Then my appetite puts on a coat of civility, puts on a shroud of sociability.
My appetite shrinks to the size of a chair, pulls up the chair and sits on it.

I watch other appetites roll down from cars, shrink down the street,
negotiate our same corners, and fold into empty chairs
until we have four tables pulled together–
twelve chairs supporting twelve compacted, contained,
skin and bone-packaged human appetites.

Our tongues hide in their caves like eels.
Our hungers rumble in our stomachs like bean casseroles.
Our colossal capacities squeeze inside our skins like boils about to burst.
On the stage, the microphone stands on the lectern
like a needle set to lance our boils.

Our appetites make do with food and tea and coffee,
onion rings and Chinese chicken salads.
Our appetites pretend that this is what they’re here for.
Then my appetite waits for other appetites,
as one by one they ascend the stage.
My appetite waits for its turn,
then climbs up on the stage,
rolls one edge over onto the microphone to pop its skin,
and then my appetite squirts out in one fine stream–
like milk from a nipple, water from a water gun.
Like water through a dike that a boy’s finger has been pulled from.
My appetite turned brown from the churning of river water, latte,
zabaglione, rattlesnakes and gray squirrels.
The red of blood,
the yellow of the redwood pollen,
anise seeds ground down to dust, turn brown.
My appetite thrusts out in its fine liquid stream,
but tries to isolate from this brown river the colors that went into it:
red apple,
the fine parchment and black mosaic of the timber rattler,
the soft pink of the neighbor’s tongue who told of it, coiled, on her deck.
Cold dull metal of the shovel that she swung down on it.
Seven silver swings of the shovel blade
coming up pink,
then red
with the skin of rattler clinging to it.

My appetites refined again into their separate elements:
one anise seed,
one petal of a swamp grass blossom,
one molecule of river boulder,
one hair of the squirrel that bit my sister.
One grain of redwood pollen,
one eyeball of anchovy,
the dust of the road,
the bend of the creek,
a single vowel from the word
that names the bend of the creek.
The space in the vowel from the bend of the creek.
The dream that dreams
in the space in the vowel
from the bend of the creek.
The appetite that swells the dream
that lies cradled
in the space in the vowel
from the word that names
the bend in the creek.
The appetite that brings us here.
The appetite we wrap our skin around like clothes.
The appetite that drives us
and that we run from
and run to.
The appetite we push down
but which squeezes out around us
in spite of our best efforts.
The appetite we sense in each other
and hear from each other
and force into and out of our conversations.
The appetite that lies waiting for us
behind the cold glass windows of stores,
the appetite that coils in cooking pots
and curls out in the steam from cooking pots.
The appetite of the Barbie Doll
and the erector set
and the jigsaw puzzle
and the bouncing ball of the jacks game.
The appetite that sits under the Christmas tree
wrapped up in green paper and red ribbon.
The appetite that hides in our typewriter keys
and in the tips of the fingers that tap them.
The appetite that lies dormant in our gonads,
that jumps in our semen,
that sleeps in an egg.
The appetite that kinks out from the curling iron
and chews itself from the tips of our fingernails
and spins itself from our feet
during a jungle rhythm
or a southern reel.
The appetite that pipes from the end of a flute
and shakes off the edges of a tambourine.
The appetite that is sealed in a tube of paint,
carried by a brush to the canvas
where it dances its own dance.
The appetite that vibrates in a vocal cord,
trembles on the fingers of a lover,
swims on the tongue of a nursing infant,
catapults off the slingshot of a seven-year-old boy.

Our appetites lined up on our paper
where we have assembled them in unaccustomed order.
Our appetites better brought to the stage in a brown paper bag,
jumbled like penny candies,
or tumbled over each other like a junk drawer.

Appetites that can never be catalogued
or collected in their entirety.
Appetites that can never fully be defined
or neatly wrapped up in a moral
or a surprise ending.
Appetites that can never be satisfied.
Because our appetites want everything,
and gaining everything, reach out for more.

 

for dVerse Poets Pub:Looking for Sustenance

to read other poems on this prompt, go HERE.