Category Archives: Daily Prompt

Mnemonic Phonics

 

 

 

Mnemonic Phonics

Babies use clues amniotic
to deal with stimuli chaotic,
but later, memory gets thick.
In short,  it’s anything but quick.

Age slows us down and trims our wick,
fogs our recall,  slows our pick.
So I resort to many a trick
to give my mind a little kick.

This loss of memory’s demonic
and leads to fits most histrionic,
so I depend on clues mnemonic
for memory that’s supersonic:

(Can you guess what the below mnemonic devices help me to remember?)

Neither leisured foreigner
seized or forfeited the weird heights.

Every good boy does fine.
Good boys do fine always.

My very excellent mother just spewed up nine plums.

How about you?  What mnemonic devices do you use?

 

The prompt word is mnemonic.

Tending House

 

Diego supervises as Pasiano “tends.”  jdb photo

Tending House

In no place I have ever lived do so many people seem to be necessary to maintain one house. On any given day, in addition to my efforts, it is likely two or more of the following caretakers will be present: housekeeper, gardener, plumber, locksmith, bricklayer, tree-trimmer, cistern-cleaner, fumigator, carpenter or appliance-repairer. Do things really break more frequently in Mexico? Do locks jam more or garage openers go on the blink with greater regularity? Do more brick pathways need to be laid? More roof tiles slide down and go boom? More solar water heaters spring more leaks? Do pools develop cracks more easily and pipes pop open just for the fun of it? Do houses cry out to be added onto? In my sixteen years of living here, it certainly seems so. I especially remember the day described in THIS POEM as being one where the entire world seemed to be directed toward the care of my house. It was the monarch. We were its slaves.

The prompt today was tend.

I think this photo also qualifies for the Thursday Doors prompt!

The Persistent Suitor

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The Persistent Suitor

He has no right to loiter here, has no permit to tarry.
He looks no more familiar than  Tom or Dick or Harry.
And yet he is persistent, as though it’s his profession.
He gives no apology and renders no confession.

One day he carries chocolates, another a bouquet,
yet they do not grant him access. They do not pave the way.
Then one day he’s missing.  He doesn’t grace her door.
She hears no insistent knocking. There are no offerings more.

All day, she thinks of him and where he might have chosen to wander.
It seems perhaps that once again, absence has led to fonder
reflections on the part of one who’s playing hard-to-get.
(She is noted for her skill at it among the party set.)

One more day he’s absent. She claims she doesn’t care.
It’s easier to leave her house without a suitor there.
Yet when he finally comes again, she opens up her door
flushed with her power to attract. Victorious to the core!

“Yes?” she says, one eyebrow lifted in disdain,
as though another suitor is an aggravating pain.
And the confidence of her suitor seems never to have swerved.
As he handed her an envelope and said, “Ma’am, you’ve been served!”

 

 

The prompt today was permit.

The Inkling

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The Inkling

I haven’t an inkling what I ought to do
about that weird spot on the tongue of my shoe.
Don’t know how it got there, don’t know what its made of.
And such a strange color! I don’t know the shade of
odd pigment that it might be properly called—
somewhere between baby pig and grandpa-bald?

What color is pink to end up on your shoe?
With pink on his toe, what’s a fellow to do?
If there were a shoe wash, I’d go in a blink,
but since there is no sort of place, then the sink
is the place I will go to to wash off this matter—
this slimy soft substance that looks like a batter.

You may think I’m silly to make such a fuss,
to blather and worry and mumble and cuss,
but these shoes are brand new and my favorites, at that—
undeserving of refuse left by the cat.
Now the cat’s in the barn and the shoe is restored.
Almost. Must that shadow just be ignored?

I’ve dined out on this story ’till friends are all bored.
As they approach me, I hear them say, “Lord,
protect us from more boring talk of his shoe.
Please let him not mention that gloppy pink goo.”
They may call me a heel, these folks I’m among
as I tell them once more how the cat got my tongue.

But I can’t abandon those images that
that mess on my shoe was left by the cat.
On what innocent creature might she have dined—
its tiny pink corpse so sadly reclined
on the tongue of my perfectly saddle-soaped shoe?
My friends will not listen, so I’m telling you!!

 

The prompt today was inkling.

 

Behaving French

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Behaving French

Today I find it suitable
to practice my inscrutable.
It’s part of my act femme fatale
that men can’t fathom me at all.

They’re wiles my mother taught to me
back when I was only three,
and I admit it’s served me well
putting bon vivants through hell.

