Category Archives: Self-portrait

The Collector

The prompt: Digging Up Your Digs—500 years from now, an archaeologist accidentally stumbles on the ruins of your home, long buried underground. What will she learn about early-21st-century humans by going through (what remains of) your stuff?

The Collector

Tools, pictures, clothes, shoes,
too much food and too much booze.
Too many games and too much fun
for a house of only one.
A mystery why this big collector
didn’t have the proper vector
directing her away from things:
(potions, lotions, bracelets, rings)
directing to another track—
something that could love her back.

But, for the rest of the story about living alone, go here

Mirror Fearer

The Prompt: The Mirror Crack’d—You wake up one morning to a world without mirrors. How does your life — from your everyday routines to your perception of yourself — change?

 
Mirror Fearer

Every time I walk past it, I look into the glass
and notice how my hair looks and then survey my ass.
I cannot help but look at it, every time I pass—
criticizing how I look, both fuzziness and mass.
And in my deepest feelings, despite my brains and sass,
I can’t avoid this feeling that men must find me crass.
And so I guess I really feel that it would be a gas
if you took away the mirrors from this self-critiquing lass!

First Friends

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The Prompt: Do you — or did you ever — have a Best Friend? Do you believe in the idea of one person whose friendship matters the most? Tell us a story about your BFF (or lack thereof).

First Friends

I am three years old, lying in my Mom’s room taking a nap. I can hear voices in the front room. The world comes slowly back to me as I rouse myself from the deep sleep I swore I didn’t need. I hear my mom’s voice and the voice of a stranger. I slide my legs over the side of the chenille-covered bed, balancing for a moment like a teeter totter before giving in to gravity and letting my feet slide through space to the floor below. I creak open the door, which had been left ajar. My mom’s voice gets louder. I smell coffee brewing and hear the chink of china coffee cups in the living room.

I hear a dull rubbing sound and move toward it—through the kitchen to the dinette, where a very small very skinny girl with brown braids is sitting at the table coloring in one of my coloring books. She is not staying in the lines very well, which is crucial—along with the fact that she is coloring the one last uncolored picture in the book which I’ve been saving for last because it is my favorite and BECAUSE I HAVE IT PLANNED SO THERE IS SOMEWHERE IN THAT PICTURE TO USE EVERY LAST COLOR IN MY BOX OF CRAYOLAS!

I sidle past her, unspeaking, aflame with indignation. Who could have—who would have—given her the authority to color in my book? I stand in the door of the living room. My mom is talking to a mousy gray-haired lady—tall, raw-boned, in a limp gray dress. My mom sees me, and tells me to come over and meet Mrs. Krauss. They are our new neighbors. They are going to live in Aunt Stella and Uncle Werner’s house two houses down. Did I meet their daughter Pressie in the kitchen? She’s just my age and Aunt Stella and Uncle Werner (who are not actually related to us, but just friends of my folks) are her real aunt and uncle.

The gray lady calls Pressie in to meet me. She is quiet and I am quiet. Then we go back to color at the table together. We drink orange juice and eat potato chips. We will be best friends for what seems like a lifetime but what is really only until we approach adolescence. I will have a love-hate relationship with her mother, who will continually set up competitions between Pressie and me to see who will win. She will try to coach Pressie first; but still, I will always win.

Pressie and I will play hollyhock dolls and dress-up. We play, sometimes, with Mary Boone; but her parents are too religious and don’t think we’re nice enough to play with her very much. I want to put on neighborhood plays and circuses, but none of the other kids want to perform. I want to play store and school, but Pressie eventually goes home to help her mother varnish the floors.

Pressie’s house is full of loud brothers and a sulky teenage sister. It is full of high school-aged cousins who tease us unmercifully and old ladies who come to play Scrabble with her mother. It is full of a missionary sister who comes back from South America and married brothers who come from Florida with babies that Pressie and I take charge of.

