Category Archives: Art

Some Sacred Spaces

I asked women about their favorite places.  These Story Boxes are a reflection of what they told me.  Unfortunately, I forgot to take a picture of my favorite before i sold it.  It was The Artist’s Studio.  These Boxes are all 11.5″ X 8″.

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The Beauty Shop

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The Souvenir Shop

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The Kitchen

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Center Stage

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The Parlor: A chest of memories substitutes for life: a wedding veil, old love letters, pictures and a solitary bottle of champagne furnish her Saturday night company.

 

https://dailypost.wordpress.com/dp_prompt/from-the-collection-of-the-artist/

Images for Night Gallery

Night Gallery Images

I didn’t have time to publish images to go with my poem “Night Gallery” a few days ago, so I’m publishing them today.  If you want to see the poem these images go with, you can find it  HERE

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Night Gallery

Night Gallery

They surround me, wall by wall,
so many I can’t name them all.
Paintings of people, things or beasts–
my eyes devour this visual feast.
I sleep beneath each rendered ghost,
the lives of painters caught in most.

A shapely leg with heel inclined–
the painter lying full-reclined
watching his cousin’s shapely wife
reach in the kitchen for a knife.
His teenage mind caught fast in love,
touches the leg and what’s above.

To its side, a fish is rendered.
Its face is human, vaguely gendered.
Does it think or does it dream
as it floats at rest in a somber stream?
The colors muted, it seems at peace.
As though from the world it seeks surcease.

More fish in a smaller frame
float in water that’s not the same.
There’s movement here. The head of one
floats bodyless beneath the sun
of inspiration far above.
Does it dream of art or dream of love?

Farther right, the queen of all.
A stately woman, four feet tall
with birds on shoulders, palms and head,
she’s stood for years above my bed
reminding me that I am free
to be whatever I want to be.

To her right, a tall bookcase
holds ones I love, face after face.
And to its right, a rabbit–eyes
wide open furnish a disguise
for those for whom it is the task
to sleep behind a wooden mask.

Beneath the rabbit, a monkey sits
in landscape full of fruit and pits.
Prosperity and monkeyshine
perhaps leak in as I recline
just feet from totems such as these
to take my nightly dose of ease.

Beneath these animals again
a wide-eyed fish comes swimming in.
Its face is staring nose-to-nose
at a man with eyes closed in repose.
Just the head of man and fish.
I wonder which is dreaming which?

An angel and ex votos four
hang beside my closet door.
One in wood, the others tin,
they simply fill the spare space in.
I keep them there behind my back.
Perhaps they fill in what I lack.

How strange as I’ve said what I see,
I’ve missed the art in front of me.
The Huichole piece painted with thread
with angels floating overhead.
A deer head peering down into
a cauldron of peyote stew.

A bird and man pinned to the wall
to the right, far over all.
Beneath, a woman hung by her heart,
reveals where I both end and start.
It is a sculpture made by me
addressing creativity.

Just one more wall I’ve saved till last–
the hardest one to try to cast
my mind against, for it is hung
with fifteen pieces so far unsung.
But time, I know, is running out.
You’ve other things to read, no doubt,

and yet I simply can’t resist
mentioning them in a list.
Two nudes, a Huichole painting and
ten retablos made by my hand.
An etching plate, painted and framed,
a Victorian child, unknown, unnamed.

These are the walls I’m centered by
as nightly in my bed I lie
and in the morning as I write,
they watch in horror or delight
as my word portraits are unfurled
to grace the walls of a wider world.

You can view images to go with this poem HERE

Note: I’ve actually written today to an earlier prompt Wall to Wall that asked that we write about what is on the walls of our houses and what it reveals about us.  One friend joked that this could keep me busy for years!  I was at the San Miguel Writers’ Conference at the time and hadn’t time to write about anything, let alone a whole house filled with paintings and art and since I woke up before today’s prompt was posted, I decided to fill in the time writing about the earlier prompt. Three hours later, I’ve only finished the task as it describes my bedroom walls, so perhaps I’ll continue at a later date, perhaps not.  I still have today’s prompt to write about, but first…I’ll post this.

The Sticky Fingers of Things

The Sticky Fingers of Things

Over the past year, I have started to feel so encumbered by things that I feel like they are choking me.  Even my art-filled and carefully arranged house, which I love, has started to make me feel like I’m trapped in one of my own collages.

I once wrote that I like to do assemblage because it is an arrangement that is glued down so other people can’t rearrange it, but recently I’ve begun to feel like one of those objects.  I just can’t get myself unpinned from my present life.  It is not that there is anything terribly wrong about it.  Just that I no longer have a feeling of freedom..

