Natural Events
Hear the wind’s soft whistle as it explores the eaves?
What a perfect harmony each new zephyr weaves.
Each mourning wail original, each sad and keening cry
takes my heart on with it as it passes by.
All man’s detailed projects for capturing the wind
only make short use of it. Again, it will ascend
far up above all of us to what created it.
For all our petty problems, the wind cares not a whit.
The sadness we project upon the wind is ours alone,
for the wind has nothing for which it must atone.
In our attempts to harness it, as we make our demands,
we forget we’re part of nature. How have we served as its hands?
Where does the wind live? Find out HERE.
Gloria’s continued with her daily photography assignment since she went home, so wanted to share her floral and plant offering for Cee’s Flower prompt:
For Cee’s FOTD prompt.
I couldn’t figure out how to embed this, but if you click on the link below, you can read about this fiasco planned in the year I graduated from high school. How is it that I didn’t hear of it then? Lack of an internet, I suppose.
Mentor
As an old man, he grew his hair long
and wore it unsecured, flowing white over his shoulders,
hiking it back as he walked with one sure toss of the head.
Few except himself would have judged him anything but superior.
His art, original and finely-crafted, showed him as the rogue he was,
yet he pored over art books piled around his chair—
large books rich in imagery and heavy to lift—
a laborious chore to plow through
page by page for anyone except him,
looking for himself in the pages, perhaps,
or looking for part of what he would become.
She thought he thought too much,
looking for answers in books
instead of in himself.
Religion, philosophy, art—
he searched for solutions
in Swedenborg and Picasso.
Compared his poetry to Sarton, Frost and Whitman
while others compared their art, their words to him.
Every piece he completed, he saw himself in as he created it,
but once done, it was as though he’d lost a part of himself in it
and so he started the search again in metal and wood and stone
larger and heavier each time, risking everything
to build himself ever higher.
Seven feet, then twelve, then eighteen feet—
stretching himself to the heaven
that he sought, also, through books.
Searching for what to be.
Wood, stone, metal, clay, glass, paper, words.
None quite solved the puzzle of himself.
Books on the shelf he read again and again
never had all of the answers.
He went as deep into himself as he could go.
Digging for the words he mined
from the parts of himself he most feared,
he often came up empty-handed,
as though he could not bear to see
all of the truth already revealed
in the pure instinctual lines of his sculpture
and those few fine poems he got out of the way of.
A virile man, he worked his angst out
in the shape of children—ten of them
with three different women—going through women
as he went through plasticine or wood or stone,
leaving crumbled remnants to reconstruct themselves
afterwards, as he built poetry out of their mutual pain.
He moved through the world
as most beautiful things do—unaware of his swath.
I rose from his rubble, missing him but remembering
all he taught. The scrape and cut and vibration of a fine machine,
the shaping with hands, the dip of the mold and deckle,
the power of a 20-ton press, the fine hiss of a torch.
Showing me how to get the beauty out of myself,
he formed that confidence within me that he lacked in himself.
Looking in books for what he already had,
looking in the faces of women for love
he never quite believed in,
he never fully realized that it did exist,
even during his worst rages,
right here in the heart
of one who so long afterwards
tries to sculpt his essence
through these words.
(Click on photos to enlarge.)
Here is also a write-up and photo shoot that a gallery owner did of our home and studio during the Santa Cruz Open Studio Tours a few years before we closed down our house and studio to I move to Mexico: http://www.wmgallery.com/cruz/brown.html
And here is another blog I did on him and his art: https://judydykstrabrown.com/tag/bobs-sculpture/
For Cee’s FOTD.
(I think I have a bit more faith than is demonstrated in this poem. What enters us to write through us is more an exploratory being than one completely sure of what we write. I do believe, however, that more evil has been done in this world by those absolutely sure of the rightness of their faith and their beliefs than by those who continue to explore, and the older I get, the more I realize that although part of a larger world and universe, we are all unavoidably alone in our existence.)
The prompt words today are solitary/solitude, alive, ephemeral and inspire.
I know we are all sick of politics, but this informed address to the U.S. Congress by Nick Tomboulides is worth listening to!
Nick Tomboulides is one of America’s leading experts on term limits. After serving as Florida Director of U.S. Term Limits, Nick became Executive Director of the organization in 2013.
He serves as editor of the Term Limits National Blog at www.termlimits.org, and his writing has been featured in the Daily Signal, USA Today, the Orlando Sentinel and other top publications. He is also a policy advisor for The Heartland Institute.
Under his leadership, USTL has expanded its grassroots network to a record high and won campaigns at a 98 percent clip. In 2015, Nick directed USTL’s launch of the Term Limits Convention, a campaign of the states to obtain a congressional term limits amendment via the Article V convention.