Pressie’s house is full of slivery floors that are always in the process of being varnished or de-varnished. There is one drawer in the kitchen full of everybody’s toothbrushes, combs, hairpins, hair cream, shampoo tubes, old pennies, crackerjack toys, rubber balls, lint, hairballs, rolled up handkerchiefs and an occasional spoon that falls in from the drain board above it. They have no bathroom—just the kitchen sink and a toilet and shower in the basement, across from the coal bin and the huge coal furnace. Their toilet has a curtain in front of it, but the shower is open to the world.

Sometimes when I am peeing, someone comes down to put coal in the furnace or to throw dirty clothes in the washtub next to the wringer washer. I pull the curtain tight with my arms and pray that they won’t pull it back and discover me, my panties down to the floor, pee dripping down my leg from my hurried spring from the toilet to secure the curtain. To this day, I have dreams about bathrooms that become public thoroughfares the minute I sit down. To this day, I get constipated every time I leave the security of my own locked bathroom.

Pressie babysits with the minister’s kids for money. I go along for free. She spanks them a lot and yells a lot. I think I can’t wait until I’m old enough to have kids so I can yell at them, but when Pressie is gone and the minister’s wife asks me to babysit, I don’t yell at them.

At Christmas I can’t wait to have Pressie come see my gifts: a Cinderella watch, a doll, a wastebasket painted like a little girl’s face, complete with yarn braids, books and toilet water from aunts, a toy plastic silverware set from my sister, stationery from my other aunt, playing cards, sewing cards, paint by numbers, a new dress. I run over through the snow to Pressie’s house to see her presents: a new pair of pajamas, a coloring book and new crayons, barrettes and a comb. In her family, they draw names. Quickly we run to my house, but she doesn’t pay much attention to my presents. She is funny sometimes, kind of crabby. The more excited I get, the more withdrawn she gets.

Later, I want to make snow angels in the yard and feed leftover cornmeal muffins to the chickadees, but Pressie wants to go home. Pressie always wants to go home. What she does there, I don’t know. She doesn’t like to read. None of us will have television for another five years. She doesn’t much like games or cards. I don’t know what Pressie does when she isn’t with me.

When she is with me, we take baths together and sing the theme music from “Back to the Bible Broadcast,” washing our sins away in the bathtub. We play ranch house in our basement. We pull the army cot against the wall and put old chairs on either side of it for end tables. We upend an old box in front of it for a coffee table. My grandma’s peeling ochre-painted rocking chair faces the army cot couch. We sneak into the hired man’s room and steal his Pall Mall cigarettes and sit talking and smoking. We rip the filters off first, which is what we think you’re supposed to do.

Pressie will always stay longer if we smoke. I blow out on the cigarette, but Pressie inhales. We smoke a whole pack over a few weeks’ time and then go searching for more. When the hired man starts hiding his cigarettes, we discover his hiding place and learn to take no more than four at a time so he doesn’t miss them. When he has a carton, we take a pack and hide it under the mattress on the army cot. My mother wonders where all the filters are coming from that she sweeps from the basement floor, but never guesses our secret.

Pressie spends more time with me than before, drops by almost every morning and always wants to go to the basement to play and smoke. Then the hired man finds another room and moves out and when Mrs. Church’s granddaughters come to visit, I will want to play with them but Pressie won’t. Then we will pair off—Pressie with Sue Anne, the girly one, me with Kate, the boyish one. We have a little war—mainly instigated by the sisters.

When the new farm agent moves in with two daughters—one a year younger than Pressie and me, the other a year younger than my sister Addie—I want to ask the girl our age to play with us, but Pressie won’t. I have a slumber party for everyone—all the girls we know. I invite the new girl, whose name is Molly, but no one talks to her much. She is shy and doesn’t push herself on us. No one else ever wants to include her. I go play with her anyway and spend the night at her house. Her mother is nervous, her dad cocky. Her older sister laughs nervously under her breath a lot, as does her mother.

Many years later, by the time we are in high school, everyone has accepted them. By then, all of those girls have parties where I’m not invited. They are always a little reserved when I come up to speak to them. Maybe they’re always reserved. How would I know how they are when I’m not around? Later, they all got to be pretty good friends. But in the beginning, I was everyone’s first friend.