When situations new astound me,
I wrap my femme fatale around me.
I use it everywhere I go,
’cause it’s the only French I know!

The prompt today is inscrutable.

Happy Ending

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Happy Ending

He was a follower, a grunt
who married a lass dominant.
She led, he followed in their dance.
He wore an apron, she the pants.
It was a perfect unity
if folks had only let them be;
but, alas, the other blokes
had to make the usual jokes.

They called him pussy-whipped and meek—
berated him as timid, weak—
and so, simply to please his mates,
to end their jeering cruel debates,
he went against his true love’s wishes
and refused to do the dishes.

The facts, there’s no need to imbue.
Both words and dinner plates, they flew.
He could not match her swift invective
of ways in which he was defective,
and so he simply stood and waited
until her fury was abated,
then asked this cyclone he had wed
if she would like to go to bed.

Their skirmish ended in romance.

He shed his apron, she her pants.
A worn-out lover well-behooves
a meeker husband in his moves,
and nothing like a little tiff
to make a timid fellow stiff.
Now that her angst had flared and passed,
he got to be on top, at last.

The prompt today is dominant.

Listless

Listless

I don’t have any strategy, I don’t have any plan—
no recipes for muffins, no plots to meet a man.
My life is so unstructured that I have nary a list.
With no clearcut tomorrow, my future’s in a mist.
If I were only twenty, I guess they’d call me fickle.
To be so directionless would land me in a pickle.
At seventy I’ve joined the list of lives that are expired.
I’m finally giving up and saying I’m fully retired!
My alarm clock’s in the cupboard––abandoned. I don’t need it.
I gifted this year’s calendar to someone who will heed it.
No meetings on my calendar. No notes upon my fridge.
I don’t attend aerobics. I gave up playing bridge.
How do I fill my life out now that I’ve come unwired?
Now that it’s gone unplotted and its furnace gone unfired?
I’m letting every day I meet just unwind and unravel.
Letting fate determine what pathway I will travel.
My compass needle disengaged, I’m floundering in “free—”
All things now determined by serendipity.

The prompt today is strategy.

Blink

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Blink

I don’t really need ESP to know what you are thinking,
for when I ask, “Should I wear this?” your left eyelid starts blinking
like it does whenever you tell a little fib;
and I can tell your “It looks great!” sounds a little glib.
That’s how I know without a doubt you’re spinning a fine yarn;
and that, in fact, in this dress I must look wide as a barn.

If you say this dish is great but feed most to the dogs—
if you say I’m clever but you rarely read my blogs—
if you “want” to get together but we rarely do—
I’ve already read the clues to ascertain your view.
Yet, still I have the option to see the other side
and find a way to look at it that will preserve my pride.

Your eye might blink because a gnat got caught in it just now,
and so I do not really look as broad as any cow.
He just has a small appetite. Her eyesight might be failing.
She might be out of town and when she gets home from her sailing,
she’ll call me up and we will meet and have a laugh or two.
Without this ESP I really get to choose my view
of believing what I want to in spite of what I’ve guessed.
When it comes to friendship, less clarity is best!

 

Not many of you were around four years ago when I first wrote this poem so here it is again, out for review. The daily prompt word is blink.

Poetry Pie (A Recipe)

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Poetry Pie

Pick an armful of fresh words from the poet tree.
Trim off dry leaves. Dispose of the ordinary or over-ripe.
Choose words that flower when juxtaposed.
Choose tiny clinging bees that sting.
Choose pollen-dusted blossoms that make you sneeze.
Choose agile leaves that swing when you breathe on them.
Staunch stalks that do not budge.
Throw them in a vase so that they fall where they want to go,
then rearrange to suit your fancy.

Admire your arrangement
as you bring a stock to boil.
This stock consists of honey and vinegar,
water to float the theme,
lightly peppered with adjectives
and salted with strong verbs.

When the water boils, break nouns from your bouquet.
Tender stalks may be sliced to syllables, but leave the flowers whole.
Do not cook too long lest they be too weak to chew upon.

Scoop with a wire ladle and lay on parchment to drain.
Arrange on a bed of crushed hopes pre-baked with future expectations.
Pile to the plate rim, then sift through and remove most of what you’ve put there.
Fill up to the top and beyond with whipped dreams. Careful, not too sweet.

Put on the shelf to gel.
The crust will grow crustier.
The whipped cream will not fall,
but some of the words will rise to the top and blow away.
Others will sink to the bottom and become so mired in crust
that they will stick to the cheeks and teeth of all who sample your pie,
and this is what you want.

