Category Archives: Poem

Prophet

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jdbphoto, painting by Jesus Lopez Vega       

 

Prophet

All the solitary seas that he chose to sail
only took him farther, out beyond the pale.
All truths he discovered, he shared to no avail.
When he tried to hit the mark, why did he always fail?

Call him an outsider. Throw him into jail.
Form the boards into a cross. Hammer in each nail.
Set him adrift to flounder with no scoop or pail.
Let him use his own hands if he needs to bail.

Put him on the pillory. Bring out whip and flail.
Bind him up and gag him lest he tells his tale.
Instead of seeing different truths, it’s best you wear a veil.
No telling if you listened, your own truths might just pale.

Fresh new winds are often perceived as a gale.
Manna sent from heaven to others is just hail.
When you confront that other—messiah or white whale,
get your harpoons ready. You must insure they fail.

Truth-tellers speak so softly that when the bigots rail
it may be that you only hear their shout and wail,
but if you set out to find them over that next dale,
the whole world falls silent when you find their trail.

In the night wind’s keening  or rattle of the quail
or in the ridges of the road, written there in Braille,
you may find the answer the outcast tried to tell.
Grasp those truths you find yourself and live by them as well.

 

The prompt today is sail.

Magnet

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I suppose it is the light that is the magnet drawing insects to my screen when I write late at night, but sometimes it seems like an electromagnetic force.  These insects do not flutter, but glue themselves to the screen. That force was active on the night described in this poem.

 

The prompt today is magnet.

Wheel

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The prompt word today reminded me of this poem I wrote three years ago, and since my sister professed it to be one of her favorites, I’m going to post it again:

IMG_1976In case you think peddlers on wheels are a thing of the past, here’s a photo I took in March, 2017 in La Manzanilla, Mexico.

Wish Wagon

Hear the clanging pots, the squeaky wheels?
Over the rise comes the peddler’s cart––
horse with head down, pulling the load,
the jolly man just dangling the whip over her flanks.

Pitchers, fry pans, mops and brooms,
a doll for sis and kites for the boys
who run to greet this week’s happening,
hoping that Pa has spare bills in his wallet this time.

Now hear the “Whoa, Nell!” and see Zeke, the peddler,
swing his bent frame down from his high perch,
Ma drying her hands as she emerges from the kitchen door,
sis attached to her skirts, shy but drawn irresistibly from safety

to see the wonders that the peddler draws from his wagon:
penny candies by the jar and safety pins.
Needles, spoons and dime novels.
Cloth for Ma of calico and new boots for Pa.

Rag rugs made by Ma and traded for a bucket
and a wash pan his last trip here
that haven’t sold and so he won’t need more.
Jangly bracelets like the city women wear.

Her brief laugh scoffs at them.
The very idea. But one finger runs them round
before it draws away. And in her eyes
there is a wistfulness we will not see again

for thirty more years, until another wagon
crests the hill and drives away with her,
that look again frozen on her face
for eternity.

The prompt word today was wheel.

Travel Illusions

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An Andalusian Businessman Visits Mexico

When business problems brought disillusion,
I hoped to prompt their fast diffusion,
jumping to the fast conclusion
that a coronary occlusion
could be allayed best by the fusion
of tequila and a lime
and so I thought that it was time
to move from Spain to Mexico
to see how well my life would go
in climes more southern, still, than mine.
I’d heard it said on the grape vine
my college sweetheart still lived there.
I thought I’d see how she might fare.
But when this friend sought dissolution
of her marriage, my inclusion
as a witness brought confusion.
It seems the judge had the delusion
that she and I were in collusion—
that it was I who broke their fusion.
He gave me three days of seclusion,
thinking that my simple exclusion
might furnish them a love transfusion.
The Spanish/Mexicano fusion
I now know is mere illusion.
That we’re joined by language is a delusion.
What exacerbated the confusion
was that I spoke in Andalusian!

 

The prompt today was illusion. (Image downloaded from the Internet.)

Commitment Issues

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(You don’t dare enlarge these, do you?  If you do have the courage of your convictions and wonderful resistance to temptation, enlarge all photos my clicking on any one.)

Commitment Issues

I breakfast on oatmeal and vile green tea.
Oats aids in digestion, the tea makes me pee
and helps me to swallow the Omega 3
that lowers blood pressure and lubes up my knee.
I do pool aerobics when the water’s not cold.
I open my mind so it doesn’t get old.
I don’t shoot up drugs or overdo liquor.
I try to eat food that is good for my ticker.

Broccoli, whole grains, jamaica, white beans
to lower my blood pressure by other means
than those dreaded pills that make me feel old
by sapping my energy, dulling my bold.
I can give up the salt and give up the nookie,
but please don’t deprive me of my evening cookie
or maybe a dozen or two, more or less.
 In my frenzy, I sometimes lose count, I confess.

If I’m going to have meat, a potato’s a must.
Protein without carbs is simply unjust.
Dark chocolate’s allowed, but I fear just a bit,
and when it comes to chocolate, I never can quit.
Who wants to commit to a life with no sin?
No pasta, no cookies, no chocolate, no gin?
I try to be good but I’m still not the best,
for I cannot commit to a diet with no zest.

 

The prompt today was commit.

Full Volume

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(Click on first photo to enlarge all.)

 

Full Volume

I hear my neighbor’s fighting cocks crow into the night,
expressing their readiness for tomorrow’s fight.
There are always noises cutting through the dark.
I hear the donkey’s braying and the dog’s loud bark.