“Adult”ery

 

JudycurlsJudycurls - Version 2

Unfortunate hairstyles of the past

 

“Adult”ery

I don’t remember, as a child, ever really thinking about what it would be like to be an adult in terms of where I would live or what I would choose as a profession. I do remember, however, two things I worried about.

First of all, I worried about what instrument I would play in the school band. I had two sisters, one eleven years older and the other four years older, who both played saxophone. As a matter of fact, there being 7 years difference in their ages, they both played the same saxophone! When I entered the sixth grade and was old enough to play in the starter band, I knew two things. #1: I had to play in the band because both of them had done so. #2: I had to find a way to be unique in doing exactly what they had done, and so I had to find a different instrument. This resolve was strengthened by the fact that my sister Patti was still using the “family saxophone.” As long as I was being different, I decided to stretch my uniqueness as far as it would go. No one in either the starter or the regular band had ever played a flute. It was exotic and not very heavy to carry. I would play a flute!!! Or rather, I would attempt to play a flute.

I faked it for two years, blowing energetically into the little hole as we sat in the band loft at games or marched along behind the regular band, practicing for parades or football games; but I never really developed much of a tone and my memory of which note was which was limited. It was really easy, though, to carry that little case about as large as a large pencil case the two blocks to the auditorium where our band practice occurred. My band instructor could not afford to be picky as there were only 200 students in the entire school system—grade school and high school combined—so every warm body available was required to flesh out the physical body of the band. If a few were miming, so be it. As long as they could stay in step for the marching band and didn’t play any really loud false notes, who would ever know?

When my sister left for college, she left the sax behind; and when I headed out for my first band practice as a high school freshman, I left that dread flute behind as I took sax in hand to continue the family tradition. I was not a whole lot better at it, but found something held between the lips and teeth was a lot easier than something held sideways and blown across and although the sax was heavier, it was held in a much more sustainable position than the flute, which was an exercise in arm isometrics as I held it aloft!!

The second worry I had about growing up was how I would wear my hair. I would lie awake nights worrying about what hairstyle I would adopt when I could no longer sport the sausage curls my mother formed around her finger each morning. Shirley Temple, who had already grown to adulthood, needed to be replaced! My hair was too long, however, to duplicate Shirley’s bouncy little curls. It hung in fat tubes down beside my cheeks, offsetting my tight little bangs curled up each night in pink rubber curlers. For some reason, both my mom and I thought this made me look real good, and I am not exaggerating when I admit that there were nights when I’d lie in bed, tears streaming down my cheeks, worrying about what I would do when I grew up and could no longer wear curls!!

So now you know why I dropped the saxophone as soon as I graduated high school and why I had to move to Mexico to escape the shame of all those years when I allowed my mother to shape my esthetic sense of hair. I haven’t owned a curler of any type for 20 years. That saxophone was handed on to the next generation of my family and its mouthpiece, at least, met its demise when it snapped in two as my niece tried to grip it with the fourth pair of teeth in three decades. With a new mouthpiece, it survived four more years—hopefully this time with someone with more talent than I. I know not where it ended up. Probably in some second hand store or donated to some child who couldn’t afford an instrument. I hope it wound up with some talented individual who could restore its pride in itself.

Now that I have been an adult for many many years, I have conquered most of its demands. I have found many hairstyles, only a few of them more ridiculous than sausage curls (see my college picture above as an illustration of this fact) and attempted only one additional instrument, the guitar. Having played only solo or in duet with a college friend who tried to mold me into Joan Baez but failed, I did learn about seven chords and learned to adapt a whole succession of seventies songs to fit into those seven chords. I played for sing-alongs with the kids I counseled at summer camp and for groups of little neighbors around the world, who would come to my house on Saturday mornings to sing silly songs. And I have that guitar to this day. But I haven’t played it for years and harbor no illusions about my prowess. It is there for visiting friends who want to play for me and as a big, cumbersome, hard-to-store reminder that I can choose my own failures as surely as my own successes.

I am an adult like other adults—growing more childish year-by-year, but in my regression toward soft food and adult diapers, I will never sink so low as to repeat some mistakes of my youth. Never ever more sausage curls or flutes held aloft like punishment. And never again will I try to be different just to be different. “The Far Side” has shown that this is nothing that really needs to be aimed for. We all grow odd enough just following the path of nature, thereby furnishing the humor for all the generations that follow us.