Recently, I was asked what I would save if my house were on fire and I could only save five things.  My answer would be an album of childhood pictures, an album of pictures from Africa and Australia, my computer and two backup drives.  Then I’d put them in storage, buy a new computer and go on another trip around the world with no planned itinerary and no planned start or stop dates.

Why can’t I do this on my own?  Who knows why we let ourselves be controlled by things? Maybe it is because we know we can’t take them with us and so we strive to get as much pleasure out of them as possible while we can.  Perhaps it is because we fear that without things, we ourselves are nothing.  Perhaps it is because we cannot see that the beauty is within ourselves.  Perhaps it is because we fear that others give us value simply because of the things around us.

I once heard my eleven-year-older sister tell someone that she liked to visit her younger sisters because they both had such interesting lives and friends.  I felt so sad that she hadn’t said that she loved to visit me because I, myself, was interesting and loved.  I think this has influenced my feeling for her ever since.

My sister is now in the stages of dementia where pretty much everything has been taken from her.  She no longer knows what most common objects are for, but my niece recently told me that she had been given a life-sized baby doll that she holds and rocks and talks to and that the other day she called it Judy. I guess she waited too long to express any feelings of love she might have felt for me. Now, she is seemingly expressing that love toward an object when all these years she could have been expressing it to the person who could have returned it.  Is this what I’m doing by refusing to surrender the objects that fill my life?  Maybe it is time to find out.

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The Prompt:  What five objects would you \save from your burning house?

RESOLUTION

The Prompt: To Be Resolved—We’re entering the final days of 2014 — how did you do on your New Year’s resolutions these past 11.75 months? Is there any leftover item to be carried over to 2015?

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Resolution

It isn’t my fault that my storybook’s still
thirty-two pages piled in a hill
next to the scanner on my kitchen table.
I’ll get it formatted when I am able.
Right after I glue all this beach stuff together—
each seashell and heart stone and pelican feather—
to make a Yule tree, then to make a Yule altar.
For weeks I’ve worked on them. Never did I falter.

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Then I had beach walks to do, daily swims,
tequila to drink as the sun slowly dims.
Everyone gathered to put down the day
and bring on the night time. What more can I say?

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A Saturday writing group, dinner with friends.
Of new obligations, the list never ends.
Now it’s two days till Christmas with parties to go to.
And a party to give that no one has said no to.

And so I’m not sure how many will come
I said “bring your friends” which I fear was most dumb.
It seems that I really don’t know how to do
a party where I only ask just a few.
I don’t  know how much food or know just how many
napkins to buy. Plates and cups? How uncanny
that I haven’t planned this thing better this year.
I’m not only slipping—I’ve lost it, I fear.

My thought streams are verging on, “Hey, what the fuck!”
I don’t know how many are bringing potluck
so there may be no food and not enough booze.
This party I’m giving may be a real snooze.
And right after this one are three potlucks more.
I think that it calls for a trip to the store.
I must clear out my house once I am able.
Clear all of my art projects off of the table.

 Hide my computer, relocate my scanner,
put up more Christmas lights under the banner.
There is so much for this writer to do
that I fear it will take one more week, maybe two
to format my book both for Kindle and print,
for somehow, my time has just got up and went.
This retreat to make time for my book has been taken
once more by busy work, book tasks forsaken.

But right after New Years, I swear they’ll be done.
No more excursions and no more beach fun.
I’ll sit at the table, right there in my chair.
I’ll chew on my pencil and worry my hair
and get this book formatted. Then get it sent
off to the printer so I can say “went.”
Instead of “will go” when all my friends ask
the state of the manuscript, stage of my task.

“I’m finished!” I’ll say. “Glory be, I am done!”
And I’ll feel less guilty for swimming and fun.
Then I’ll start in on the next book or two.
It won’t be hard, for there’s nothing to do
to distract me or keep me from doing my task.
Nothing to go to. No one to ask.
Except for my writers’ group, Friday night dance,
and a trip up the coast, if we have a chance.

The art show where I said I’d show a few pieces—
a ” few” obligations? The list never ceases.
I guess the truth is that our lives are made up
of what we must do and what we give up.
The irony, though, of the whole situation
is that it’s a matter of choice and duration.
The more tasks we find that we just have to do,
the more that we put off the remaining few.

I guess it’s a case of just fitting in
who we will be with who we have been.
That I keep on writing’s important because
I’d rather write “is” instead of put “was”
in front of “a writer” for the rest of my life;
but also in front of a friend, sister, wife.
For if we don’t put off living, doing and seeing,
the best stories we write will be tales of our being.