Some neighborhood weekend party goes on ’til four or five,
expressing at great volume that they’re glad to be alive.
The singing and the music and the fireworks exploding
that sometimes make me feel as though my head may be imploding.

The church bells in the village every quarter hour declaring,
trucks advancing street by street, loudspeakers rudely blaring.
One truck selling vegetables, another selling gas,
shouting out their wares to everyone they pass.

Others selling water or cooking oil or soap,
scrub brushes or sponges, plastic buckets or rope—
Motorcycles without mufflers roaring down the street
revving up their motors for every friend they meet.

Bandas in the plaza play at a decibel
that I swear could raise the bats straight up out of Hell.
Mexico isn’t subtle. It’s bright and bold and proud.
That’s why for everything in Mexico, the volume’s turned up LOUD!!!!

 

 

The prompt word was volume.

Ragtag Hattie

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jdbphoto

 

Ragtag Hattie

Though her clothes are old and ratty,
her cast-off hats tattered and gnatty,
and her aroma eau de catty,
still her style is somewhat natty.
She has a certain savoir faire,
a childlike, careless stylish air.
Silk scarves and clanking jewelry
devoid of runway foolery.

Diaphanous and parachutey,
silk nightgowns might do double duty
as ballgowns were she ever asked
to functions one arrives at masked
in Dior dresses  or black tie.
In lieu of that, she’ll just get by
strolling the streets in finery
gained from her dumpster minery.

Onlookers may think her batty—
clothes so rumpled, hair so matty.
all of her gloriously tatty—
her ballet slippers so pitter-patty
scuffling through the city streets,
greeting everyone she meets.

She is a fixture in our town
with a certain wide renown.
Pointed out to visiting friends,
her unique presence somehow lends
a flavor to the streets she walks.
She does not mind the stares and gawks.

Until one day she is not there—
her birdlike plumage, strange and rare
flown to a runway far above–
a blown-off hat, a single glove
left on the stairway where she fell—
to become this legend that I tell.

 

 

The prompt today is natty.

Dressed to Kill

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Dressed to Kill

Ladies have loved a uniform
since writing was in cuniform.
They’ve flirted with each man they’ve met
with shoulders garbed in epaulet.
No telling what the reason may be
why every serviceman they see
with stripes and bars upon his chest
is the man they like the best.

A Scottish guardsman who’s well-built
may show his legs off in a kilt,
whereas an Arab man who’s urban
struts his stuff beneath a turban.
Cops on their beats and Maitre d’s
have all the ladies that they please
when they don the prescribed clothes
in which they are assigned to pose.

Some women even make a grab
for guys they see in olive drab.
Ushers in jackets and in gloves
have been known to find new loves
in their darkened theater aisles
as they exercise their wiles
escorting with a liveried arm
those special ladies they seek to charm.

German gents who seek attention,
it’s hardly necessary to mention,
when they’re wanting to be chosen,
don a pair of lederhosen.
And sailors find they rarely lose out 
when they get their navy blues out.
It’s true a full-regalia’d guy
is sure to catch the feminine eye.

Be it a robe or regimental,
there’s simply something elemental
about a man who’s dressed to kill—
for women cannot get their fill
of a gentleman in monkey suit.
Unsuited men just can’t refute
that they suffer real regrets
that that man in epaulets
gets all the women that he gets!

The prompt today was “uniform.”  (image of Barney Fife from internet.)

I Hear the Distant Music

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I Hear the Distant Music

The midnight bells toll languidly—their sequence slightly varied
to tell the stories of the hours—or those soon to be buried.
Behind them swells the music of a local band.
On the platform in the plaza, for hours more they’ll stand
pumping out their music to the crowds who gather there.
After their days of heavy labor, these hours are without care.

The oom pah pah of distant music stirs my curtains like the wind—
the notes, first stiffly marching, change their minds to dip and bend.
The banda tunes a bit off-key, loud in their origin,
by the time they lift to me are strained out soft and thin.
Living miles above the town, I’m spared soreness of ears
as from assonant cacophony, the music shifts its gears.

What I hear is joyfulness far into the night.
The music meant to call to action releases its bite
and becomes a happy background as I slip into dreams.
Others have not given up on the day it seems.
Behind my lids I see them–lovers in their clenches,
grandmothers slowly nodding as they watch them from the benches.

It may be that daylight hours are for labor and for strife,
but far into the the morning hours, the village lives its life
in the night-shadowed plaza, far below where I
shift upon my pillow, content to simply lie
listening to the village—all the stories that it tells.
The laughter and the music and the tolling of the bells.

(In Mexico, church bells are a sort of village clock.  They toll the hour, half-hour and quarter-hour, but also announce church services and deaths.)

Today’s word was “distant.”

Lazy Bones

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Lazy Bones

The greater portion of the day
had already passed away
by the time she raised her head
and deigned to quit her lonely bed.
She fed the cat and fed the dog,
then hit the button and fed her blog.
The words poured out like kibble, then
she went back to bed again!
It’s true she is a lazy bones,
ignoring doorbells, texts and phones
until it is her choice to rise
to face the possible surprise
that the night might still present—
wondering where the daylight went.
‘”Here sleeps,” her epitaph  will say,
“one who slept her life away.”

In case you are wondering,

(This is not me. I’m up at eight
to answer pounding on my gate.
It is my alter-ego, perhaps—
that side of me that I let lapse—
that draws me into daylight naps
and tempts me to ignore the phone.
That asks for afternoons alone.)

 

The prompt today was portion.