The Prompt: As a kid, you must have imagined what it was like to be an adult. Now that you’re a grownup (or becoming one), how far off was your idea of adult life?

P.S. Thirty years after high school, when I was doing an art show in Oregon, a man walked by my display and then did an about-face and came back and said, “You’re Judy Dykstra, aren’t you?”  I admitted the fact and asked him how he knew me.  He said he was 5 years behind me in school in the small South Dakota town where I grew up.  He was a country boy and since we’d never been in school together, I didn’t recognize him but did recognize the family name.

“How in the world did you even know what I looked like, let alone recognize me thirty years later?” I asked.

“Well, a bunch of us used to collect in the the school library and look at old annuals,” he said.  “I recognize you from your high school picture.”  Suddenly, it all came clear.

“You used to look at them to laugh at all the funny hairstyles, didn’t you?”   Sheepishly, he laughed and admitted it.  I had hit the nail (or the girl?) right on the head!!!!

No Fear

No Fear

We know within our hearts that personality
often cancels out what we can clearly see.
We all have known the men who, homely to the eye,
still have personalities sweet as cherry pie,
who win the ladies with their charm and humor that is wry,
causing them to line up for chances with this guy.

And the girl who’s plain until she starts to talk—
her face just so enlivened, you have to stand and gawk.
Made lovely by expression, intelligence and wit,
“beautiful” and “lovely” become the words that fit
when trying to describe this attractive little lass
who simply doesn’t bother with a looking glass.

Both have learned to conquer all their crippling fear—
to find the other side of doubt and kick it in the rear.
To face the world on their own terms and face it unafraid.
To take their rightful placement at the front of the parade.
But though we see what they have done, we do not always take
the road that for another seems to be a piece of cake.

You may find this poem to be most adolescent,
yet the feelings of our past most usually are present
throughout our lifetimes, though we seem to hide what we must feel,
leaving it to novelists and poets to reveal
the truths of all our agonies, the facts of all our fears—
all those things we’ve meant to face but yet hold in arrears.

I long ago discovered that writing must be true.
The only worthwhile topics are the things that bother you.
The lacks you find in others and the lacks within yourself
are what divide the poems in hand from poems on the shelf.
And so I must admit that fear’s my greatest hidden vice.
And since we all could do with taking our own sage advice:

I’ll say that with no fear, I would burn candles at both ends—
be as free with lovers as I am with friends.
I would have burned fingers, but an unbound heart.
All those lovely men, disregarded from the start
because I was too zaftig or not smart enough?
I’d face them nose-to-nose, and then I would call their bluff.

Today’s Prompt: Fearless Fantasies—How would your life be different if you were incapable of feeling fear? Would your life be better or worse than it is now?

Unwrapped Packages

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Unwrapped Packages

It is the difference between that present handed to you
by a person who says, “It’s only a tie,”
and a package under the tree
squeezed and prodded at—perhaps a corner loosened
or a hole poked in through supposed accidental handling,
pondered like a good detective show.

Who wants these mysteries revealed before their time?
What value in the present whose contents you already know for sure?
The magic of Christmas for some is that faith that the girl,
untouched by human lover, gave birth—and it is that sort of faith
that “saved” the world. If we knew the whole truth of that story
would all it prompted fall into the hole covered all these years by mystery?
The whole world seems to be standing more on what we don’t know
than on what we absolutely know empirically—what we can prove.

And so I look at the picture of my young mother
in her cotton housedress and saddle shoes
holding her baby in front of her in her stroller,
whole contraption, child and carrier,
a foot or two above the ground,
and there is mystery in the reveal.
I do not hear what transpired to cause this pose.
I do not know if my father caught her carrying me
from the porch to sidewalk and said,
“Here, Tootie, turn around,” and snapped the picture,
or whether my older sister planned the pose.
Or whether some movie star was snapped in a similar scene
and my mother and sister, like two conspiring fans,
planned the shot to steal the glamor formerly reserved
for “Photoplay” or “Look” or “Life.”