This pie will not be to the taste of all
and there may not be enough of it to satisfy the taste of others,
but it will be a pie that satisfies you,
and others may become addicted enough
to order it now and then
in spite of that shelf
of so many delectable pies.
Perhaps because it is tenacious.
Perhaps because it suits their idiosyncratic taste.
Perhaps because of its placement, front and center,
so it meets the eye.

Whatever the reason, whether to the taste of many or few,
it will be there for so long as the cook holds out
and the poet tree stands and keeps blooming.

Poet Pie.  Special this week.
Comes with a big napkin and no fork
so you’ll need to eat it with you hands
and suck it from your fingers.

It will run down your arms
and cause your elbows to stick to the table,
drip from your chin onto your shirtfront,
adorning you like splatters down the fronts
of old ladies in voile dresses.
It will adorn the beards of the hirsute,
hide the pimples of preteens,
make ruby red the lips
of little girls too young for lipstick,
cause the drying lips of old women
to swell as though Botoxed.

It will cause tongues to wag
and fingers to write poetry of their own
in the air or on paper or perhaps
merely in minds
infected by the addictive
nature of poet pie.
You can both smell and taste it.
Feel on your fingers.  Hear its
tender branches crunch between
your teeth–those parts of the poem
that hold the whole together.

That poem that perhaps holds your life together
for the minutes you consume it
and further moments when you try to wash it from your beard
or fingers or chin or shirtfront,
and fail.  So a part of the poem goes with you.
Some may notice it and try to scrub it from your chin.
Others may not be able to resist,
and in wiping off its sweetness from where it has streaked your arm,
may put their fingers to their mouths to taste it themselves
and may be suffused with a yearning for a piece of their own.

Or, say, perhaps, “Not to my taste,”
which leaves more poetry pie for you.

 

Look familiar? If you were around three years ago, perhaps you read it before. Let me know if you found it worth reading again and made it this far. The prompt today is agile.

My Brilliant Career in Film and TV

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My Brilliant Career: How I Found My Proper Place in Film and TV

I got bitten by the film bug when I lived in L.A.
and did some sort of movie work most every single day.
On Mondays, Wednesdays, Fridays, I always had a class.
The U.C.L.A. campus is where they came to pass.
I studied film production and took screenwriting, too,
but my class in documentaries was where I scored a coup.
We made a documentary.  In fact, I helped with two,
but I knew by the end of them I hadn’t found my place.
I simply didn’t have the balls to run the movie race.

Then I studied acting at an actor’s studio.
I really did the best at this, but still, it was “no go.”
When it came to trying out for parts, I didn’t have the nerve.
Once again my movie plans took another swerve.
I worked as an apprentice at a Hollywood agency.
From all the other candidates, they selected me.
They had me reading novels and sitting in on sessions;
and this was more exciting than my former classroom lessons.
I met some famous actors and tried to be real cool,
and writing out readers reports was easier than school,
but still I knew that in my heart it just wasn’t for me.
After all this time, I didn’t know who I should be.

I’d been in California for three years by then;
and although I hadn’t found my place, still I had the yen.
But I’d run out of money. It was time to find employment
that would involve a paycheck and not just my enjoyment!
I’d heard of a position where I thought that I could cope
as publicity assistant for none other than Bob Hope!
So I wound up in production: typing, phoning, organizing.
The  people in my Rolodex were frankly quite surprising.
I set up radio interviews with the famous Bob.
To read the National Enquirer was required in this job!
I went to filmings of the shows, sent out his Christmas gifts,
ran back and forth to N.B.C. and soothed some office rifts.

But all-in-all though it was fun to be there on the fringe,
to be completely honest, I was not a vital hinge.
And so when I was married, we decided to move north.
I left my life in filmdom and boldly sallied forth,
moving up to Santa Cruz to live by doing art—
never really finishing what I had tried to start.
I had adventures plenty and saw much of the scene
and I enjoy remembering everywhere I’ve been;
but all-in-all, the truth is that there’s one place I’m most groovy.
When it comes to all the skills that go into a movie,
the only place that doesn’t make me sort of tense
Is center row and half way back, in the audience!

 

When I originally wrote this piece three years ago,  the prompt was: “The Show Must Go On–If you were involved in making a film, would you want to be the director, producer or lead actor?  You cannot be the writer,” but the prompt today that also fit it was simply the word  brilliant.