This is the tree in daylight. Palm fruiting stem covered in heart-shaped rocks and shells found on the beach, pelican feathers and flowers I made out of painted egg cartons.

Merry Christmas, Happy New Year, and may all your resolutions be met.

Wooden Heart

Wooden Heart

He handed it to me without ceremony—a small leather bag, awl-punched and stitched together by hand. Its flap was held together by a clasp made from a two fishing line sinkers and a piece of woven wax linen. I unwound the wax linen and found inside a tiny wooden heart with his initials on one side, mine on the other. A small hole in the heart had a braided cord of wax linen strung through that was attached to the bag so that the heart could not be lost. He had woven more waxed linen into a neck cord. I was 39 years old when he gave me that incredible thing I never thought I would receive: his heart—as much of it as he could give. Continue reading

Hard Drive

The Prompt: Buyers, Beware? The year is 2214, and your computer’s dusty hard drive has just resurfaced at an antique store. Write a note to the curious buyer explaining what he or she will find there.

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My Retablo, “Autobiography”

Hard Drive

If you long for mystery,
poems, facts and history,
long perambulations
and wild exaggerations,
recipes and letters and
episodes of Homeland,
Elementary, Sherlock, Friends,
a blogging site that never ends,

Emails, Youtube, Facebook notes,
starts of novels, copied quotes,
OkCupid pictures of
possibilities for love,
notes from nice guys, threats from creeps,
notes from guys who play for keeps,
friends who only write when drunk,
chain e-mails, jokes and other junk,

two hundred drafts of my third book,
(each one different, have a look),
kids stories and their illustrations,
the Christmas plans of my relations,
photographs of my whole life—
its happiness and pain and strife—
some successes but also follies,
fireworks, insects, gardens, dollies,

travel snaps and friendly faces,
rooms at home or foreign places,
birds and children, beaches, skies,
the camera lens is true and wise
and not as given to fraud and lies
as writings filtered through the eyes
of one who feels the joys or pains
of what she witnesses, then deigns

to try to change her reader’s mind
to accord with the type or kind
of thoughts she carries deep inside:
pride’s cutting edge, love’s waning tide—
things lovely, funny, jarring, rare.
So read this hard drive if you dare,
but if you fear a life laid bare,
I have one word for you. Beware.

Leftovers


Leftovers

When my father died forty years ago, it was in Arizona, where my parents had been spending their winters for the past ten years.  They maintained houses in two places, returning to South Dakota for the summers. But after my father died, my mother never again entered that house in the town where I’d grown up.

Our family had scattered like fall leaves by then—my mother to Arizona, one sister to Iowa, another to Wyoming. Both the youngest and the only unmarried one, I had fallen the furthest from the family tree. I had just returned from Africa, and so it fell to me to drive to South Dakota to pack up the house and to decide which pieces of our old life I might choose to build my new life upon and to dispose of the rest.

My father’s accumulations were not ones to fill a house. There were whole barns and fields of him, but none that needed to be dealt with. All had been sold before and so what was to be sorted out was the house. In that house, the drapes and furniture and cushions and cupboards were mainly the remnants of my mother’s life: clothes and nicknacks, pots and pans, spice racks full of those limited flavors known to the family of my youth—salt and pepper and spices necessary for recipes no more exotic than pumpkin pies, sage dressings and beef stews.

Packing up my father was as easy as putting the few work clothes he’d left in South Dakota into boxes and driving them to the dump. It had been years since I had had the pleasure of throwing laden paper bags from the dirt road above over the heaps of garbage below to see how far down they would sail, but I resisted that impulse this one last run to the dump, instead placing the bags full of my father’s work clothes neatly at the top for scavengers to find—the Sioux, or the large families for whom the small-town dump was an open-air Goodwill Store.

It was ten years after my father’s death before my mother ever returned again to South Dakota. By then, that house, rented out for years, had blown away in a tornado. Only the basement, bulldozed over and filled with dirt, contained the leftovers of our lives: the dolls, books, school papers and trophies. I’d left those private things stacked away on shelves—things too valuable to throw away, yet not valuable enough to carry away to our new lives. I’ve been told that people from the town scavenged there, my friend from high school taking my books for her own children, my mother’s friend destroying the private papers. My brother-in-law had taken the safe away years before.