There would be no reel-to-reel
in any normal person’s life for years.
No movie camera to tell me exactly what my mother was like
or my sister or me before my memory took hold and even then,
my mind’s remembrance
more like reflections in a lake that color and change
depending on the clouds or rain,
distorting the light like moods.
My Aunt Peggy’s house,
always remembered as feeling like
the color chartreuse,
and I will never know why.
That smell of a friend’s house that became associated
with her memory more than any concrete proof of reel-to-reel
or spinning film of movie camera.

I do not know my mother’s voice at thirty.
I did not witness myself since birth
by either sound or sight.
There is a different mystery
to a past caught
in boxes of Kodacolor prints
curling and yellowing in a closet
than one documented like a science experiment
with every event taped and filmed.

Where does the mystery of you reside when you see yourself
so clearly, as others have seen you all along?
What does it leave for you to try to discover?
No tapes.
No film.
No Internet.
No Skype.
No YouTube.
No home movies.
All of our pasts were once wrapped up forever.
Only our fingers poking in the edges.
Only our voices asking,
“What was it like the day when I was born?”
What do you remember about the day when. . . .?

The Prompt: Can’t Stand Me—What do you find more unbearable: watching a video of yourself, or listening to a recording of your voice? Why?

Dreaming A Path

Dreaming A Path

Dream, Fri. Oct 18, 2013

We were at a booth in a café. It was a huge room with booths on every side and each booth had a clock, or at least I thought they did. I don’t think I ever looked. Our alarm started going off and there was no way to turn it off. It was by me and I tried and tried but couldn’t get it off. I said I was just going to unplug it, but Patti said perhaps it was timed with all the other clocks at tables and then it wouldn’t match. I said couldn’t they just reset it when we left? Someone agreed, but still we didn’t unplug it and it went on and on and on. Very annoying. Our booth came equipped with a little dog. It was tiny and light with long very curly white hair that was in loose corkscrew very long ringlets. It was so adorable and affectionate. I held it most of the time. It had legs like wires that went straight down..very skinny…and it jumped a lot. When the waitress came, we told her about the alarm and she said yes, she’d noticed that it was going off…but she didn’t do anything about it. We told her how cute the little dog was and she said yes…but then it seemed like it was the little dog who had the alarm that was going off. We ordered and afterwards I was wanting a dessert but thought I shouldn’t order one. Patti was to my right and I suddenly realized she was eating a very rich chocolate dessert—a sort of fudge flan or very moist slippery cake that was hot with a hot fudge sauce over it. She offered me a taste. It was a very small rectangle…not very big…but I tasted it and immediately said I’d have one, too. It was incredible. Still, the alarm went off. It was driving me crazy! Then I woke up and realized it was my own bedside alarm. I reached up with my eyes still closed and tried to turn it off, but couldn’t find the control. Finally I picked it up, opened my eyes and found the control. It was 8:10. The alarm had been going off for 10 minutes!!!!

My interpretation:

I found this dream in a folder on my computer. I have no memory at all of having dreamed it, and perhaps that distance makes it easier for me to interpret it. In a few weeks, I turn 67. For the past year, I’ve thought repeatedly about death and the fact that if I’m lucky, I probably have only 30 years left. For some reason, that awareness is very stressful. I feel a need to finish everything I’ve started and never completed. Earlier, that consisted of a lot of sorting, construction of storage spaces and weeding out of the contents of my house. That effort is ongoing. What also happened, however, is that I have an incredible drive to get everything published that has been lying around in file cabinets for many many years as well as a need to write new work and somehow disseminate it. My blog is part of that effort, as are my efforts to get all my books on Amazon and Kindle.

Seeing this dream as if for the first time, I clearly see that theme of time running out coupled by a sense of alarm that I need to do something about it. The little dog shows the attractive quality (adorable and affectionate) of finally dealing with all these loose ends—(note all his corkscrew hairs). Those wiry little legs that kept him always active certainly reflect the urgency I’ve been feeling to write write write.

One aspect of this awareness in my real life for a time consisted of my fear that I will stop breathing. This often gets me up gasping at night to run outside to try to breathe. For some reason I haven’t had any of these panic attacks since I started writing every morning. What I interpreted as a growing fear of death and a dread of ceasing to exist was perhaps a fear of not living and creating while I am alive.

I think the interplay between my sister Patti and me in the dream reflects a number of things. One is a difference in our approaches to life. I think in a way, she is more of a rule-follower and since she was my immediate pattern for most of my earlier life, I think a part of me feels this same need, but this is coupled with an equal and stronger need to create my own path in a direction unique from my two older and very competent sisters and to break a few rules to do so. At a very early age, much as I admired and imitated my sisters, I felt the need to prove myself. To find something to know that they didn’t already know. I found this route when I started venturing out at an early age to find new ground where they had not gone before me. It led me first into the homes of friends and strangers where I saw life being acted out in a manner entirely different from my own home. The road led further—to summer camp where I was a stranger to all and vice versa. I loved being the stranger. In choosing a college, I fell back on the reliability and comfort of attending the same school my sister had attended, but in my Jr. year I took my first big leap—a trip around the world on World Campus Afloat. That early adventure in seeing dozens of new and strange cultures set my life path. I’ve been traveling ever since and have been living in Mexico for the past 13 years.

I believe this dream depicts the sense of urgency I’ve had my entire life to “do” something with experience. My art and writing allow me to turn off the alarm for the hours in which I practice them. That small dessert might symbolize the rewards of doing what I need to do to do so.

P.S. An interesting insight I have had just as I started to post this: (And, interestingly enough, wordpress will not accept my blog entry. Perhaps it is insisting I add this P.S. before it does so.) I just got back to Mexico from a visit to the states wherein I visited my oldest sister Betty who is now in the depths of the world of Alzheimer’s. While I was there, she seemed increasingly distressed by the fact that she can no longer communicate, but one day as we were sitting in the living room portion of her small apartment in a managed care Alzheimer’s wing, she motioned to the middle of the floor and said, “Look a that cute little white thing there—that fluffy little white dog!” This was the first incidence that I know of of her actually hallucinating visually, and for some reason it popped into my mind in relation to the little dog in my dream. All of these images—of our dreams as well as our daily life—remind us to live while we can and to do what is most important to us. In my case as well as my sister’s—to communicate. Too late for her, although she continues to try. Not too late for me.

P.S.S.  By the way, the instant I completed the above P.S., the wordpress page that had continued to not allow me to post this blog entry flashed the message:  What do you want to post?  Text? Picture?  I chose text and and you have just read it.

The prompt: Freudian Flips. Do you remember a recent dream you had? Or an older one that stayed vivid in your mind? Today, you’re your own Freud: Tell us the dream, then interpret it for us! Feel free to be as serious or humorous as you see fit, or to invent a dream if you can’t remember a real one.

Note in response to this prompt: (When I think of dreams, I think of Jung, not Freud, and he continues to influence my thoughts and actions much more than Freud ever did.)

 

Medium Rare

Okay.  Finished!!! The picture is the last thing you’ll see.

The Prompt today is: Rare Medium. Describe a typical day in your life — but do it in a form or in a medium you’ve rarely — if ever – used before. If you’re a photoblogger, write a poem. If you’re a poet, write an open letter. If you’re a travel blogger, write a rant. (These are all examples — choose whatever form you feel like trying out!)

This is a hard one for me because I do poetry or prose or art or photography or rants every day, so what is left?  I guess I’ll have to resort to one of the things I am the worst at: drawing.  This I do not do well, but I will try.  Come back in a few hours and you’ll see the result.

I traveled for 15 hours yesterday so bear with me, but please do come back!!! (Gnashing teeth because I really do want to write a poem so badly.  Will right win out or will norm?????)

Three hours later:

Things I had forgotten before I drew this horrible picture

—How hard it is to draw a straight line.

—How hard it is to draw a curved line

—How hard it is to draw a crooked line.

—That  an 8.5X11 inch drawing was going to be reduced to a point where it is hard to make out detail. Come to think of it, this might be an advantage.  Never mind.