But last year, when I went to clear out my oldest sister’s attic in Minnesota, I found the dolls I thought had been buried long ago–their hair tangled and their dresses torn—as though they had been played with by generations of little girls. Not the neat perfection of how we’d kept them ourselves, lined up on the headboard bookcases of our beds —but hair braided, cheeks streaked with rouge, eyes loose in their sockets, dresses mismatched and torn. Cisette’s bride dress stetched to fit over Jan’s curves. My sister’s doll’s bridesmaid dress on my doll.

It felt a blasphemy to me. First, that my oldest sister would take her younger sisters’ dolls without telling us. Her own dolls neatly preserved on shelves in her attic guest bedroom, ours had been jammed into boxes with their legs sticking out the top. And in her garbage can were the metal sides of my childhood dollhouse, imprinted with curtains and rugs and windows, pried apart like a perfect symbol of my childhood.

Being cast aside as leftovers twice is enough for even inanimate objects. Saved from my sister’s garbage and cut in half, the walls of my childhood fit exactly into an extra suitcase borrowed from a friend for the long trip back to Mexico, where I now live. I’ll figure out a new life for them as room décor or the backgrounds of colossal collages that will include the dolls I’m also taking back with me.

Mexico is the place where lots of us have come to reclaim ourselves and live again. So it is with objects, too. Leftovers and hand-me-downs have a value beyond their price tags. It is all those lives and memories that have soaked up into them. In a way, we are all hand-me-downs. It’s up to us to decide our value, depending upon the meaning that we choose to impart both to our new lives and these old objects. Leftovers make the most delicious meals, sometimes, and in Mexico, we know just how to spice them up.

The prompt: Hand-Me-Downs—Clothes and toys, recipes and jokes, advice and prejudice: we all have to handle all sorts of hand-me-downs every day. Tell us about some of the meaningful hand-me-downs in your life.


 

 

Money Optional

The Prompt: Work? Optional!—If money were out of the equation, would you still work? If yes, why, and how much? If not, what would you do with your free time?

Since I am already retired and spend most of my day making art and writing, I guess my answer is yes. I do it because I feel it is my reason for living and without that work, life seems to lose its importance. I do it because it forces me to look closer and to think more deeply. I do it pretty much every minute I’m not sleeping. Really, I always did what I wanted to do without taking into consideration what would sell and that still seems to be the case since I’m not getting wealthy on what I do, but I swore when I retired that I would stop doing all those parts of making art that I hated: the applying for shows, the promotion, the pictures, the resumes, the mailing lists. Now I just enjoy the creation and if I am sending them out to an unaccepting universe, nonetheless, I’m having the experience of creating, which any serious writer or artist will tell you is  the most important part and why we really do what we do.

Today is my 221st post, and since it is a short one, please scroll back and read an earlier post you haven’t read before and if you have the time, please comment. 

For instance, if you’d like to know why I ended up in Mexico, read this: Foreign Tongues or, if you want a love story with a happy ending, read this: The Ballad of Poor Molly.

Thank you for reading my blog.  Although yes, I do it for myself, I can’t help but feel gratified when others find what I write to be of consequence or enjoyable.  Judy

Smoke

Smoke

She had met most of my stepchildren.
Was my husband similar? she asked.
Yes, he was talented and smart and funny.
But, he was very quiet, I said, and often sad.

He never believed he’d been the love of my life,
even though I’d told him so.
He’d raised a hand
to let it fall unused again, one time or more.
I hadn’t any children.
He always thought I’d leave.

For years I’d felt the cause of his unhappiness,
but his children told me he had always been this way.
Less angry with me than the others,
I had been, he told them, (but not me)
the love of his life.

He was a man who trusted few
and loved less.
He could not give what others demanded.
What better time to say I love you
than when asked for it, I pleaded–
his daughter, sobbing, on the phone.
But he couldn’t do it
for me, for her, for anyone.

What he wanted most he always had,
but he was blind to it,
wasting it all: the friends, the fame, the love.
Alone, he stared into the fire, into trees,
imagining tools and studios and sculpture
grander, in the end, than his energy to create it.

He had not been idle in his life.
Houses, children, art, tools, poetry—
he made them all, well and in great numbers.
Yet when he died, he said, “Imagine.
I had thought I’d be making art to the end.
Instead, I am so tired. I’m just glad to know
I have an excuse for feeling as tired as I do.”

They ate him up, his dreams.
We sent them up in smoke with him.

Daily post: Second Opinion—What are some (or one) of the things about which you usually don’t trust your own judgment, and need someone’s else’s confirmation?

(Instead of being about someone who needs someone else’s confirmation and advice, my poem is about someone who never could accept it.)