—Why I gave up drawing long long ago

—How humbling it is to display something you do poorly for the world to see.

—That it is actually kind of fun to color

—That it is very very hard to color near the edge of a page.

—That art of any kind, no matter how poor the end result, causes you to enter into a time warp.

Four hours later:

Now that I have my sketch scanned, converted to jpeg, straightened and ready to go, my blog absolutely refuses to accept it. I think perhaps I’m not meant to share my lack of sketching prowess with the world. I’ll try one more time, and then give up.

Half hour later: Okay, I’ll try twice and then give up. Rescanning the picture.

Ten minutes later:  Why is it taking so long to scan this picture when it normally takes a minute or less????

Okay, here it is.  Once I actually saw it on the blog, I decided to move it from first position to last.  Remember. I cannot do 2 dimensional art.  I disavow any responsibility for or pride in the below image:

daily life  color004

Those are my three kids–Squeak, Frida and Diego.  Squeak is a cat and Frida and Diego are dogs.  Yes, I really did have to kill a scorpion I found in a drawer first thing this morning.  Yes, that is a volcano in the background. (It is saying, “Look at Me.”)  Not possible to read in this small version. No, I do not have any groceries in my house.  No, my studio is not really this messy.  It is 100 times worse!  No, I am not Alice in Wonderland.  The “Drink Me” glass contains a smoothie.  Thankfully, I’d left one in the freezer as I had none of the proper ingredients. Yes, once knew how to draw perspective but I haven’t the patience for it anymore.

This is absolutely the last drawing of mine you will ever see on this blog!!!!!

 

 

The Daily Post Snapshot Stories: Hair Washing Day

The Prompt: Open the first photo album you can find — real or virtual, your call — and stop at the first picture of yourself you see there. Tell us the story of that photo. (Note: Although I’ve posted this picture on my blog before, this was the first photo in my album, and since I’ve never told the story, I’ll do so now.)

Image

Hair Washing Day

The phone was on a party line.
The leg, the robe, the hair was mine.
The chair was from our dining table.
I’d called as soon as I was able
with all the news that had occurred
since last we shared a private word.
Though my friend lived just two houses away,
my mom had had to break our play
so she could wash my dirty hair.
Take 15 minutes (how did she dare)
from “Cops and Robbers” or playing store?
Washing hair was such a bore.
First to take my clothing off,
barrettes and rubber bands to doff,
a chenille robe to cover all
my nakedness, and then the crawl
up on the chair to lie upon
the kitchen counter. My efforts done,
it was my mother’s turn to work—
to wash my hair without a jerk
or pull to create whines and tears,
avoiding water in the ears
and soap in eyes and water squirts
on ceiling, counters, shoes or shirts
of family who might gather there
to watch my mother wash my hair.
Then, trials done, my friend to phone
for all this time I’d been alone.
Without her fine complicity,
life had too much simplicity.
No imaginings or plots.
No hide-and-seek on empty lots.
No bike rides up to Mowell’s drug.
No comics on the bedroom rug.
No love letters to steal and read
from older sisters—that evil deed
we both adored and did most often.
No trumpet vine pods to peel and soften
in the sink to make our boats
for potential rainy season floats
down ditches swollen with summer rains
No paper dolls or paper chains.
I’d been away from my friend Lynn
for fifteen minutes! It was a sin.
So I’d called to say I’d be right over
to search with her for four-leaf-clover.
And tell her all I had to tell
since mother rang the “come home” bell.

Love Stories

DSC06776

Dim Sum are little love poems shaped like a heart. I challenge every reader
to write one and send it to me! For the fun of it, I made mine into a chain of hearts.

Morning Metaphor
When you rise hours early
to stand in front of the window
and watch for the UPS truck,
I shift my dreaming over
to your warm pillow.
If you are a child,
I am a
cat.
The Computer
has become the new hearth
and heart of our home, now
glowing out in the darkness
long after we have moved
to the room next door
to try to sleep
in vain.
A Clock
on the wall of every room
speaks its midnight language
and intrudes into my dreams,
each one telling me I am
another hour closer
to leaving
you.